The missing ideology of Creative Commons

In the continuing discussion on the governance of the iCommons (the international Creative Commons) we have seen warnings raised by some (for example Tomâ??s article) about the loss of the grassroots. Attempting to address these concerns writers are attempting to explain why the iCommons works and therefore criticism of it is unjustified. For example Golden Swamp writes that the iCommons is a network joining up the nodes. While the network is a nice metaphor vague enough to incorporate almost all fuzzy feelgood thoughts on the virtual organisation and loose alliances working towards common goals â?? what does the network really mean?

If the Commons was a network power would be evenly (more or less) spread over the network â?? this is not so. The power of the Commons emanates clearly from the central point of San Francisco. The closer you are to the epicentre the greater the power.

After experiencing the presence of Microsoft and the Soros Foundation at the iCommons summit Becky Hogge at Open Democracy writes a post with the title that says it all â??Who owns a movement?â??

The Creative Commons is a great idea. It is a set of licenses which people can use. It helps â??ordinaryâ?? people participate in the copyright discourse by visualising the fact that the binary situation of all or nothing copyright is not enough. But the Commons is not a movement in the sense of the Free Software Foundation whose basis is on ideology â?? the Copyleft ideology.

By being pragmatic the Commons has grown faster than many contemporary movements. However this pragmatism is also part of the problem. The emptiness of its ideology means that many of the participants in this movement fill it with what they think it represents. The shock (?) then of seeing Microsoft at â??theirâ?? summit shows the effects of pragmatism. Those who want to see the Commons as being based upon a Copyleft ideology quickly must realise that this is not going to happen.

Does ideology matter?

Yes! If the Commons is to be seen as a movement. Without a central ideology the movement (can it be a movement without an ideology?) cannot define its core values and eventually will splinter.

No! The licenses are simple, standard licenses and nothing else. Naturally even licenses reflect ideologies but they are not in themselves ideologies.

If the iCommons wants to become more than a set of licenses (which it seems to want) it must then discard its all to pragmatic position and be prepared to make some people unhappy. Without taking a stance, setting up a camp somewhere, attempting to please everyone â?? it cannot grow.

Political Games

Let’s face it – we live in a world with short attention spans and a large amount of competing demands on our attention. One attempt to create and maintain attention in one of these tragic affairs is the computer game Darfour is Dying.

In the online game the player takes the perspective of the displaced Darfurian. The scary part is that such approached may trivialise the importance and reality of the actual suffering going on.

But lets take a tolerant approach and say that at least people are being reminded that the problem exists. Nomatter the medium – awareness is the most important part.

Amsterdam

It’s Sunday and it’s Amsterdam! This is a fantastic city with great architecture. Unfortunately today has been spent in an all day meeting. A strange aside is that the meeting room overlooks the same garden that Anne Frank‘s room overlooked. The courtyard still has the same chestnut tree which she looked at. Here is a quickime film of the chestnut tree. The tree is unfortunately dying and the city is spending time and money to keep the tree alive.

Bush Mashup

Another excellent mashup! Images of George Bush singing U2’s song Sunday Bloody Sunday.

The work is prestented on ThePartyParty. Think about the text of the song in relation to Iraq.

i can’t believe the news today
can’t close my eyes and make it go away
how long how long must we sing this song
how long too long for too long

broken bottles under children’s feet
bodies strewn across the dead end streets
but i won’t heed the battle call
it puts my back up puts my back up against the wall

and the battle’s just begun
this many lost and tell me who has won
the trench is dug within our hearts
mothers children brothers sisters torn apart
(words & music: U2)

(via Boing Boing)

Boy Who Never Slept

Boy Who Never Slept is a free full length movie about an insomniac writer who meets a girl online and a friendship that grows into an unlikely love story wrapped in harsh reality.

The cool thing about this movie is that it is “Open Source”. The filmmaker Solomon Rothman both licensed the movie under the Creative Commons Attribution license and provides the source files.

Not too long ago the Elephants Dream was released by Blender and now with the release of Boy Who Never Slept we can see that the movie business is not going to go unchallenged by the more amatuer content creators who have already begun to seriously affect both the text and music industries.

Free Software and Open Standards

Here are the highlights of the launch day of a project on Free Software and Open Standards. If you happen to be in Amsterdam on Saturday Monday this might be interesting. The people involved are definately worth listening to. For more information and the full program go here.

10:20 – 10:55 Presentation of the SELF project by Wouter Tebbens, SELF project leader
10:55 – 11:10 J.W. Broekema, programme manager OSOSS, â??After Open Source Software and Open Standards there’s Open Contentâ??

11:15 – 12:15 Theme I: Strategic implications of Free Software in the Netherlands and in Europe
Keynote by Georg Greve, president of Free Software Foundation Europe
Panel discussion led by Bert Melief (ISOC, M&I) with Paul Klint (CWI), Rob Rapmund (Twijnstra Gudde), Rishab Ghosh (FLOSSworld), Jan Willem Broekema (OSOSS), Joep van Nieuwstadt (Exin)

13:00 – 14:00 Theme II: The Open Content Revolution
Keynote by Mathias Klang, lecturer at Göteborg University and project lead of Creative Commons Sweden.
Panel discussion led by Jonas Ã?berg, vice president of the Free Software Foundation Europe, with Kees Stuurman (University of Tilburg), Jo Lahaye (HollandOpen), Ton Roosendaal (Blender), Martijn Verver (VPRO)

14:00 â?? 15:00 Theme III: Free Software Curriculum Building
Keynote about the European Master programme on Free Software by David Megias, Open University Catalunya (UOC, Spain)
Panel discussion led by Dessi Pefeva (ISOC.bg) with Peter Sloep (OU.nl/Fontys), Frank Kresin (Waag Society), Marja Verstelle (University of Leiden), Michael van Wetering (KennisNet), Leo Besemer (ECDL), Tom Dousma (SURF)

15:20 â?? 16:20 Theme IV: Semantic web, knowledge platforms, collaborative authoring
Keynote on the development of the SELF platform by Nagarjuna G., Homi Bhabha Centre for Science Education (India)
Panel discussion led by Michiel Leenaars (ISOC.nl) with Frank Benneker (UvA), Rob Peters (Zenc, UvA, HollandOpen), Gabriel Hopmans (Morpheus)

Background: The EC to invest in Free Software promotion and education
The European Commission is directing more and more money to promote the use of Free Software and Open Standards, which is a strategic objective within the IST (Information Society Technologies) Programme. The EC has signed a contract for this purpose with the SELF Consortium, a group of universities and free software advocates in seven countries, including Bulgaria, Argentina and India. The SELF project will receive funding for the startup period (of two years) of about 1 million euro.

A short intro on the SELF project
SELF (Science, Education and Learning in Freedom) is an international project that aims to provide a platform for the collaborative sharing and creation of open educational and training materials about Free Software and Open Standards. First of all, it will provide information, educational and training materials on Free Software and Open Standards presented in different languages and forms.
Secondly, it will offer a platform for the evaluation, adaptation, creation and translation of these materials. The production process of such materials will be based on the organisational model of Wikipedia.

Fun with google & googleheads

Philipp Lenssen has written the book â??55 Ways to Have Fun With Googleâ??. My first thought was that this must be a small broschure â?? but I was wrong. The book is 228 pages long. Best of all is that its available for download here. The book is licensed under a Creative Commons license (by-nc-sa).

Naturally, as one would expect, the book includes an inspirational quote from the song â??The Googleheadsâ?? see the weird song and video here (oh, and apparently you can buy the song on itunes!). Here is the googlehead quote:

On a spring day you can find your way
to a little flower garden where the Googleheads play
You know theyâ??re there by the clothes they wear
And their Googlehead faces and their Googlehead hair.

â??Cause theyâ??re the Googleheads
They shake their doodleheads
Theyâ??re the goo-ga-goo-ga-goo-gah Googleheads.
â?? Laurie Berkner

Check out Lenssenâ??s google website.

(via Lessig Blog)

Hello Peru!

The Creative Commons licenses were launched in Peru yesterday. This means that users in Peru now can choose CC licenses in their own language and adapted to their legal environment.

From the press release:

â??The Peruvian version of the Creative Commons licenses will be launched after the iLaw Program 2006 being held at Pontificia Universidad Catolica del Peru. Professor Lawrence Lessig of Stanford University, CEO & Chairman of Creative Commons, will deliver the keynote speech on the importance of Creative Commons Peruâ??, says Oscar Montezuma.

â??CC has been very well received in Peru. It has quickly gained the interest of many individuals and institutions ranging from the private to public sector. Success has been such, that I think Peru can eventually become a promising global free culture spot in South Americaâ??.

â??We are proud of the achievements of the Creative Commons community in Peru. This is a success for all Peruvian authors and creators,â?? adds Pedro Mendizabal.

Congratulations to the CC Peruvian Team.

What are you reading this summer?

Summer is the time of relaxing but its also a time of stress – its the time when all those things that you have put of until summer must be fulfilled. One of these todo lists is the summer reading list. Here is what the summer has carried with it in terms of interesting literature:

Dave Taylor’s “Learning Unix” – yupp, as I have already written…it’s time to learn unix. I have been meaning to read Hannah Arendt so now her books “Totalitarianism” and “On Revolution” are part of the holiday. The technology section includes Adam Greenfield’s new book “Everyware“, Lasica’s “Darknet“, Langdon Winner’s “The Whale and the Reactor” (which I have meaning to reread) and Joseph Gies “Cathedral, Forge and Waterwheel“. In addition to this I have a copy of the PhD dissertation “Being-with Information Technology” by Anna Croon Fors.

So what is everyone else reading?

Technology and Public Sphere

An exciting PhD seminar is to be held by the University of Bergen (14-17 November 2006)
The PhD seminar will focus on the works of John Dewey, Marshall McLuhan and Jürgen Habermas in addition to a range of contemporary writers. The session at the University of Bergen will discuss the main topics during plenary sessions and debates, in parallel panel sessions and study groups, and in the evenings. Professor Andrew Feenberg (Canada) and professor Brian Winston (UK) have confirmed their presence during the course.

Practical information:
Doctoral students from all European countries are invited. The course is free of charge. Non-Norwegian students will be given a travel refund of 300 euro upon completion of the course. Lunch and coffee are served every day complementary of the organizers.

All students must write papers related to our topics. A first draft must be written before November 1st, and after reviews and critique during the seminar, the final version should be handed in by January 1st 2007. The course gives 10 ECTS points for the participants, and a diploma will be issued for those who complete.

If you are interested, please contact chief organizer Lars.Nyre@infomedia.uib.no before September 1st, 2006, and include a paper abstract of 500 words. The abstract should contain a description of your area of interest, method and theory. The criteria for selection of participants will be strictly academic, and the list of participants will be published on September 2nd, 2006.
More information via Kulturteknikker.

(via Constructions)