A great step for UK art & world culture

This is really cool news and it just makes you wish that all other countries will follow suite. So what’s the news? Well the director general Mark Thompson of the BBC has just announced that the BBC is going to digitalize and put online all paintings in public ownership in the UK and the contents of the Arts Council’s vast film archive online as part of a range of initiatives that it has pledged will give it a “deeper commitment to arts and music”. Just the art amounts to around 200,000 oil paintings! (via The Guardian)

Lady Agnew of Lochnaw

John Singer Sargent, National Gallery of Scotland, Edinburgh

Lady Agnew is one of the 200 000 pictures we can look forward to seeing online. The good news may still be spoiled if the technology used (or indeed the licenses) somehow prevents users from being able to enjoy them properly.

Victoria & Albert Museum photography contest

Digitalization is not a cheap process for museums but the Victoria and Albert Museum in London has, in collaboration with Wikipedia, thought of a way to get a head start on the process:

Wikipedia Loves Art at the Victoria and Albert Museum is a free content photography contest organised by the Victoria and Albert Museum, Wikimedia UK and other Wikipedians. It is due to take place in February 2009 and is part of the wider Wikipedia Loves Art project that month.

The objective for the V&A is to compile a public digital collection of the major art pieces held at the museum. For Wikipedians, the objective is to collect images and use them to illustrate articles throughout Wikipedia.

Important changes to license

In what is in the “sounds boring but is incredibly important and influential” category of news: The Free Software Foundation has released the GNU Free Document License version 1.3.

One of the main important changes is in Section 11 which now enables wikis to be relicensed under the from the earlier GNU Free Document License to the more flexible Creative Commons Attribution-ShareAlike (v3.0) license. The condition is that such relicensing is completed by August 1, 2009.

That means, the Wikipedia community now has the choice to relicense Wikipedia under a Creative Commons license. Check out the FAQ for this change to the license.

It would be hard to overstate the importance of this change to the Free Culture community. A fundamental flaw in the Free Culture Movement to date is that its most important element — Wikipedia — is licensed in a way that makes it incompatible with an enormous range of other content in the Free Culture Movement. One solution to this, of course, would be for everything to move to the FDL. But that license was crafted initially for manuals, and there were a number of technical reasons why it would not work well (and in some cases, at all) for certain important kinds of culture.

This change would now permit interoperability among Free Culture projects, just as the dominance of the GNU GPL enables interoperability among Free Software projects. It thus eliminates an unnecessary and unproductive hinderance to the spread and growth of Free Culture.

My licensing book is out

My short book on open licenses in Swedish Copyright – Copyleft: En guide om upphovsrätt och licenser på nätet is finished and it is online at the IIS, the organisation who commissioned the work. The book covers seven licenses and the Creative Commons system.

The licenses discussed/explained are the Free Art License 1.3, GNU Free Documentation License, the Sparc Author Addendum, the Ethymonics Free Music License, the Common Documentation License, the, the BSD Free Documentation License and the Open Game License.

I am happy that the work is done and I hope that it will serve to help the curious learn more about licensing.

BBC to adopt open standards

The director of BBC Future Media and Technology Erik Huggers has announced that they will move away from proprietary software into open standards.

The advantage for the audience will be a noticeable improvement in audio and video quality. Furthermore, it should become easier for the media to simply work across a broader range of devices. While it’s not a magic bullet, it certainly is a significant step in the right direction. The first service to make content available using these open standards based codecs will be iPlayer. Anthony Rose will have more details of introducing H.264 to the iPlayer later today. It is our intention for other AV services across bbc.co.uk to follow quickly.

Olympic Snacks

Not being much of a sports person I usually don’t get excited by sporting events but the Olympics are a natural exception. While looking around I found a olympic blog which had some exotic local information about the local food market…

how about Starfish…

…or Scorpion on a stick…

They also have silkwork, squid and seahorse…

The tyranny of “free”

Over at Macuser Dan Moren replies to the question “why can’t all iPhone apps be free? posed by Anita Hamilton in TIME. Moren widens the question to apply to the whole concept of free stuff but naturally focuses on free software. His point is the way in which the public at large have connected the concept of free (gratis) with the idea of value.

We are not entitled to software any more than we are entitled to the other products that we buy day in, day out. We’ve been spoiled because so many developers give things away for free (which, of course, is their prerogative), and we’ve gotten used to the idea of streaming our television online, or even stealing our music from file-sharing services. The idea of “free” has been co-opted into the idea that products aren’t worth money—which couldn’t be farther from the truth.

This is good stuff up until the end. I don’t think that people stealing music, downloading films or demanding free software are confused into thinking that these products are not worth money. But this does not detract from the main point in the paragraph that we are not entitled to stuff (for free).

On a primary level this is obviously true but it is not all the truth. On the level of basic needs (human, cultural, physical) there are naturally arguments to be made that stuff should be free. There are even easy arguments to be made that it is acceptable to break rules, laws & regulations when such basic needs are threatened. In addition to this there is the problematic area that we are bombarded with false needs through advertising which state (implicitly) that we are less evolved as beings unless we have the latest widget, designer toy or status gizmo. Naturally the latter is not a clear argument but it does certainly muddy the waters.

The problem with free, as Moren sees it comes with value and payment:

The whole point of payment is that you give someone money to take care of a problem that you don’t want to do yourself. You could save a bundle of money by not hiring people to cut your grass, for example, but then you’ll have to use the time you’d rather spend doing something else mowing the lawn yourself. Just as you could save some cash by developing a word-processor yourself, but heck, in the long run, it’s probably cheaper to let Microsoft do it for you.

This is economics at its most basic. Seriously. It doesn’t get any more basic than this.

This is an excellent argument and as Moren writes, it doesn’t get any more basic than this. But this only focuses on the economic transaction not on the social effects of such transactions. It is cheaper to let Microsoft create my word processor. But the problem occurs not at this stage. The problem occurs when I realize, for any reason, that I would prefer to have a word processor not built solely on economic gounds but with values of openness and transparency. Perhaps I would like to ensure that future developments within the word processor field have the ability to develop in a multitude of ways that neither Microsoft or anyone else has thought of today. Or perhaps I would just like to have Open Office on my computer becuase I like the name.

If we ony concentrate on the transaction cost argument (cheaper for Microsoft to develop than me) and we isolate the transaction and the product out of the wider context computers and communication then there is no problem. But this is unrealistic. I do not buy software alone. It is not useful without other products. Transactions are not isolated alone but a part of a system with economic, technical, political and social ramifications.

The importance of Free Software is not in giving the public free (gratis) stuff. It is in the ability for all users (via other developers) to access and control their infrastructure. In the same way as free speech is important not becuase I may one day have something important to say but becuase every day thousands of people are saying important things and one day I may just accidently happen to listen.

Two New OA Books (+1)

This has been a busy week for books on Open Access. On Wednesday I blogged about the book Understanding Open Access in the Academic Environment: A Guide for Authors by Kylie Pappalardo. Today Open Access News wrote about two more new Open Access books:

E. Canessa and M. Zennaro at the Science Dissemination Unit of the Abdus Salam International Centre for Theoretical Physics (ICTP) in Trieste have put together an edited book Science Dissemination using Open Access.

From today’s announcement:

The book is a compendium of selected literature on Open Access, both on the technical and organizational levels, and was written in an effort to guide the scientific community on the requirements of Open Access, and the plethora of low-cost solutions available. The book also aims to encourage decision makers in academia and research centers to adopt institutional and regional Open Access Journals and Archives to make their own scientific results public and fully searchable on the Internet. Discussions on open publishing via Academic Webcasting are also included.

The other book is a 144 pp. collection of articles on OA by 38 authors, edited by Barbara Malina entitled Open Access Opportunities and Challenges: A Handbook, the German UNESCO Commission, July 2008. This is an English translation of Open Access: Chancen und Herausforderungen – ein Handbuch (2007).

Open Access Guide

The Oak Law project has produced an Open Access guide.

The book Understanding Open Access in the Academic Environment: A Guide for Authors by Kylie Pappalardo (with the assistance of Professor Brian Fitzgerald, Professor Anne Fitzgerald, Scott Kiel-Chisholm, Jenny Georgiades and Anthony Austin) aims to provide practical guidance for academic authors interested in making their work more openly accessible to readers and other researchers.

The guide provides authors with an overview of the concept of and rationale for open access to research outputs and how they may be involved in its implementation and with what effect. In doing so it considers the central role of copyright law and publishing agreements in structuring an open access framework as well as the increasing involvement of funders and academic institutions.

The guide also explains different methods available to authors for making their outputs openly accessible, such as publishing in an open access journal or depositing work into an open access repository. Importantly, the guide addresses how open access goals can affect an author’s relationship with their commercial publisher and provides guidance on how to negotiate a proper allocation of copyright interests between an author and publisher. A Copyright Toolkit is provided to further assist authors in managing their copyright.

The work is licensed under an Australian Creative Commons Attribution-NonCommercial-ShareAlike
2.5 License
.