Censoring for China

Most technology companies that want to be active in China have to sign the â??Public Pledge of Self-Regulation & Professional Ethics for China Internet Industryâ?? which requires ISPâ??s to inspect and monitor national and international sites and block access to harmful content. In the case of China many companies are eager to take part in what promises to be a large and potentially profitable market. Therefore many companies are prepared to sign the Pledge to gain access to the Chinese market among the more notable signatories is the company Yahoo!.
A good example of this is Microsoft who has has shut the blog site of a well-known Chinese blogger who uses its MSN online service in China. The reason for shutting down the blog is that the blogger discussed a high-profile newspaper strike that broke out in China one week ago. Read more at New York Times “Microsoft Shuts Blog’s Site After Complaints by Beijing

BBC Open Archives

Under the Banner “Download History” the BBC has opened up parts of its archives. In addition to this it also allows users to be creative with the material.

“For the first time in its history BBC News is opening its archives to the UK public for a trial period. You can download nearly 80 news reports covering iconic events of the past 50 years.”

The material is released under a Creative Archive License which basically states: Non-commercial use, Share -Alike, Attribution, No Endorsement and No derogatory use. The archives therefore allow you to take the footage of the Berlin Wall coming down and set it to your own music – very, very cool.

Is the Swedish National Radio & TV listening to this?

However, my enthusiasm for this was dampened considerably when I found that the BBC really meant within the UK. If you are outside the UK – you will have to pay (?) In addition to this the share-alike clause explains:

“You are welcome to download the clips, watch them, and use them to create something unique. This is a pilot and we want to understand your creative needs. We’d like to see your productions and showcase some of the most interesting ones we receive.”

Does this include the UK limitation? Then how? According to the BBC share alike clause it is ok for anyone within the UK to take a clip and share it with me (outside the UK). Very annoying in a world were borders are usually not important.

Art of War

The UK National Archives has an exhibition on wartime propaganda called The Art of War.
The Ministry of Information (MOI) was formed on September 4th 1939, the day after Britain’s declaration of war. The MOI was the central government department responsible for publicity and propaganda in the Second World War. The initial functions of the MOI were threefold: news and press censorship; home publicity; and overseas publicity in Allied and neutral countries.


warprop
 
This one is called “Grotesque Italian, German and Japanese characters” Artist unknown, dated at possibly September 1940.

Grotesque Italian, German and Japanese characters, shouting into a microphone. Mussolini definitely represents the Italians, for the Nazis â?? possibly Goering, and for the Japanese, possibly Yosuke Matsuoka, who signed the Tripartite Pact which established the Rome-Berlin-Tokyo Axis on September 26 1940.

New Years Eve

Soon time for a new year – according to the Gregorian calender today is the last day of 2005 and tommorrow it will be 2006.

According to the Islamic calendar the year is now 1426
According to the Persian calendar the year is now 1384
The French Republican Calendar has the year at 214
The Poundian year is 84
The Hebrew year is 5766
The Mayan year is 5118

Hope you have a good time!

For more information on Calenders

Planespotting the CIA

There have been recent controversies over whether unofficial (offical) CIA flights have being taking place. The purpose of these flights has often been the illegal transportation of undesirables (terrorists) to dention centers (prisons) which have a more lenient view of human rights abuse (allow torture).

The nice thing is that among all the political statements such as no such planes flew or landed here the proof of their existence is provided by the low-tech. In a hobby which is akin to the eccentric train-spotting I have now learnt of the practice of plane-spotting. The activities of the plane spotters has created a minor headache for the politicians wishing to happily claim that the evil planes ever existed.

The Guardian has an interesting article reporting this story:

Paul last saw the Gulfstream V about 18 months ago. He comes down to Glasgow airport’s planespotters’ club most days. He had not seen the plane before so he marked the serial number down in his book. At the time, he did not think there was anything unusual about the Gulfstream being ushered to a stand away from public view, one that could not be seen from the airport terminal or the club’s prime view.

But that flight this week was at the centre of a transatlantic row that saw the prime minister being put on the spot on the floor of the House of Commons and the US secretary of state, Condoleezza Rice, forced on the defensive during a visit to Europe. The Gulfstream V has been identified as having been used by the CIA for “extraordinary renditions” – abducting terror suspects and taking them to secret prisons around the world where they may be tortured.

The Guardian: How planespotters turned into the scourge of the CIA
by Gerard Seenan and Giles Tremlett
Saturday December 10, 2005

Fair Use

The Center for Social Media has produced interesting material on Fair Use:

Documentary Filmmakers’ Statement of Best Practices in Fair Use

Peter Jaszi – â??Yes, You Can!â?? â??Where You Donâ??t Even Need â??Fair Useâ?? a guide offers to what falls into the category of free use.

Peter Jaszi – Fair Use: An Essential Feature of Copyright hearing testimony by explains the legal significance of the doctrine of fair use, for creators, consumers and commerce.

Peter Hirtle – How to Find Out What is in the Public Domain explains when copyrighted material falls into the public domain.

Pat Aufderheide and Peter Jaszi – Untold Stories: Creative Consequences of the Rights Clearance Culture for Documentary Filmmakers – 2004 study shows how rights clearance problems hobbled creativity in documentary filmmaking.

Or watch the 7 minute video summarizing the results of the study Stories Untold: (43 Mb, streaming)

What is Google?

Google is many things. To some its a symbol of the success of the dotcom ideal. To others it has become an activity online (to google), and to others it is almost synonmous with our experience of the Web and maybe the Internet since most people no longer differentiate these two things.

The position of Google has taken such proportions that we no longer remember the time before Google. Not many years ago the main search engine was Altavista – its still there, but it no longer commands the position it once did. Google has been moving in all manner of interesting directions. Just to menation a few: Google desktop, Gmail, Google Scholar, Google Maps and Google Earth.

Google’s position has spawned some interesting spoofs: for example Googlism – which shows what google “thinks of you, your friends or anything”. Another example is the mirror version world of elgooG. A final example is Woogle which uses the picture search to tell stories in pictures.

Even prior to this diversification there were voices being raised about the position which Google was creating for itself in the everyday online lives of users. The question, stated basically, is what happens if we become dependant upon a private company for our information? Google is not a public office but is a private company whose primary goal is not truth but profit. In this vein we have seen that Google stores vast amounts of information about its users and has acquiesced to Chinese demands to censor information to users in China.

The role of search engines is becoming an important area of research, recently Matthew Rimmer at the Law Department of the ANU has organised a public forum on Google entitled “GOOGLE – Infinite Library, Copyright Pirate, or Monopolist?” (9 December).

The audio files from the Public Forum are online so for those of us who could not make it to Australia in time we can now listen to the presentations.

Pictures on Walls

Another cool website collecting everyday culture is Pictures of Walls. This is a site full of messages written on walls. The idea is that this is the individuals attempt to comment and create the culture which appears around her.

The project has also resulted in a book called Pictures on Walls. There the importance of social commentary is stressed through the manifesto.

MANIFESTO
Art is not like other culture because its success is not made by its audience. We, the public, fill concert halls and cinemas every day. We read novels by the millions and buy records by the billions. We, the people, affect the making, the taste and the quality of our culture.

The Art we look at, however, is made by only a select few. A small group create, promote, purchase, exhibit and decide the success of Art. Not more than 5000 people in the world have any real say. When you go to an Art gallery you are simply a tourist waving flags at a parade. A parade where the winner was decided without you.

We want to make Art that charts. We thought of calling it a revolutionary new way to sell Art but it’s not revolutionary. It’s just cheap.

The malls are coming out of the walls.

pointless vandalism
This one is entitled Pointless Vandalism. From the website Pictures of Walls.

Once again we see that by collecting the bits and peices of life, or the commentaries of people around us, we get thoughtful commentaries on our existence. Not only is this art (or whatever you want to call it) an effective and thought-provoking form of communication, but it is also additionally interesting since it is ephemeral. Here today, gone tomorrow.

Vietnam disagrees

Recently (17/11) the Reporters without Borders (RWB) published The 15 enemies of the Internet and other countries to watch. among the top (bottom?) 15 was Vietnam of which the article wrote:

The country closely follows the Chinese method of controlling the Internet, but though more ideologically rigid, the regime does not have the money and technology China has to do this. It has Internet police who filter out â??subversiveâ?? content and spy on cybercafés. Cyber-dissidents are thrown in prison and three have been in jail for more than three years for daring to speak out online in favour of democracy.

This article was not recieved happily by the countries on the list and now the Vietnamese news agency has written an article which argues against RWB putting Vietnamn on their list. The Vietnamese article is published by the VietNam News Agency (VNA) which is the official news service of the Socialist Republic of Viet Nam. The “VNA is directed by the Government and is authorized to make official statements reflecting the State’s points of view on important national and international issues” (more info about VNA). The article argues against the RWB list and claims that:

The RWB made groundless and ill-intended allegations against these nations for “violating the right to freedom of speech on Internet, censoring liberal sources of news, strictly controlling Internet services.” It accused these nations of “shutting the mouth of dissidents, making troubles, repressing and even imprisoning those who expressed on the Internet opinions running counter to the Government’s policies.”

the article then goes on to describe the development of Internet services in Vietnam. Which is naturally followed by the consequences of such development.

The country’s poor management capacity and infrastructure facilities have been blamed for the Government’s inability to control inflammatory, false and libelious information and pornographic images posted by several local Internet providers. The fact has caused concern among the people. Viet Nam has also failed to introduce effective measures to prevent hostile and reactionary forces and political opportunists at home and abroad from using the Internet and on-line forums to speak ill of achievements gained by the people.

The article then moves on to meeting the actual accusations which places them on the RWB list

Like other countries, Viet Nam discourages and restricts the dissemination of information calling for subversive attempts, and puts firewalls on websites that are not suitable to the morals and fine customs of oriental people in general, and the Vietnamese people in particular.

The main motivations for censorship are the twin threats of subjecting children to pornography and terrorism. Vietnams main defence, in his article, seems to be “everyone else is doing it”:

After the Sept. 11 incident, haunted by terror threats, many Western nations have tightened control over the Internet – a move considered by some citizens to violate individual privacy. The United Nations has been calling for the establishment of a UN Internet Surveillance Agency, which will map out and implement Internet administration policies, covering the most imperative areas of the global network, namely the distribution of domain names, Internet security and crimes, spam, and the protection of individual information on the net.

Naturally the fact that other countries are behaving badly is something which the RWB is aware of even countries that did not make the list (yet) are included in the study as countries which need to be watched. Among the more interesting statements in the article is a sentence at the end “Why did RWB try to politicise a technology that has brought vigorous changes to daily life worldwide?”…Nice try – but when was technology apolitical?

CC Press Release

This press release is available from here

Silicon Valley-based NGO introduces its innovative copyright licenses in Sweden

San Francisco, CA, USA and Berlin, GERMANY â?? November 30, 2005 â?? Creative Commons, a nonprofit dedicated to building a body of creative work free to share and build upon, today unveils a localized version of its innovative licensing system in Sweden.

Creative Commons copyright licenses are available free of charge from the groupâ??s website (http://creativecommons.org). The licenses allow authors and artists to mark their works as free to copy or transform under certain conditionsâ??to declare â??some rights reserved,â?? in contrast to the traditional â??all rights reservedâ??â??thereby enabling others to access a growing pool of raw materials with minimal legal friction.

Staff at Creative Commonsâ?? offices in San Francisco and Berlin worked with Project Lead Mathias Klang and Karl Jonsson of the Creative Commons Sweden team to adapt the standardized licenses to Swedish law. Creative Commons Sweden is hosted and supported by the IT University of the University of Göteborg.
Today the Swedish versions of Creative Commons licenses are being launched and will be available at http://creativecommons.org/ worldwide/se.

As a first official use of the Swedish Creative Commons licenses, the Swedish band Auto-Auto will be releasing their new EP â??Totemâ?? on December 13, 2005 under a Creative Commons license. â??Totemâ?? will contain five tracks and will be available for download at http:// www.auto-auto.se/. Together with the release, the record company and Internet community Substream are making a remix-kit freely available and will be announcing a competition for the best remix of â??Totem.”

About Göteborg University and IT University

IT University is a faculty within Göteborg University. It is a new addition to the centre for IT research, education and development in the west of Sweden. This venture offers excellent scope for cooperation between researchers within different areas of expertise and specializations. The programs offered are based on advanced research and are in a constant state of development.

Göteborg University offers the most comprehensive range of courses and degree programs in Sweden. Göteborg University has about 40 000 students, a staff of well over four thousand, and almost as many part- time teachers spread over approx. 70 departments.

For general information, visit http://www.gu.se/ & http://www.ituniv.se

About Creative Commons

A nonprofit corporation founded in 2001, Creative Commons promotes the creative re-use of intellectual and artistic worksâ??whether owned or in the public domainâ??by empowering authors and audiences. It is sustained by the generous support of the Center for the Public Domain, the John D. and Catherine T. MacArthur Foundation, the Omidyar Network Fund, and the Hewlett Foundation.

For general information, visit http://creativecommons.org/

Contact

Christiane Asschenfeldt
Executive Director CC International, Creative Commons
christiane@creativecommons.org
+49.30.280.93.909

Mia Garlick
General Counsel & COO,
Creative Commons
mia@creativecommons.org
+ 1 415 946 3073

Mathias Klang
Project Lead Sweden
klang@creativecommons.se
+46705432213

Karl Jonsson
License coordinator Sweden
jonsson@creativecommons.se
+46707454211

Press Kit

http://creativecommons.org/presskit/