GPLv3 Resources

Today is the official release of the GPLv3 license by the Free Software Foundation. This is a major event within the software community yet at the same time there are many who do not understand the purpose, point and meaning of the GPL so it’s time for a refresher course.

From the GPLv3 Press collection you can read about the purpose and meaning of free software, the relationship between GNU and Linux and the important difference between free software and “open source”.

On 1 April 2007 Richard Stallman gave a speech on the GPLv3 in Brussels you can listen to it here in Ogg/Vorbis. In the summer of 2006 Eben Moglen gave a talk in Barcelona discussing the wording of the changes in version 3 (listen in Ogg/Vorbis).

Personal Notes has collected great links about the GPLv3

So to begin withâ?¦Why would someone need or want to upgrade from the GPLv2 to the GPLv3? Let the person who started it all to explain why :)

Here there’s a really nice and clear A&Q ‘session’ on GPLv3 wrote by Luis Villa and divided in 3 blog entries (probably more to come):

Groklaw, as usual, is an incredible source of interesting material:

One Thousand

This is the 1000th post on my blog. It started as an experiment on 2nd February 2005. One thousand posts later this blog has now got 56 categories. Most popular is Cyberlaw (my default category) with 311 posts, least popular is Audio with one post (I really should organize my categories). The blog has also achieved 528 comments.

Middlemen Wanted

Cheaper computers, better software, more intuitive software, the net, cheaper and faster connectivity have all worked together to make interesting audio and video content available at no cost. In addition to this the Creative Commons licensing system has provided a support for those who want to both share and maintain some control over their content.

The problem is that there is too much content online. It’s disorganized and hard to find. All this opens up an exciting niche for the middleman. Someone who will trawl the internet looking for content worthy of listeners and viewers. Naturally these middlemen have already appeared and are able to recommend good content for those of us who want but lack the time and inclination to attempt to find and wade through all the less interesting stuff.

BlocSonic is one such middleman and they (or he/she) have now released their “Volume 4: Soundtrack for the coming revolution“. They write:

Once again, we’ve got a terrific collection of 10 tracks culled from the wide world of net audio. In this one we feature one from ccMixter, a couple from Jamendo and others from various netlabels. Hip-Hop, Trip-Hop, Unplugged Electronica, Post-Rock, Indie Rock, Drum & Bass are all represented. So download it, give it a listen, contact us and leave feedback. If you’d like, we’d love it if you leave a review at netBloc Vol. 4’s archive.org page.

It’s surprising that these services have not been more widespread. Or maybe it’s just because I have not found them earlier. Here is volume 4:

01 – Sun Zoo – New Pirates (featuring DJ HDL)

02 – Maniax Memori – It’s Not Jazzz

03 – Dirge – Phone

04 – deutscheunschuld – Just One Night (DU Remix Edit) (Featuring Vocals by Jeremy Carr)

05 – You Are My Everything – Can You Feel What It Takes?

06 – Bersarin Quartett – St. Petersburg

07 – Lucas CK – Tu cries

08 – Crepusculum – A Sheltered Life (Herzog Reprise)

09 – BSK – October

10 – L’Onomatopeur – Pour Petite Tete

(via the Creative Commons blog)

Art of War (free audiobook)

Sun Tzu’s classic the Art of War is this month’s free audiobook download from Learn Out Loud.

The Art of War is one of the oldest and most famous studies of strategy and has had a huge influence on military planning, business tactics, and beyond. First translated into a European language in 1782 by French Jesuit Jean Joseph Marie Amiot, it had been credited with influencing Napoleon, the German General Staff, and even the planning of Operation Desert Storm. Leaders as diverse as Mao Zedong, Vo Nguyen Giap, and General Douglas MacArthur have claimed to have drawn inspiration from the work. (Wikipedia)

The narrator is Christy Lynn.

This is only free to download during the month of November so do it now or miss the opportunity…

(via The Stingy Scholar)

Darwinian Evolution Online

The Complete Works of Charles Darwin are to be found online â?? for free. So OK you are hard to please and you have seen books online before. But wait! This site offers more. You can even download Charles Darwin audio books â?? for free.

An amazing collection of Darwinâ??s works are available in MP3 hits like the â??Fertilisation of Orchidsâ?? (1862) to the â??On the Origin of Speciesâ?? (1859) all iPod ready.

This site contains every Darwin publication as well as many of his handwritten manuscripts. All told there are more than 50,000 searchable text pages and 40,000 images. There is also the most comprehensive Darwin bibliography ever published and the largest manuscript catalogue ever assembled. More than 150 ancillary texts are also included, ranging from reference works to contemporary reviews, obituaries, descriptions of Darwin’s Beagle specimens and important works for understanding Darwin’s context. Free audio mp3 versions of his works are also available.

The site was launched on 19 October this year and is amazing. It is a testimony to the victory of content over web-design.

(via Markmedia)

Late News From Rome: CC is OK

So I am late, again! But in going through some old mails this was particularly interesting. It is relevant to a post I wrote (4 Sept – Call for Copyright Activists):

Rome, August 7th 2006.

For the first time in Italy, Siae (the Italian collecting society), with a non-expiring resolution active from July 25th 2006, (documento protocollato presso l’Ufficio Multimedialità al nr. 1/290/06/FDP) recognizes the opportunity and right for the public playing of ambient music inside a commercial space, without compensation to be paid, thanks to the adoption of copyleft licensing schemes (like CC, Art Libre, Copyzero x, Clausola Copyleft) or in the public domain.

Inside the ice cream shop Fiordiluna, in the heart of the Trastevere district in Rome, there is a multimedia space (32″ lcd monitor and Bose speaker system) managed by a Linux pc with free software on it, through which audio, video and literary works with copyleft-like licenses or in the public domain are publicly played.

This major historical achievement has been made possible by the work of Ermanno Pandoli (Giapster and Quindicino) who is a member of the Liberius digital window of the FrontiereDigitali network and who has represented the Fiordiluna ice-creamery to Siae.

Those interested in exposing their works inside the ice-creamery may inform the relevant groups inside the FrontiereDigitali network. To obtain more information on the legal and logitical procedures to follow it is also possible to contact the Liberius digital window.

English translation by Luigi Canali De Rossi, Master New Media Association.

This is an excellent way of bringing about change in the present copyright regime. By enabling businesses to avoid paying the collecting societies and (as in the case above) making a name for themselves we can see how creativity can make a difference. And how it can work outside the narrowly defined conventional music models.

Non-musical iPod

Admitting that I use my iPod a lot is not really surprising. Many people walk around with different versions of players connected to their ears. Even though I use my iPod every day I rarely listen to music on it. Almost everything I listen to is lectures and the occasional audio book. Sad, isnâ??t it?

Right now I am re-listening to the Garret Faganâ??s course of 48 lectures on the History of Ancient Rome, produced by the Teaching Company – this is a very good lecture series.

The problem with listening to non-fiction audio is that there is not enough free stuff! Thatâ??s why its nice to find sites like LibriVox were volunteers record themselves reading books and the results are posted into the public domain.

A word of caution â?? the rules and traditions for the public domain vary so LibriVox has the following disclaimer:

LibriVox recordings are Public Domain in the USA. If you are not in the USA, please verify the copyright status of these works in your own country before downloading, otherwise you may be violating copyright laws.

LibriVox also has some nice links to other sources of spoken word online. So between the commercial sites, free sites and podcasts I will never have to listen to music on my iPodâ?¦

(via New York Times)

Evolution of a Social Contract (the GPLv3 process)

OK so the GPL is a copyright license. But in part it has also evolved into something larger than life. It has become one of those rare things among legal documents – an icon.

Naturally it is not alone in this position. But what is interesting is that other icons tend to be “larger”. The US constitution is an icon, the declaration of rights is an icon. Very few contracts and licenses can be called iconic since few or none ever make it outside their small community. So what happens when the process of technological development forces the “evolution” of a license?

Unlike nature we cannot expect a natural selection. The development must be moved by an outside force. It can be done either dictatorially or democratically. In one way dictatorially is easier – you don’t have to ask all the people what they think. But using this process does not work with software licenses since the dissatisfaction of users will only lead to the demise of the license. Democracy also has its advantages. It allows for participation and the ability of smart people to bring forward comments and ideas that the dictator may not have recognised. The GPL has chosen a democratic process.
The formal system can best be seen in the overview of the process, which begins with the initial release and presentation of the draft of the GPLv3 with additional documentation such as the overview of the review system and the explanatory documents. In addition to the more formal structure the information needs to be communicated out to the users and to ensure an equality of information transfers was established. The latter was accomplished primarily through the use of the Internet as a distribution method of all texts and additional audio and video material.

The essence of the drafting process here described is to make it possible for the Free Software Foundation to decide the contents of the GPL through the fullest possible discussion with the most diverse possible community of drafters and users. Ideally, we would identify every issue affecting every user of the license and resolve these issues with a full consideration of their risks and benefits. In order to accomplish such a large task, the discussion process involves individual community members and Discussion Committees that represent different types of users and distributors.

The process was formally commenced with the release of the first Discussion Draft of version 3 of the GPL (including additional explanatory material) at the first International Public Conference in January 2006, at the Massachusetts Institute of Technology. The two day event at MIT was recorded and the audio video material was also made available online. The second draft has recently been released.

To ensure that comments on the GPL are collected and dealt with Discussion Committees have been formed. The members of the committees were chosen to represent diverse users groups such as â??â?¦large and small enterprises, both public and private; vendors, commercial and noncommercial redistributors; development projects that use the GPL as a license for their programs; development projects that use other free software licenses, but are invested in the contents of the GPL; and unaffiliated individual developers and people who use softwareâ??. The role of these committees is to organise and analyse the received comments and propose solutions.

The FSF invited the initial members of the Discussion Committees but granted the committees the power to invite further members and to autonomously organise their work process. The committees work to encourage commentary on the license from the sectors they represent. Once the comments have been collected, organised and analysed the committee is responsible for presenting its results of the deliberations to the FSF.

Aside from this organisational method of soliciting and analysing comments from a wider public the FSF have created an online method of allowing anyone to comment directly on the license draft. This is done by creating a software based commenting system, which works in this way. The draft text of the GPLv3 is online and users can mark a section of text, which they wish to comment, and then type â??câ??. Doing this opens a comment box, which allows the user to add a comment.

Once a user has commented on a section of text that section becomes highlighted. If no-one has commented on the text the background colour is white. After a comment the background is light yellow. The colour of the background becomes progressively darker for each comment added. This colour system allows users to see at a glance which sections of the draft are the most commented.

By holding the cursor over highlighted text the user is informed how many comments have been made on that section. By clicking on highlighted text the comments that have been made appear and can be read. The latter feature has the added benefit of reducing the amount of duplicated comments since the commentator can see the commentary of others.
So what are you waiting for? Participate in the democracy!

GPLv3 audio & video

The audio & video recordings from the 3rd International GPLv3 Conference held in Barcelona during June 22nd & 23rd 2006 are now online. The torrent files can be downloaded from here and include presentations by Richard Stallman, Eben Moglen and Georg Greve (amongst others). My own claim to fame was that I was on the enforcement panel on day 2.