Why We’ve Stopped Caring About Surveillance (And Why That’s a Problem)

Remember the first time you realized your smart speaker was always listening? Or when you discovered your fitness tracker was mapping every step you took? Maybe you felt a little creeped out. But if you’re like most people, that feeling didn’t last long.

Welcome to surveillance numbing.

The term comes from psychologist Robert Jay Lifton’s work on how people cope with nuclear threat. He wondered: how do we go about our daily lives knowing nuclear annihilation is possible? The answer: we become numb to it. We create mental stories that help us ignore what feels too overwhelming to process.

The same thing happens with surveillance. When monitoring becomes everywhere, our phones, our homes, our fitness trackers, our baby monitors, it stops feeling like a threat and starts feeling like infrastructure. We don’t resist it. We rationalize it. We tell ourselves it doesn’t matter.

 

Here’s the thing: surveillance from governments and corporations was already ubiquitous. But now we’re building our own surveillance microcosms in our most intimate relationships. We track our partners’ locations. We monitor our children through cameras. We quantify our health, our sleep, our steps. Multiple overlapping spheres of observation capturing every aspect of our lives.

And we’ve mostly stopped caring.

Part of this is deliberate. Tech companies have nurtured this apathy through promises of safety and convenience. But part of it is just… exhaustion. The sheer volume of data collection is so vast it resists comprehension. So instead of outrage, we feel resignation.

But here’s why resisting that numbness matters: when we accept surveillance as inevitable, we lose our capacity to imagine alternatives. We stop asking whether constant monitoring is actually making our relationships better, our children safer, our lives richer. We stop noticing that the infrastructure is already there, so using it requires no additional choice; it’s just the path of least resistance.

Interestingly, we can walk through dozens of surveillance cameras without concern, yet feel violated if one person points a camera directly at us. We’ve become numb to the forest but still flinch at individual trees.

Fighting surveillance numbing doesn’t mean rejecting all technology. It means maintaining the capacity to question what has come to feel normal. It means resisting the temptation to let overwhelm turn into apathy. It means asking, repeatedly: “Is this surveillance actually serving me, or have I just stopped noticing it’s there?”

The first step is simply this: notice. Notice when you reach for the location-sharing app instead of texting your partner. Notice when monitoring feels easier than trusting. Notice when you’ve stopped feeling anything at all.

Because once we’ve gone completely numb, we’ve lost the ability to choose differently.​​​​​​​​​​​​​​​​

Sleepwalking Through Surveillance

We’re living through something strange. Every day, millions of us willingly wire our homes with cameras, strap tracking devices to our wrists, and carry computers that log our every movement. We know these technologies watch us. We just… don’t really think about it anymore.

The sociologist Langdon Winner called this “technological somnambulism”; we sleepwalk through the most profound technological changes in human history, barely registering how they reshape our lives. And nowhere is this sleepwalking more evident than in our most intimate spaces: our homes, our relationships, our bodies.

Consider the baby monitor. A century ago, the idea of installing a microphone in your child’s bedroom would have seemed dystopian. Today, internet-connected cameras in nurseries are so normalized that not having one might raise eyebrows. We’ve drifted from simple audio monitors to HD video feeds accessible from anywhere on Earth, often processed through cloud servers owned by distant corporations. This transformation happened gradually enough that we never quite stopped to ask: Wait, when did we decide this was normal?

Or take location-sharing apps between romantic partners. What began as a safety feature has become, for many couples, a constant ambient awareness of each other’s whereabouts. One partner glances at their phone and sees the other stopped at an unexpected address. Is this intimacy? Surveillance? Both? The technology arrived so quietly, so pleasantly packaged, that we adopted it before fully working through these questions.

This is what I call a “surveillance microcosm”: a small-scale system where surveillance becomes woven into the fabric of care, intimacy, and daily life. Unlike the distant, bureaucratic surveillance of government agencies, these microcosms live in our pockets and on our nightstands. They’re sold as tools of love and protection. They arrive wrapped in the language of care.

And that’s precisely why we sleepwalk through their adoption.

Rick and Morty: Night Family (2022)

Winner argued that technological somnambulism happens because we treat tools as neutral instruments rather than as forces that reshape social relationships. A baby monitor isn’t just a device for hearing your child; it restructures the relationship between parent and child, between vigilance and autonomy, between public and private. A fitness tracker isn’t just counting steps; it’s redefining what counts as health, who gets to measure it, and how we understand our own bodies.

The genius of surveillance microcosms is that they exploit our best intentions. Of course, you want to keep your baby safe. Of course, you want to stay connected with your partner. Of course, you want to take care of your aging parents. The technologies slide into our lives on the back of these genuine desires, and by the time we notice the surveillance, it’s already embedded in our routines, our relationships, our sense of what it means to care for each other.

We’re not being forced into this surveillance. We’re adopting it voluntarily, one small decision at a time. Each choice seems reasonable in isolation: Sure, I’ll share my location with my spouse. Why not let the doorbell camera keep the footage? What’s the harm in a smart speaker that listens for keywords?

But sleepwalking is dangerous precisely because it happens one step at a time. You don’t wake up in a different room through a single dramatic leap. You drift there gradually, unaware you’ve left your bed until you open your eyes somewhere unexpected.

The question isn’t whether we can somehow uninvent these technologies or return to a mythical pre-digital past. They’re here. We’re using them. Many of them genuinely make our lives easier or safer in specific ways.

The question is whether we can wake up. Whether we can develop enough critical awareness to make genuine choices about which forms of surveillance we want in our intimate lives and which we don’t. Whether we can distinguish between technologies that enhance care and technologies that simply trade it for control.

Because right now, we’re still sleepwalking. And every step takes us deeper into homes and relationships structured by constant visibility, ambient monitoring, and the subtle assumption that to care is to surveil.

Maybe it’s time to open our eyes and see where we’ve ended up.​​​​​​​​​​​​​​​​

Smart Glasses and the New Age of Facecrime

In a moment of synchronicity, I was quoting Orwell in a text I was writing when I read about a recent incident on the New York City subway that offers a troubling glimpse into our surveillance-saturated future, and our ability to resist it. A woman broke a man’s Meta Ray-Ban smart glasses after he wore them on public transit, and the internet erupted not in outrage at the destruction of property, but in celebration of her act, with commenters praising her resistance against what they saw as invasive recording technology.

The parallels to George Orwell’s 1984 are striking, though perhaps not in the way we might expect. In Orwell’s dystopia, surveillance wasn’t just about being watched. It was about the psychological transformation that constant monitoring creates. As Winston Smith reflects: “It was terribly dangerous to let your thoughts wander when you were in any public place or within range of a telescreen. The smallest thing could give you away. A nervous tic, an unconscious look of anxiety, a habit of muttering to yourself — anything that carried with it the suggestion of abnormality, of having something to hide.”

This passage introduces the concept of “facecrime”: the offense of wearing an improper expression. But what made facecrime so insidious wasn’t just that it was punishable, but that it forced people to constantly police their own faces, their own bodies, their own spontaneous reactions. The surveillance state didn’t need to watch everyone all the time; the mere possibility of observation was enough to make people surveil themselves.

Now consider the subway incident. The man wearing Meta smart glasses claimed he was “making a funny noise people were honestly crying laughing at.” But one woman wasn’t laughing. She was, presumably, aware that those sleek glasses could be recording her without her knowledge or consent. The woman’s violent response (breaking the glasses) wasn’t about humor or personality conflicts. It was about refusing to be recorded, refusing to have her image, her reactions, her presence in public space captured and potentially shared, analyzed, or stored forever.

Here’s where our moment diverges from Orwell’s nightmare: Winston Smith had to manage his face for the telescreens, for Big Brother’s institutional surveillance apparatus. But in 2025, we manage our faces for each other. The surveillance isn’t coming from a totalitarian government. It’s coming from the person sitting across from us on the subway, from the stranger at the coffee shop, from anyone with $300 smart glasses.

The discipline is the same. That awareness that you might be recorded forces a kind of performance, a self-monitoring that mirrors Winston’s careful facial management. Do I look normal? Am I doing anything that could be taken out of context? Could this moment be clipped, shared, and go viral? The woman who broke those glasses was rejecting that forced performance, that requirement to live as if always on camera.

Yet there’s a crucial difference in power dynamics. Winston Smith lived in paralyzing fear of the state’s retribution. He could only rebel in the smallest, most private ways: writing in a hidden diary, seeking brief moments of unauthorized intimacy. The telescreens were backed by the full apparatus of totalitarian violence: arrest, torture, vaporization. His fear was so complete that even his acts of resistance were saturated with the certainty of eventual punishment.

The woman on the subway, by contrast, acted. She overcame whatever fear of consequences she might have felt and physically destroyed the surveillance device pointed at her. The man’s threat to file a police report and press charges rings hollow compared to the Thought Police. Her unfazed expression as he shouted threats through the train window suggests she understood something important: distributed surveillance lacks the concentrated enforcement power of the state. She could fight back, and the crowd’s silent support confirmed her assessment. No one intervened to protect the glasses wearer. No one called the authorities. The power of retribution, it turns out, is far more diffuse when surveillance is decentralized.

Orwell understood that surveillance changes behavior not through constant watching, but through the internalized possibility of being watched. Today’s distributed surveillance network (where anyone might be recording at any time) creates the same effect. We’re all learning facecrime, learning to manage our public selves, not for the state, but for an invisible, ever-present potential audience.

The difference is that Orwell hoped we’d resist this. He couldn’t have imagined we’d buy it ourselves for $300, wear it proudly, and call anyone who objects a criminal for breaking our toys. But perhaps he also couldn’t imagine that resistance would still be possible, that unlike Winston Smith, some people would choose action over submission, even knowing the cameras might be watching.

We’ve been here before…

The Hidden Cost of High-Tech Parenting

We’ve all seen that painting, or one like it. A mother slumped in exhaustion beside her child’s bed, fighting to keep her eyes open through another endless night. Christian Krohg’s 1883 masterpiece captures something timeless about parenthood: that bone-deep fatigue that comes from caring for someone who cannot care for themselves. Today, we have a solution for that exhausted parent: the baby monitor. A device that promises you can finally get some sleep while still watching over your child. The camera never blinks. The microphone never misses a sound. Technology, we’re told, makes us better parents. But what if that’s not quite the whole story?

Christian Krohg; Mother & Child (1883)

There’s a difference between the caring that flows naturally from love and the caring we have to consciously maintain when we’re stretched thin. Natural caring has limits. We get tired, we need to sleep, we have other responsibilities pulling at our attention. The baby monitor enters right at this threshold, promising to bridge the gap when we simply cannot stay awake another minute. It extends our awareness beyond the walls. Except awareness isn’t the same thing as caring.

The monitor can tell you when your baby needs something, but it can’t warm them, feed them, or comfort them. It extends your surveillance, not your presence. And it might actually change something fundamental about how you connect with your child. A parent learns to read their infant through countless hours of physical proximity: the feel of their breathing, the warmth of their skin, the subtle differences between an “I’m hungry” cry and an “I’m uncomfortable” cry. What happens when you learn to read your baby through a screen instead? When their breathing becomes a waveform, their movements a series of motion alerts? The attention changes. It becomes filtered, abstracted, mediated.

Caring for dependent people requires practical wisdom, the ability to interpret needs that can’t be clearly stated. You develop this wisdom through sustained physical presence, learning the vocabulary of someone else’s body, their patterns, their particular ways of expressing discomfort or contentment. The baby monitor offers you data instead: breathing rate, movement patterns, sound levels. But data isn’t interpretation. The parent who learns to distinguish seven different types of crying, who can sense something’s wrong before any alarm goes off, that parent has developed knowledge that can’t be captured by sensors. The device gives you information. Care requires attunement. They’re not the same thing.

Consider the parent who checks the monitor compulsively, anxiety amplified rather than eased by constant surveillance. Or the parent who starts trusting the device’s silence more than their own intuition, who overrides that nagging feeling that something’s wrong because the monitor shows everything’s fine. These aren’t failures of care. They’re transformations in how care happens, changes that slip into our lives without much conscious thought about what they mean.

By suggesting that monitoring an infant is essentially a data problem, manufacturers imply that the work parents have always done isn’t really that complex. But what these devices can’t replace are the fundamental elements of caring: sustained attention to a specific person, physical presence that enables embodied response, the practical wisdom that develops through repetition, and the reciprocal relationship where the person being cared for responds to your presence. Your baby can’t respond to you through a monitor. The device creates pseudo-presence, awareness without embodiment, knowing without all the tactile, olfactory, and emotional dimensions that constitute actually being there.

None of this means exhausted parents shouldn’t use baby monitors. Parents need sleep. Sometimes you need to be in another room. The devices serve real purposes. But we should recognize what we’re trading. When surveillance becomes the primary mode of parental presence, when monitoring replaces the messier, more demanding work of sustained physical proximity, care transforms into something else. It becomes management, a system, a practice that looks more like institutional oversight than intimate attention.

Krohg’s exhausted mother hasn’t left the room. She hasn’t delegated awareness to a device. Her care, however taxing, remains immediate and embodied. She’s right there. As technology extends further into how we care for children, and increasingly, how we monitor aging parents, track partners’ locations, and maintain awareness of everyone we love, we might ask ourselves: Does this technology enable care, or does it progressively displace care with something that merely resembles it?

The real work of caring has never been about perfect monitoring. It’s about being present, even imperfectly, even while exhausted. Technology can supplement that presence. But it can’t replace what happens when one human being holds another in mind, in body, in the fullness of attention that care requires.

Re-writing and Renunciation in Art

I’ve spent years collecting quotes about writing, first in notebooks, then scattered across devices and margins of books. Recently, while procrastinating on revisions (a writer’s most creative form of avoidance), I found myself hunting through this digital and analog archive for a half-remembered line. The search took longer than it should have. But sometimes procrastination delivers unexpected gifts.

In May 1937, Albert Camus wrote in his notebook: “To write is to become disinterested. There is a certain renunciation in art. Rewrite—the effort always brings some profit, whatever this may be. Those who do not succeed fail because they are lazy.”

That word rewrite sits at the heart of the passage like a command. Not edit. Not polish. Rewrite.

We live in a culture obsessed with first-draft genius, with the myth of writers who conjure perfect sentences on the first try. Social media amplifies this illusion: we see the published essay, the finished book, the viral tweet, never the fifteen versions that came before.

But here’s the truth: first drafts are supposed to be messy. They’re thinking on paper, arguments still finding their shape, ideas not yet fully formed. The real work of writing happens in revision, when you return to those rough paragraphs with fresh eyes and ask: *What am I actually trying to say?*

Rewriting isn’t just about fixing typos or smoothing awkward phrases. It’s about rethinking. It’s where you discover the argument you didn’t know you were making, cut the beautiful paragraph that doesn’t belong, and find the clearer, sharper, truer way to say what matters.

When Camus writes about “disinterest” and “renunciation,” he’s pointing to something profound: rewriting requires letting go. You must abandon your attachment to what you thought you were writing and embrace what the work actually needs to become.

This means killing your darlings, as the saying goes. That horrible command: you see that digression you love, that entire chapter you sweated over? Delete it all. Not because they’re bad, but because they don’t serve the larger whole. It’s painful. But it’s also liberating. When you’re willing to renounce your first vision, you make space for something better to emerge.

Camus promises that “the effort always brings some profit, whatever this may be.” He doesn’t say the rewrite will be perfect, or that you’ll always succeed in saying exactly what you meant. Just that the effort itself yields something valuable.

Sometimes that profit is obvious: a clearer argument, better pacing, more vivid examples. But often it’s subtler. Through rewriting, you discover what you actually think. You clarify not just your prose but your ideas. The act of struggling with your own words sharpens your understanding.

And here’s what I’ve learned across years of writing and rewriting: you can’t think your way to clarity. You have to write your way there, draft by draft, revision by revision. The thinking happens through the rewriting.

Camus’s final line is horribly harsh: “Those who do not succeed fail because they are lazy.” Damn dude!

But he’s not talking about natural talent or inspiration. He’s talking about showing up, again and again, to do the unglamorous work. The willingness to face your own inadequate first draft. The discipline to read your words with brutal honesty and start again.

Laziness, in this sense, isn’t about working too little, it’s about being unwilling to look at your work clearly, to admit it’s not yet what it needs to be. It’s easier to declare a draft “good enough” than to do the hard work of making it actually good.

So here I am, first draft complete, standing at the threshold of what comes next. Maybe writing this text to procrastinate

The surveillance book exists now as a manuscript, full of ideas I’m excited about and sentences I’m already cringing at. The real work begins today: the rewriting, the rethinking, the renunciation of what I thought I was writing in favor of what it could become. It won’t be easy. It will take time I don’t feel like I have. But Camus promises there will be profit in the effort, whatever it may be.

I am not sure there is joy in rewriting; its just another job that needs to be done. Or maybe, I will spend the rest of the day searching for another quotation…

The Surveillance of Mediated Copresence

We often use technology to bridge the distances we find ourselves faced with. If we cannot be together, we send a text, call, or video message to each other. Before these digital mediations, we would maybe use a landline or send a letter.

On June 16, 1593, Henry IV of France wrote to his mistress

I have waited patiently for one whole day without news of you; I have been counting the time and that’s what it must be. But a second day–I can see no reason for it, unless my servants have grown lazy or been captured by the enemy, for I dare not put the blame on you, my beautiful angel: I am too confident of your affection–which is certainly due to me, for my love was never greater, nor my desire more urgent; that is why I repeat this refrain in all my letters: come, come, come, my dear love.

Faced with absence, we revert to lesser versions to feel closeness to the other. The more advanced our technology gets, the more we add features to our ability to be together, and yet, mere mediated presence is never enough.

Erving Goffman wrote in “Behavior in Public Spaces: Notes on the social organizing of gatherings” that: “Copresence renders persons uniquely accessible, available, and subject to one another.”

What he meant was that to be in the presence of other individuals fundamentally changes the nature of interactions and relationships, making people more open, receptive, and accountable to each other. Co-presence is more than being together in the same space or being able to share a digital platform.

When we are copresent, we are physically and socially available for interaction, making it easier to initiate and engage in communication. We are within range of each other’s senses and perceived by others, who in turn are perceived by us. Co-presence, therefore, signifies a readiness to interact and be engaged, fostering a sense of readiness and mutual attentiveness that may not exist in situations of mere co-location. It creates a dynamic where individuals are not simply observers but active participants in shaping the social environment and influencing each other’s experiences and behaviors.

Think about the co-presence created by the three floating dots in a text conversation. Naturally, the affordances of text mean that the feelings of presence are significantly truncated. We cannot see, smell, or hear the other – and yet a text can create a deep sense of co-presence because of the intimate history that has been built both inside and outside the digital platform.

The three floating dots, or “ellipsis” as they are more formally known, have a better, but lesser-known name. They are “suspension points”, a more apt descriptor since they highlight the pause, hesitation, or trailing off in speech or writing.

The suspension points not only keep those waiting glued to the screen, but they also allow those waiting to sense that something is happening to the sender, the conversation is not over, but there could be many reasons for the delay…

Orwellian

Despite not being a big fan of biographies, I am very much enjoying The Ministry of Truth: A biography of George Orwell’s 1984 by Dorian Lynskey, which, with its focus on the book, tells the story of Orwell in a fascinating new (to me) light. It’s also a great way of talking about the impact of the world on Orwell’s thinking, and the impact of Orwell’s writing on the world.

Books like these are filled with great ideas and wonderful small nuggets of information. My favorite is the word Orwellian was coined by Mary
McCarthy, in her essay on fashion magazines “Up the Ladder from Charm to Vogue” published in The Reporter on August 1, 1950.

The Orwellian future was a “without content or point of view beyond its proclamation of itself, one hundred and twenty pages of sheer presentation, a journalistic mirage”, McCarthy continues

The articles, in fact, seem meant not to be read but inhaled like a whiff of scent from the mystic… Nobody, one imagines, has read them, not even their authors: Grammatical sentences are arranged around a vanishing point of meaning.

Text, without content, that hasn’t been read, and nobody will read…  But it will be consumed.

Baby Surveillance

Surveillance as certainty

There is a beautiful depiction of a Mother and Child by Christian Krohg (1883) in the Norwegian National Museum in Oslo. The mother and child are a common theme that runs through the entire history of art, with works using the motif to symbolize themes such as fertility, humanity, redemption, love, nurture, and duty. Quite often, the mother is seen nurturing her baby, as with the portrait Lady Mary Boyle nursing her son Charles by Sir Godfrey Kneller (1690), which is the earliest depiction of a mother breastfeeding her own child in British and Irish portraiture.

Krogh attempts to capture a moment of the life of mother and child. The scene is a section of a bedroom. In the foreground, there is a red cradle with a sleeping baby; the background is taken up with a bare wall and a part of a bed with a cover similar in color to the bland wall. It is in the midsection that this painting becomes interesting. The mother is sitting on the chair, hanging over the end of the bed. One arm is in her lap, the other rests on the cradle, and she is asleep. The artist has captured the point in the life of a young mother when exhaustion takes over; it’s a very real moment in life, but a very unusual artistic representation of motherhood.

Aside from the joys of parenting, it remains a time of intense emotional and physical labor, uncertainty, and worry. Parents spend a lot of time attempting to ascertain if they are parenting correctly, removing potential hazards, and keeping a watchful eye on their growing offspring. Given the stressful nature of this period in our lives, it is natural that we have developed different technologies at different times to cope with and help our children lead healthy lives.

In an attempt to keep our kids safe (and alive), we developed baby monitors, nanny cams, and added ever more surveillance equipment ever closer to our babies (Check out Tama Leavers’ work, for example, Intimate surveillance and Born Digital). Today, any parent can get “FDA-cleared monitors that bring medical-grade monitoring to your home.”* Sounds impressive? But what does it mean? Here are definitions from Google AI overview…

FDA cleared

“FDA cleared” means a medical device has been shown to be substantially equivalent to a legally marketed device already cleared or approved by the FDA. This process is typically for lower to moderate-risk devices (Class I and II). It indicates the device is safe and effective for its intended use, but doesn’t necessarily mean it has undergone the same rigorous testing as an “FDA approved” device.

Medical grade

“Medical-grade” generally refers to materials, products, or equipment that are designed, manufactured, and tested to meet specific safety and performance standards for use in healthcare settings. This often includes rigorous testing for biocompatibility, toxicity, and effectiveness, ensuring they can be safely used near patients. While the term isn’t always formally defined, it implies a higher level of quality and reliability compared to standard consumer products.

The short version is that these words sound great but mean nothing, promise nothing. The selling point of devices such as this is that they will take out the uncertainty and grant the parent peace of mind through science!

Selling surveillance

The technology promises to create a form of order out of chaos. In the stressful unknown that is parenting, we see the ways in which the parent grasps at the promise of data to act as a remedy for the unknown. Naturally, technology companies rise to the occasion and provide an array of surveillance technologies that both overpromise and underdeliver.

This is a great example of Technocapitalism, a system that describes the interplay between capitalism and technology, influencing economic structures, labor markets, and social relations. Within technocapitalism the market is created by playing up the fears and uncertainties of everyday life. Then the future user has to be convinced that not only can the technology solve their problem, but that it would be directly irresponsible not to take personal responsibility for resolving their newfound and possibly overexaggerated fears.

  • The same company’s terms and conditions “Many of our Products are consumer products and are not medical devices, are not intended for use as a medical device or to replace a medical device. They do not and are not intended to diagnose, cure, treat, alleviate or prevent any disease or health condition or investigate, replace or modify anatomy or any physiological process.”

A flourishing of surveillance microcosms

The what and why of surveillance microcosms

 

Surveillance

Like many others, my first thoughts about surveillance came from George Orwell’s Nineteen Eighty-Four; the dark vision of Big Brother watching was my introduction to dystopias and their need to control every aspect of our lives, which depends heavily on surveillance. Interestingly, Orwell left 85% of the population of Oceania outside the surveillance regime. The proles were controlled in a more Huxleyan way through cheap alcohol, pop music and sex. As most authoritarian states have shown us, this is not going to happen, even the uneducated, disinterested proles will be kept under careful watch.

The first uses of the concept of surveillance began during the French Revolution, where the Convention formed the provisional revolutionary government. To deal with external threats as well as internally with popular discontent, inadequate food distribution, inflation, legislative factionalism, and revolts, the administration formed two national committees: The Comité de Surveillance (Committee of Surveillance) and the Comité de Sûreté Générale (Committee of Public Safety). The Convention decreed that committees of surveillance should be formed in each commune of France and larger cities. These were charged with uncovering anyone suspected of being enemies or traitors to the nation.

From the beginning, the goal of surveillance is to find those who are not following the orthodoxy of the time.

Microcosms

Whatever the miasma touched on contact with the microcosm it tainted, and then spread itself steadily through the healthy living material ‘like the dyeing or staining of a cloth’. Virginia Smith (2007) Clean: a history of personal hygiene and purity p 98.

Most of our interest in surveillance is connected with the ability to practice it. Surveillance isn’t about monitoring or looking; it is a high form of bureaucracy requiring technologies and practices to be used to categorize, classify, and evaluate individuals and groups, often leading to discriminatory outcomes and reinforcing existing social hierarchies.

This also means that, for the most part, surveillance is carried out by powerful organizations over relatively powerless individuals. Early surveillance was the arm of the state. Later technology enabled similar work to be carried out by corporations. Now, when technology has ‘trickled down’ to individuals, surveillance is no longer about the powerful looking at the powerless.

A byproduct of surveillance capitalism has been the democratization of the powers of surveillance. Sophisticated surveillance systems are easily added to our existing communications infrastructures, and sometimes they are preinstalled in the devices we already own.

The plural makes this whole thing more interesting, doesn’t it? This work is not about a single microcosm, where we can see reflections of the larger world. The plural is intended to remind us all that we are constantly seeing and being seen in several overlapping microcosms.

What’s this all about?

This collection of texts is a study of the ways in which our easy access to the sophisticated tools of authoritarian bureaucracy will change the ways in which we see each other and the ways in which we choose to be seen.

I am writing this now as I have been working on (and hope to finish soon) a book of the same title. One of the difficulties I face with the book is choosing what to include and what to leave out. These texts will cover part of the book, but more importantly, will allow me to go down those fascinating rabbit holes that cannot be included in the final product. From the book draft:

The technology in focus here is the tools and knowledge available to the individual and how these tools create surveillance microcosms where we are the subject and object of our surveillance, where we are as invested in being seen as we are in looking. Therefore, this is a book about the subtle interplay between intimacy and surveillance. It is about seeing another, to know them, via techne, but also about being seen, and seeing oneself through techne. It is, as the Canadian poet Jhave Johnston suggested after hearing an early presentation, about the permeability, osmosis and connectivity of networks of interdependent beings.

Goals

The goal of this space is to share ideas and ideally get feedback. If that goal does not materialize, then the secondary goal is that I get to work on presenting ideas, and if nothing else, this is just me yelling my ideas to the void, and hopefully improving my grammar.

I hope to publish a text or two per week. But as with all experiments, this is the intention, and we shall see where we end up.

Calling in the troops

As my university joins the sad list of institutions overreacting to protesters this popped up in my newsfeed

One of the oddities of our age is that the professional managers that have taken over the running of universities show themselves so unimaginative and so insecure with their authority. They echo each other’s slogans, and they role-play leadership from behind a large desk. Even as risk and reputation managers they are a flop. This is not just an American thing (although the armed snipers on rooftops are).

it’s from Dear University President, You Could Run Out the Clock; a Plea for Repressive Tolerance—and Renewal by Eric Schliesser


It’s always a sad surprise when universities are prepared to trot out their academics as ‘experts’ when it suits them, but refuse to listen to them when it would be prudent.

Universities love their slogans, mottos, and missions, but actions speak louder than words. Calling in overly armed riot police with zip ties is a hell of a lesson for students (and faculty).