Nobody Cites Your Work: Notes from a lecture

Yesterday I was invited to give a talk at the Drexel University Library and in a fit of hubris I decided to attack a problem that many of us in academia face: how to interact with society, engage your students, get your papers read, not become an “empty” entertainer, while avoiding burnout and staying happy… The actual title to the talk was slightly less ambitious but maybe a bit of a downer: “Nobody cites your work: copyright licensing and public engagement”

These are questions which have long been close to my heart but it was great to be given the opportunity to be able to share my thoughts about what we should or could be doing about this. The presentation began with me explaining that there will be no easy answer to all the questions I pose but that we as a community of academics must continue to raise awareness in these issues in order not to be overcome with them. So the talk would really present some issues, solutions, and a critique.

The issues I wanted to address were interaction, students, being ignored, and edutainment.

Interaction: The was a response to the recent critique by Nicholas Kristof Academics, We need you! in which he wrote

“If the sine qua non for academic success is peer-reviewed publications, then academics who ‘waste their time’ writing for the masses will be penalized.”

and the article by Joshua Rothman Why is academic writing so academic? in which he wrote

“Academic prose is, ideally, impersonal, written by one disinterested mind for other equally disinterested minds”

There have been much written about these two articles and suffice to say that there is a perception problem when the hoards of engaged and enthusiastic academics that I know and work with are being portrayed as dated, distant, and disinterested. I’ve written more on this earlier here and the links are rewarding.  The difference between perception and reality is what makes this a real problem.

Students: Many of our students are as young as 18 years old. This means that they were 8 years old when Facebook emerged. They have been online, using technology, and being shaped by digital technology for all of their lives. In order to communicate meaningfully to them we must be prepared to both demand that they struggle but simultaneously understand that they are shaped by the environment. A quote by Missy Cummings puts this into perspective (BBC The Why Factor: Boredom):

“We’d be lucky today if they had a 20-30 minute attention span, now its more like 5-10, because if their minds wander they immediately go to another information seeking routine like their cell phones… Like it or not this is the new norm.“

Yes of course we can be upset about this development. But more importantly we must accept this development to be part of the reality of teaching today.

Being ignored:This is the incredibly disheartening realization that lies at the heart of academic publishing. Lokman I Meho The Rise and Rise of Citation Analysis

“It is a sobering fact that some 90% of papers that have been published in academic journals are never cited. Indeed, as many as 50% of papers are never read by anyone other than their authors, referees and journal editors.”

Between the amount of time academics spend on unsuccessful grant applications and creating articles which are unread it is difficult not to throw ones arms up in the air and scream in frustration.

Edutainment: This is the unreasonable expectation that learning should be fun. Of course learning can be fun. But actually learning the basics of something is a challenge and the pride one feels after mastering something comes as a result of the effort it takes. If it’s all fun then maybe it’s not really effort? The problem that education should be fun is partly caused by the snappy lectures presented in short pithy formats like the TED’s. The TED isn’t about basic education. It’s about small ideas with personal experiences and easy to swallow segments. Imagine trying to learn a foreign language, programming or the finer details of procurement law in TED talks! Unfortunately the talks have sometimes been presented as the future of education. For more on TED’s negative effects and sources to its critics see The Cult of TED harms lectures.

Following a presentation of the issues I wanted to address some of the solutions being put forward social media, open access, and licensing. These were presented with the understanding that taken as general one-size-fits-all solutions they are not particularly usable. The reason for presenting this set of “solutions” was also to enable the discussion on the shallow critics which have been particularly vocal in a couple of articles in The Scholarly Kitchen. First there was CC-BY, Copyright, and Stolen Advocacy and then there was Does Creative Commons Make Sense? these articles were critiqued in the comments but they still stand as a voices of criticism. In particular the latter article attempts to argue that CC is unimportant because copyright law exists. Sad statement, a rebuttal could fill several books… oh, wait it they already exist.

As a slight aside, as I couldn’t resist pointing it out, the existence of law does not in itself protect the individual. I told the audience of the situation where Lawerence Lessig (copyright professor and activist and founder of CC) was sued for posting a lecture online. He argued fair use and eventually won his case. But would many professors have the knowledge, tenacity and support to fight in cases such as these?

Following this I presented a quick intro to Creative Commons licensing including a small description into the progression from version 1 to the current version 4 of the licenses. Then I moved on the lecture to the analysis. Does social media and lowering barriers work and if so how and how much?

The material I presented was a mix of cases with the efficiency of open access and open content licensing in making material available to larger groups of people. These systems also have the ability to make material available to groups who would not have access through the channels we as academics take for granted. When I came to the discussion on whether or not open access helps I used this article Open Access increases citation? A brief overview of two reports

Two different methods and two different results. Which one is more accurate? It is hard to determine. Open Access is not a panacea for all problems. It does not automatically increase the level of citations. But, without doubt, it helps when it comes to getting more visibility, which obviously is of a great advantage for the articles and their authors. There are other factors in play which shape the level of citations for specific paper; for example the Impact Factor of journal,  promotion efforts of publisher and author himself, the chosen subject and field of research, as well as an extended reference list at the end of a research paper. All these factors may have impact on citations level. But all in all, almost all studies into this subject confirm –  direct or indirect –  positive impact of Open Access on level of citations.

The result of everything? Lowering barriers helps academics, social media can increase range. All must be used with knowledge and caution in order not to become worthless and we need to be knowledgeable about our realities in order to carry out a well informed discussion. Now, find your comfort level & share your work!

Here are the slides I used:

 

Free Getty Images have take backsies

It feels like a good day when you wake up to the news that Getty Images is making 35 million images free to use. That’s nice… or is it?

 

The embedd tool is only will allow users to (WSJ)

..include images on websites, such as non-commercial WordPress blogs. The eligible images also come with buttons for Tumblr and Twitter, where a link to the image can be shared. (The image itself doesn’t appear on Twitter, however.)

The obvious question about this is the elusive term non-commercial – attempting to define what is and isn’t commercial is a minefield. But the real question here is one of control. Poynter, referring to the Verge, picks up this point in their reporting of the release. Getty is not giving something for nothing and what they will have is control. Previously images were used without clearing copyright but by providing easy embedding code users will be encouraged to use the images in the ways in which Getty desires.

The new money comes because, once the images are embedded, Getty has much more control over the images. The new embeds are built on the same iframe code that lets you embed a tweet or a YouTube video, which means the company can use embeds to plant ads or collect user information.

The terms of service makes the control pretty clear. Under termination they write:

Notwithstanding any of these Site Terms, Getty Images reserves the right, without notice and in its sole discretion, to terminate your account and/or to block your use of the Site.

If they don’t like you, you don’t get to use the images any more. If you have built up a following based on images they provide – and by doing this provide them with viewers/customers/revenue you still have no rights to use their images if they decide not to share with you any more. As they are embedded images they don’t even have to demand that you take the images down.

This is conditional freedom. This is not a gift but a conditional exchange where those who embed images become the advance marketers of Getty. We have all seen this, this is classic social media thinking. We should know by now:

If you are not paying for it, you are the product being sold. Or an unpaid part of the sales team.

Lets be clear. Getty images has the right to do what they please with these images. I have no problem with their approach. I just want to point out the difference between giving something away while keeping the right to take it back and giving something away.

Compare this with the 100s of millions (if not billions) of images available under Creative Commons licenses. Here the exchange is free and non-revokable. If I use an image that a photographer has licensed under CC. I can use that image forever.

Now this is a free lunch.

Creative Commons Generation 4 Licenses Launched

After a lot of work and hard discussions Creative Commons now launches the fourth version of their licenses. From the CC blog

We proudly introduce our 4.0 licenses, now available for adoption worldwide. The 4.0 licenses — more than two years in the making — are the most global, legally robust licenses produced by CC to date. We have incorporated dozens of improvements that make sharing and reusing CC-licensed materials easier and more dependable than ever before.

Leading Creative Commons Sweden

In 2005 I met the cool Karl Jonsson (the original hard rock hippie lawyer) and began on a translating and adapting the Creative Commons licenses to fit into the Swedish socio-legal system. Since then I have been the Project Lead for Creative Commons Sweden and have given countless lectures on the way the licenses work.

We were joined in 2009 by the energetic and creative Kristina Alexanderson together we formed a fantastic team, working voluntarily with the licenses and culture of sharing we believe so strongly in.

For some time, I have been spending time in Philadelphia and I am slowly transitioning my life to spend all my time there.

Americano by Wrote (Creative Commons BY NC)

The distance and the time zones makes it more difficult for me to be an active project lead so the project needs to be handed over to another. The person needs to be what in Swedish is called by the beautiful word eldsjäl – which translates as fire soul.

Fortunately this description fits well on our very own Kristina is now taking over as Project Lead for Creative Commons Sweden. There is a sweet sadness in leaving the post, but I am happy that the project is left in great hands.

 

Making attribution work

One of the problems with using as many Creative Commons licensed images as I do is creating and maintaining a system so that I am able to attribute the right picture to the right creator in the right way.

This is why I’m excited about the project Commons Machinery that promises to make my life much easier.

Commons Machinery is building infrastructure in support of the Commons. Our aim is to make the use of digital works as easy as possible by developing new technology built on open standards for licensing, attribution and provenance.

So support Commons Machinery and make attribution (and life) easier.

European CC Affiliates Celebrate #cc10 with a Mixtape of Inspiring CC-Licensed Music

This is taken from the Creative Commons blog. It was definitely worth sharing in full so here it is:

Guest blog post by Teresa Nobre, Legal Project Lead at Creative Commons Portugal

One of the opportunities for Creative Commons to continue its rapid evolution is more collaboration between the various affiliates. In September, representatives of CC’s affiliates in 17 different European countries attended a regional meeting and discussed, among other things, Creative Commons’ 10th birthday. Most of the affiliates were already planning activities and events in their own countries; nevertheless, we felt that it was important to find a way to celebrate this important date as a regional network. Since the majority of the affiliates are volunteers, we cannot commit ourselves to carry out as many common actions as we would like. With other priorities in both the national and regional agendas, this activity could not require much planning and execution. The idea of creating a mixtape with Creative Commons–licensed music from around Europe – where each affiliate just had to suggest one or two tracks from her own country – seemed, therefore, a good option and got the general agreement of all those present at the meeting.

Back to our home countries, we relied on the network mailing list to get everyone involved. We did not nominate an official project lead and we did not establish any requirements other than the music being the affiliate’s preferred CC-licensed music. We could have decided to use the mixtape to promote just music licensed with one of CC’s free culture licenses (CC BY and CC BY-SA), but we wanted to get as many affiliates involved as possible and we knew that adding such limitation would only make searching for work more difficult. After all, only a very few of us work in the music industry (the others are lawyers, open content advisors, entrepreneurs, academic researchers, engineers, etc.) and not all of us are familiar with our national CC-licensed music.

Some affiliates went on asking for suggestions to their local communities and some even did contests to find their national CC-licensed music that would make into the compilation. Not all the European affiliates were able to get involved in the project, but those involved were really motivated and even found time to send contributions in respect to other European countries. In total, 16 affiliates worked together, devoting much more time than they initially thought they had available, to make this mixtape happen.

The resulting mixtape showcases the talent of 20 artists from 20 European countries: Belgium, Bosnia and Herzegovina, Bulgaria, Czech Republic, Denmark, France, Germany, Greece, Iceland, Israel, Netherlands, Poland, Portugal, Serbia, Slovakia, Slovenia, Spain, Sweden, Switzerland, and the UK. The tracks are from genres as diverse as electronic, folk, classic, drum & bass, rock, ska and tango, and they sound awesome together (despite the fact that they were compiled by a non-musician lawyer!). Give it a listen! It is available for download under various Creative Commons licenses at Free Music Archive, SoundCloud, and the Internet Archive. The album artwork is licensed under a Creative Commons Attribution license.

CC10 Musicians: Celebrating 10 years of Commons

The great people at CC Korea have now launched the “CC10Musicians” iPhone app (It’s available for download on iTunes itun.es/kr/N9ibJ.i)
The App provides free access to free Creative Commons music. I can only agree with CC Korea
Please download, enjoy, and spread it to as many people around you as possible to let them have a chance to discover the coolest musicians from CC music scene!
The App is launched to coincide with Creative Commons 10 year celebrations – it’s also a very cool way to find and get acquainted with artists who spread their material under Creative Commons licenses.
Congratulations CC Korea! Thanks for this App!

Release Bassel Khartabil

The post is copied in its entirety from the Creative Commons weblog

What open means to you
Bassel / joi / CC BY

Earlier this year, Creative Commons issued a statement in support of Bassel Khartabil, a longtime CC volunteer who has been detained by Syrian authorities since March 15. Amnesty International recently released a document with information suggesting that Bassel has been ill-treated and even tortured. This morning, we sent a letter to President Bashar al-Assad, Minister of Foreign Affairs Walid al-Mu’allim, and Minister of Defense ‘Imad al-Fraij; urging that Bassel be released unless he is promptly charged with an internationally recognized criminal offense. We urge Syrian authorities to grant Bassel immediate access to his family, a lawyer of his choice, and all necessary medical treatment.

Bassel has played a crucial role in the open technology and culture communities, both in Syria and around the world. Through his service as Creative Commons’ project lead in Syria and his numerous contributions to the advancement of open source and related technologies, Bassel has spent his career working toward a more free Internet. Many of us at Creative Commons have become friends of Bassel’s over the years. All of us have benefited from his leadership and expertise.

Please stand with us in support of Bassel. Amnesty International has provided instructions for contacting Syrian authorities. For more information, visit freebassel.org.

Read Creative Commons’ call for the release of Bassel Khartabil (PDF).

Granny's Dancing on the Table

Three years ago Hanna Sköld did a bold and daring thing. She took out a private bankloan to produce her film Nasty Old People and when it was done she made things worse by releasing it under a Creative Commons license and spread it via The Pirate Bay. The prophets of doom were wringing their hands and predicting her eternal financial, artistic and commercial doom.

The film quickly spread across 113 countries and was downloaded more than 50,000 times. It was translated, remixed and screened all around the world. She made back her money and established herself as a filmmaker to keep your eyes on both in Sweden and internationally. Naturally people with an interest in CC thought she was pretty cool too.

Now she is launching her new project its a story about a grandmother called “Granny’s Dancing on the Table”. Her early experiment in licensing and radical distribution continues, this time she has begun with kickstarter funding. Check it out here:

Together with you, we will create a granny-invasion! Because this time we are not only creating a film, we are creating a whole universe – the GRANNIVERSE – which includes a feature film, a psycological adventure game and International Grannyday.

Also consider the Granny Philosophy!

1. DREAM TOGETHER!

We do believe that stories can change the world.

2.CREATE TOGETHER!

We do believe that the world should be seen from different perspectives.

3.FUND TOGETHER!

We do believe that everyone can contribute with something. Money, ideas, energy, sharing, support, beers……

4. SHARE TOGETHER!

We do believe that freedom of speech and stories should be carried by people, not by big companies.

5.TALK TOGETHER!

We do believe that shared information is a way to create a more equal world.

6.LISTEN TOGETHER!

We do believe that by listening to each others stories we will expand our world.

7. DANCE TOGETHER

And preferably on the table.

Let your own Granny be part of The Granny Invasion at www.granniverse.com. Join the #granniverse!

Wikipedia Reader: new free book

Another book has been added to my growing hoard of CC licensed works that are somehow relevant to my research area.

The Critical Point of View: A Wikipedia Reader is an interesting work featuring research from a large group of exciting and original thinkers. It is, as the blurb states:

About the book: For millions of internet users around the globe, the search for new knowledge begins with Wikipedia. The encyclopedia’s rapid rise, novel organization, and freely offered content have been marveled at and denounced by a host of commentators. Critical Point of View moves beyond unflagging praise, well-worn facts, and questions about its reliability and accuracy, to unveil the complex, messy, and controversial realities of a distributed knowledge platform.

Right now the chapters which have my interest are

The Argument Engine by Joseph Reagle, What is an Encyclopedia? From Pliny to Wikipedia by Dan O’Sullivan
A Brief History of the Internet from the 15th to the 18th Century by Lawrence Liang, Questioning Wikipedia by Nicholas Carr, The Missing Wikipedians by Heather Ford, and The Right to Fork: A Historical Survey of De/centralization in Wikipedia by Andrew Famiglietti. But this is only a small fraction of the topics covered in this work.

So check out: Geert Lovink and Nathaniel Tkacz (eds), Critical Point of View: A Wikpedia Reader, Amsterdam: Institute of Network Cultures, 2011. Its available in online, pdf, or good old dead tree versions!

Also if there are other titles of CC licensed books which should be included in the list please let me know…