Editing Hell

Editing my thesis is hell. Every time I pick it up to do some more work there is a physical feeling of lethargy which needs to be overcome. Thankfully a quote of Albert Camus keeps me on track. He wrote this in his personal notebook on September 30, 1937

It is in order to shine sooner that authors refuse to rewrite. Despicable. Begin again.

Albert Camus (1947) photo: Henri Cartier-Bresson

This was not written for others but I see it as a message to himself- a reminder that the work must be done. So ok – I am not Camus but I realise that when such a great writer needed to remind himself of the work that needed to be done…I feel comforted and begin again.

The thesis is now 101 815 words long. This is spread over 270 pages. An updated draft can be found online here.

Wanted: Swedish Activist Wiki

Sweden has had a long reputation for being boring. Many Swedes prefer to think of this not as boring but as safe. Trygghet (security) is very big here. Traditionally most of this security was believed to come from the state which would protect its citizens from the cradle to the grave in the classic welfare state captured in the Swedish term Folkhem (Peoples Home). In part this security comes from a long period of neutrality and lack of war or civil conflict.

The upside with security is trust. Swedes tend to be trusting and can therefore get on with their lives. The downside is that trusting people make easy targets.

Sweden does not have a strong individualistic rights based approach and therefore are very easily caught with their trousers down when official agencies approach them. A good example of this was this weeks police raid on the Pirate Bay where amongst other things:

  1. The police took more servers than they needed â?? thereby disrupting the communication of organisations not connected with the raid.
  2. The Pirate Bayâ??s legal representative was asked (required?) to leave a DNA sample â?? a gross misuse of the purpose of DNA tests and a form of intimidation.
  3. The status of surplus information is unclear at present â?? therefore creating an opening for police fishing expeditions.

How does one move from a position of trust and security to a greater awareness of individual rights, legal requirements and the demands which can be made on the legal system? Education.

To achieve this I think there is a need to create a website (preferably a wiki) on the legal position of online activists containing information about rights and obligations in the case of police actions.

A site such as this would provide information on (amongst other things):

  1. What can the police take (and limitations)?
  2. How much or how little should the activist do to help?
  3. Must the activist hand over encryption keys?
  4. What should the activist think about (ask for receipts etcâ?¦)
  5. What happens in the police station? (rights, obligations and experiences)

So does anyone want to start a wiki?

Examples of sites:

Activist Rights – AustraliaDemonstrating and Civil DisobedienceFreeBeagles Legal Advice

Read this book

The blurb on the back of the book is important since it has to interest the reader and at the same time be a factual discription – without being too long, complex or explanatory… So after a period of thought and procrastination this is what I have:

This work is on the democratic effects of attempts to regulate disruptive technology. By looking at the phenomenon of online civil disobedience, viruses, spyware, online games, software standards and Internet censorship this work shows the effects of regulation upon the core democratic values of Participation, Communication, Integrity, Property, Access and Autonomy.

Social interaction and organisation are, in part, shaped by the technology used. The social differences between the technology of snail-mail and the technology of e-mail are defined by features that the technology allows, and the limitations that constrain, the user modes of interaction. Therefore technological innovation and development over time affects the ways in which social interaction and communication are carried out. Certain forms of gradual technological innovation and development may be easily assimilated while other forms are more disruptive. This disruption can be seen in the way which new technologies affect the organisation of social interaction and are called, in this work: disruptive technology.

This work studies regulation as an attempt to come to terms with the disruptive effects of technology upon social interaction. This is done by focusing on the attempts to regulate the disruptive effects of Internet technology and the consequences of these regulatory attempts on the IT-based participatory democracy. In conclusion, this work will show that the regulation of technology is the regulation of democracy.

Would you read this book? If so you can download it here.

When librarians snap

Most jobs have built in annoyances – and most often its customers! These are usually tolerated as they are considered part of the territory but sometimes the urge to work these annoyances out becomes too great…

One such occurance concerns the librarian Barbara McCutcheon who will now, with the help of the local police, have people arrested for not returning library books. This article quotes her as saying: “I’m just not going to take it anymore. I want my books back and I want them now,” and “I will track people down. You can run but you can’t hide”.

This may seem a harsh way to go but the police seem to support this action: “If Barbara has books out that are not returned, then we will make reports and begin to seek arrest warrants. We will start arresting people…”

The library is in Texas – why is this not surprising?
(via Biblioteksrelaterat)

Swedish Public Domain

Sweden, Swedish law and Swedes have a low understanding of the public domain (basically the time after copyright protection when the public is free to copy, use and adapt works, see for example Wikipedia) especially if one compares with the US approach.

One of the problems is that Swedish law does not have the concept of public domain but only the time after copyright. Americans have always been able to put things into the public domain, the closest Swedish version is extremely weak and involves releasing work anonymously (but this is NOT the same).

This â??lack of conceptâ?? makes the public domain more abstract and incomprehensible. The question is how can one increase the understanding of the public domain?

One way of not improving this concept is when the national public service radio & television begin to open up their archives but require users to have RealPlayer which is a closed standard. The whole concept is very much â??look-but-donâ??t-touchâ??

On the positive side one of the more inciteful writers on the topic is the Swedish scholar Eva Hemmungs-Wirtén her excellent 2004 book â??No Trespassingâ?? was published by Toronto University Press and in 2007 her work â??On Common Ground: a Cultural History of the Public Domainâ?? (working title) will be out.

Engraving Quixote

Monday morning and I have taken my powerbook to the engraver, a local firm called Brion. Choosing the image that I am going to have on my laptop was tough but I settled for this:

I even got permission from the artist Gene Colan. On choosing, editing the image and asking permission see previous post here.

So with the image chosen its off to the engraver to watch him use heavy machinery to diamond engrave my computer â?? itâ??s a bit scary. So first here is the â??beforeâ?? picture:

The next step is fitting the laptop into the machine and clamping it down (also a bit scary) so that it will not move during the engraving process

The machine starts by drawing the outer lines of the drawing

It then moves in for the smaller details. The whole process is based on finding lines â?? which means that the filled in areas of the sketch become blanks in the engraving. Here are some photos of the machine filling in the details:

Leg detail

Sancho Panza


Quixote

Rocinante

And the finished product â?? I need to take better pictures, but at least you get the idea. Its great!

Book review

We got a good book review!

Lee Bygrave wrote a review of our (Andrew Murray & I) edited book “Human Rights in the Digital Age” check it out here. The review appeared in Nordic Journal on Human Rights (Nordisk Tidsskrift for Menneskerettigheter, Vol. 24, no. 1, 2006).

Particularly praiseworthy is the unique blend of contributors. These are not only drawn from a wide variety of countries…but also from a wide variety of fields of scholarship…All in all, the composition of contributors brings a multifaceted, cross-discipinary set of perspectives to the issues at hand.

…the book’s editors and authors are to be congratulated on producing a timely, wide-ranging and stimulating work.

Orphaned Work

While I was visiting Uppsala University I attended a guided tour which included the famous anatomical theatre built by Olof Rudbeck during 1662-63. The theatre has place for about 200 people and was used to teach anatomy. Between 1663 and 1766 there were only about 10 demonstrations since only the corpses of criminals executed locally could be used.

While on tour I had a discussion with the guide about literature on the theatre. The best work on the subject is a book which is no longer in print. Even worse the publisher no longer exists and the author cannot be identified. The university wants to publish the book but since it is an orphaned work* they do not dare to do so.

One idea would be to find the book and to scan it and put it online anonymously! While this should not be the way to go but it may be the only way to goâ?¦

*Orphaned works are any copyrighted works where the rights holders are hard to find. Because the cost of finding the owner is so high, creators cannot build on orphan works, even when they would be willing to pay to use them.

Powerbook Engraving

I have been interested in engraving my Powerbook since I saw this it has taken a while but now I am on the way. In much the same way as choosing a tattoo should be done with careful consideration the choice of image was not a simple one. Where to begin?

My search began online â?? where else. After looking at tons of Chinese and Japanese woodcuts I even picked up a couple of Dover image books but I still could not find anything I wanted. So it was back online for more Chinese and Japanese woodcuts, on to medieval artworks and a long digression into the history of anatomy and in particular the works of Galen and Vesalius.

The question was (and is) one of symbolism and technology. Symbolism: Do I want a skeleton, samurai, tidal wave or dragon engraved on my computer? Technology: The image has to be good and clear so as not to mess up when engraved. This last part is what got me stuck on the monochrome illustrations but I could not find the right motif.

So then I began scouring the pictures I have collected over my computer user years and I came across a wonderful drawing of Don Quixote called â??Reflectionsâ?? by Gene Colan from 1998.

Since I want to accentuate the Don Quixote and Sancho Panza I removed the background and their reflections in the water. What is left is the two riders.

The next step was permission. I realise that this is not a question of copyright law but I still would like to have permission from the artist. So an email later permission arrived. No problem. On Monday morning I am going to the engravers…

The revolution will not be televised (Gil Scott-Heron), but it will be blogged…

Agony of choice

Naturally I had heard of the saying â?? never judge a book by its cover but as most people know: this is exactly what we always do. When reaching the point when I could realistically design the cover for my own PhD thesis I set about the task with a large amount of enthusiasm. In part this comes from the desire to be creative and in part (I must confess) this comes from the joy of procrastination.

What I ideally wanted was a cover which said it all: a metaphor for the work, a eye-catcher, mysterious, unconventional, artsy, deep, filled with meaning, simple, elegant, awaking curiosity, striking etc etc and also with a little humour thrown in. In other words, like most people I wanted everything.

It is difficult to generalise about art but an example of my favourite book cover might sort of give an example of what I mean.

My own design efforts consist manly of what can be considered the Magpie approach. I steal and adapt. Usually this can be legitimised by the words of Pablo Picasso: â??Bad artists copy. Great artists stealâ??, the problem is – which am I? The result of my work was this:

It is part of a Russian film poster from a film called the Eleventh (1923) (original can be seen here) created by the Stenberg Brothers.

Then I realised that I should be using the technology I write about to see if I could be helped by others who know more than I about the art of book covers. So I issued a call for help which generated a lot of comments (both positive and negative). It also generated book covers which were presented here.

The covers generated more discussion. The majority picked nr 8. It was a landslide victory. However as has been pointed out to me â?? art is not a democratic process. So it comes down to the dilemma and anguish of choice. This was a terribly hard decision since the covers were all exiting.

More than this many of the submissions came with explanations and details which helped me realise the art behind the art work. This whole process of choosing a book cover â?? which could have been a simple process of choosing a background colour and adding the title of the book (this is not unusual for a PhD thesis) became a major learning experience. For your artistic efforts and for taking the time to educate me I thank you all.

The choice for my thesis is nr 8. It represents the interruption of communication. The vulnerability of relying on a technical infrastructure upon which we build society. The cartoon nature is a interesting form of â??false marketingâ?? since the contents of the book are really dry! Thank you all.

Nr 8.