Control by design: Notes from a lecture

It’s Murphy’s Law! There always seems to be something that occurs just after a lecture that reminds me: Oh I should have included this or that. Almost as I walked out of this lecture I remembered a podcast that I should have mentioned. It was 99% Invisible (episode 126: Walk this way). Well at least I get to include it in this post. The interview with wayfinding expert Jim Harding was fascinating in the ways in which subtle cues are used to ensure that people walk in the correct direction in public spaces. For an interesting article on Harding and wayfinding check out How You Know Where You’re Going When You’re in an Airport.

Enough about what I should have included.

I began with examples where people have been overly reliant on technology mainly through examples of people ending up in accidents by using GPS for car navigation (see here and here). It could be easy to say that the people who ended up trusting technology beyond what is recommended – or even despite clear signals to the contrary – are stupid. But this seems to minimize the role of technology.

So in a discussion of control via design I began by using Jeremy Bentham and his dream of the model prison Panopticon. Apparently he would argue against the trend to send prisoners to Australia by pointing to the

‘failures’ of colony: that the society was immoral; that transported convicts were not reformed; that transportation was unjust and borderline illegal; and that the convict system was inefficient and hugely expensive. New material – Panopticon versus New South Wales

Apparently he also cherry picked his arguments and ignored facts that didn’t suit his theory. This man really wanted to build his prison. But the Panopticon becomes more relevant to the modern discussion when we bring in Michel Foucault who saw it as a metaphor for the way in which control in society (not only in prisons) was being internalized and the freedom of the individual was being subverted.

In language the discussion of control is seen through the Sapir-Whorf hypothesis which questions whether our language controls our thoughts. Would we be able to think about freedom if we lacked the words for it? This example comes from George Orwell‘s 1984 where society was being controlled by several means but not least the ability to speak of injustices.

All this was a lead up to present the work of the urban planner Robert Moses. He was highly influential in creating cities and suburbs in New York and he also was responsible for downgrading the importance of public transport.

In his article “Do Artifacts Have Politics?” Langdon Winner pointed to a biography of Moses where a co-worker hinted that Moses had made some New York bridges purposely too low to prevent buses from passing underneath them. These bridges effectively blocked buses from driving to the New York parkways and therefore excluded all those who didn’t have cars from enjoying them. Winner’s argument was that Moses’ politics were embedded in the bridges. This argument has been refuted by Bernward Joerges in his article “Do Politics Have Artefacts?”.

The question is not whether or not Moses was discriminating against a group but rather that design builds on the designers ideal of how a thing should be used. To illustrate this I used the anti-homeless design that has become a growing part of our public spaces.

My favorite image demonstrating this trend is from Yumiko Hayakawa’s essay Public Benches Turn ‘Anti-Homeless’ (also recommend Design with Intent)

With this simple design homeless people cannot sleep on this bench. At the same time nobody can be accused of discrimination since everybody is welcome to try to sleep on the bench. Most people with homes will go home to sleep. Homeless people will go elsewhere – this is control by design.

Here are the slides I used.

 

Is snitching a social good?

In 1984 one of the basic premises of state control was to be found in the dictum “He who controls the past, controls the future”. This can be seen as a version of the popular quote from the Spanish philosopher George Santayana: “Those who cannot remember the past are condemned to repeat it“.

One of the themes in George Orwell’s Nineteen Eighty-Four the way in which the repressive society encourages friends, neighbors and family to spy on one another. The informer was seen as a hero by the state. In particular Orwell writes that parents lived in fear of their children.

The family could not actually be abolished, and, indeed, people were encouraged to be fond of their children, in almost the old-fashioned way. The children, on the other hand, were systematically turned against their parents and taught to spy on them and report their deviations. The family had become in effect an extension of the Thought Police. It was a device by means of which everyone could be surrounded night and day by informers who knew him intimately.

This is based on the story of Pavlik Morozov, a child who denounced his father to the soviet state and became part of soviet mythology and naturally part of the the fear of the soviet state.

Now we could dismiss the whole thing as a fiction set in a far away place, in a far away time but this is not what Orwell wants. The same year Nineteen Eighty-Four was published he wrote in a letter*

My recent novel [Nineteen Eighty-Four] is NOT intended as an attack on Socialism or on the British Labour Party (of which I am a supporter), but as a show-up of the perversions . . . which have already been partly realized in Communism and Fascism. . . . The scene of the book is laid in Britain in order to emphasize that the English-speaking races are not innately better than anyone else, and that totalitarianism, if not fought against, could triumph anywhere.

Today we are again and again being actively encouraged to destroy not family but society. We are supposed to discover and report “suspicious behavior” for the good of us all – in the name of terrorism. The most reason slick version of the state asking us to denounce anything different comes (via BoingBoing: What to do if you smell a terrorist). It’s about a video released by the LA police department in a campaign called IwatchLA.

The video is slick, sleek and personal. It encourages people to denounce anything unusual – even an unusual smell – and let the authorities decide if its terrorism. This is what Orwell feared. The goal of terrorism prevention is a praiseworthy goal but the destruction of social trust by creating universal suspicion is not the way to go.

* The Collected Essays, Journalism and Letters of George Orwell Volume 4 – In Front of Your Nose 1945–1950 p.546 (Penguin)

Big brothers birthday

Almost missed the news that last week was the 60th anniversary of the publication of George Orwell’s classic dystopian novel Nineteen Eighty-Four. And even though it seems that Huxley is winning the ideological pole position (check out the Neil Postman cartoon), aall birthdays are doubleplusgood.

You can read the full text of 1984 here.

The Orwell Diaries

Starting next week (9th August) George Orwell’s diaries will be published online at The Orwell Prize.

Orwell Prize is delighted to announce that, to mark the 70th anniversary of the diaries, each diary entry will be published on this blog exactly seventy years after it was written, allowing you to follow Orwell’s recuperation in Morocco, his return to the UK, and his opinions on the descent of Europe into war in real time. The diaries end in 1942, three years into the conflict.

Putting the diaries online is a very cool way of using the web and showing how important cultural artefacts can be made available to anyone and everyone without depriving someone of access. This has been done several times before but I must say that I am looking forward to reading Orwell’s private diary. This is technology put to good use.

George Orwell square in Barcelona is under camera surveillance! Is this an instance of beauracratic humor? Photo by Wrote (CC by-nc)