Adding a haphazard artistic touch to most cities are the street artists. They apply their art in many different ways here it is in the form of a small flag tied up to the railing of a bridge in Göteborg. The flag bears the word “stress” but is it for or against stress?
Admitting that I use my iPod a lot is not really surprising. Many people walk around with different versions of players connected to their ears. Even though I use my iPod every day I rarely listen to music on it. Almost everything I listen to is lectures and the occasional audio book. Sad, isnâ??t it?
Right now I am re-listening to the Garret Faganâ??s course of 48 lectures on the History of Ancient Rome, produced by the Teaching Company – this is a very good lecture series.
The problem with listening to non-fiction audio is that there is not enough free stuff! Thatâ??s why its nice to find sites like LibriVox were volunteers record themselves reading books and the results are posted into the public domain.
A word of caution â?? the rules and traditions for the public domain vary so LibriVox has the following disclaimer:
LibriVox recordings are Public Domain in the USA. If you are not in the USA, please verify the copyright status of these works in your own country before downloading, otherwise you may be violating copyright laws.
LibriVox also has some nice links to other sources of spoken word online. So between the commercial sites, free sites and podcasts I will never have to listen to music on my iPodâ?¦
(via New York Times)
On 5th of March 1960 Alberto “Korda” Gutierrez took two pictures of Che Guevara. In 1967 the Italian publisher Giangiacomo Feltrinelli received two copies of the famous print at no cost.
Feltrinelli started making posters from the prints with the notice â??Copyright Feltrinelliâ?? down in the corner. The image was on itâ??s way to become an international icon â?? it has been transformed, transplanted, transmitted and transfigured all over the world.
Korda never received a penny. For one reason only – Cuba had not signed the Berne Convention. Fidel Castro described the protection of intellectual property as imperialistic “bullshit”. Does this mean that Korda’s work is in the public domain? Probably not – but it is in a serious grey area.
Today I saw a new chapter in the Korda print. Paul Frank have made their fame (at least in my opinion – but then again this is not a fashion blog) from their cartoon monkey
The Paul Frank monkey is a cultural icon. So is Korda’s Che image. Paul Frank have now playfully (?), respectfully (?), irreverently (?) created a mashup of these two icons into this inevitable (?) conclusion…
When Che t-shirts became popular again (after the fall of the Soviet Union) I remember hearing a few mumblings from people that “young people” were adopting the icons of the revolution without any knowledge about the content, struggle or ideologi – the past had in fact become a trademark belonging to no one. I tried then to argue for the role of the cultural icon – but some still stuck to their guns and argued that the young were adopting symbols without knowledge and the manufacturers were profiteering on the ideology of the revolution.
From Korda to Paul Frank…evolution?…regression? You decide…
Sweden, Swedish law and Swedes have a low understanding of the public domain (basically the time after copyright protection when the public is free to copy, use and adapt works, see for example Wikipedia) especially if one compares with the US approach.
One of the problems is that Swedish law does not have the concept of public domain but only the time after copyright. Americans have always been able to put things into the public domain, the closest Swedish version is extremely weak and involves releasing work anonymously (but this is NOT the same).
This â??lack of conceptâ?? makes the public domain more abstract and incomprehensible. The question is how can one increase the understanding of the public domain?
One way of not improving this concept is when the national public service radio & television begin to open up their archives but require users to have RealPlayer which is a closed standard. The whole concept is very much â??look-but-donâ??t-touchâ??
On the positive side one of the more inciteful writers on the topic is the Swedish scholar Eva Hemmungs-Wirtén her excellent 2004 book â??No Trespassingâ?? was published by Toronto University Press and in 2007 her work â??On Common Ground: a Cultural History of the Public Domainâ?? (working title) will be out.
While the main discussion on online films revolves (rightly or wrongly) on pirates downloading material. This discussion sometimes forgets that we have now reached a period when a number of films are being released into the public domain. Here is a selection of films available at the Internet Archive. Browsing their collection is lots of fun and may seriously threaten thesis work.
Things to Come (1936), William Cameron Menzies (dir.), The metropolis of Everytown is a city threatened by world war. Pacifist intellectuals try to turn the tide but efforts go unheeded by the self-interested classes, and war arrives with tanks and aeroplanes and gas bombs. The war continues for thirty years, its original purpose forgotten. Everytown is destroyed by air raids and civilization degenerates… (imdb) (Public Domain).
Le Voyage Dans La Lune (dir. George Meiles), an old 1902 film from france about a small group of scientists that travel to space on a rocket to get to the moon. (Licensed via CC Att-NC-SA).
Sherlock Holmes and the Secret Weapon (1943) (dir. Roy William Neill) Based on the Sir Authur Conan Doyle story “The Dancing Men”, Sherlock Holmes and Dr. Watson are placed in WWII europe to help protect a scientist and his invention from the Nazis. (Licensed via CC Att).
The Kid (1921) (dir. Charlie Chaplin) The Kid was Charlie Chaplin’s first full-length movie. It, more than anything else to that date, made Chaplin a living legend. It took over a year to produce, and was an incredible success for Chaplin. (Public Domain).
The Man Who Knew Too Much (1934) (dir. Alfred Hitchcock) While travelling in Switzerland, the child of a well-off couple is kidnapped. She is held to ensure that her father does not reveal what he knows about a planned assassination. Since they can’t talk to the authorities, the parents plan to begin the search for their daughter on their own. This is the original, British-made movie from 1934 and is now in the Public Domain.
Mechanical Monsters (1941) A ten minute Superman cartoon where he battles a criminal mastermind and his robot army (imdb) (Public Domain).
Steamboat Bill, Jr. (1928) (dir. Charles Reisner, Buster Keaton) the story of a naive, college-educated dandy who must prove himself to his working-class father, a hot-headed riverboat captain, while courting the daughter of his father’s rival, who threatens to put Steamboat Bill, Sr. and his paddle-wheeler out of business. (Public Domain).
The New Adventures of Tarzan. (1935) (dir. Edward Kull) Not many realize this feature, along with ‘Tarzan and the Green Goddess’, were produced by E.R. Burroughs, himself. He wanted a screen portrayal of Tarzan as he had written him, a noble intelligent Ape Man/Lord Greystoke, not as Hollywood had made him (“Me Tarzan, you Jane”). And NO Cheetah.
Three Stooges – Color Craziness (1965) “The New Three Stooges” featured the animated adventures of Moe, Larry, & Curly Joe. The cartoons were introduced by live-action inserts with the real Stooges. These inserts were some of the only Stooges material ever filmed in color, and they also feature long-time Stooge collaberator Emil Sitka. (Public Domain).