Paulthewineguy has created a set on Flickr aimed at helping geeks to understand art. In 44 commented pieces of art culture is explained to geeks. Lots of really great examples.
Take a look at the rest of the set…
Paulthewineguy has created a set on Flickr aimed at helping geeks to understand art. In 44 commented pieces of art culture is explained to geeks. Lots of really great examples.
Take a look at the rest of the set…
The European Green Parties have begun a counter-attack on media propaganda. Most media companies claim that if you download a film you are just as likely to steal a handbag, break into a car or shoplift. These are ridiculous claims but somebody needed to say this out loud.
So enter the Greens! With their short film and their website they are making the fundamental and important point that making a copy is fundamentally different from stealing.
The media industry has failed to offer viable legal alternatives and they will fail to convince consumers that sharing equals stealing. Unfortunately, they have succeeded in another area – lobbying to adapt laws to criminalize sharing, turning consumers into criminals. They argue that their laws are necessary to [support artists], but in reality all they’re protecting is their own profits.
The Greens in Europe and worldwide has been opposing these laws. We believe that consumers are willing to pay if offered good quality at a fair price. We also believe that sharing is expanding culture – not killing it.
To protest against the faulty propaganda from the industry, we made our own film. The difference is – you can choose whether you want to watch this one.
Check out the I wouldn’t steal website and watch the film on YouTube or download it as a torrent. Oh and the movie is licensed under Creative Commons (by-nc) so you can even make your own remix version – try doing that legally with the industry propaganda.
The trade in morbid exotic items has filled several museums around the world who were competing to fill up with body parts, mummies, bones, skins and skulls. The winners of the competitions built the biggest, most impressive and best respected museums in the world.
The problem is that the wind has changed. Many of these artifacts are not acceptable in museums any more (even though some are still considered OK). Some of the remains are returned but many large museums with large collections are hesitant since returning their large collections would be a significant loss to them.
A recent argument in France is a good illustration of the problem. It all began when the Natural History Museum of Rouen tried to give back a toi moko to New Zealand (toi moko were originally the heads of Maori warriors killed in battle). When the French Culture Ministry heard this they stopped the return.
These situations are complex but it is fascinating to see the evolution of morals. The question worth asking is which of our actions today will be seen as totally immoral tomorrow?
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Read more about the French toi moko at the New Zealand Herald & USA Today. Liverpool returns toi moko (2006)& Scottish return of toi moko (2005)
Free the Mind has blogged about the report Cultural industries in the context of the Lisbon strategy [PDF] being discussed in the European Parliaments Committee on Culture and Education.
Article 9 in the report attempts to address online piracy and should be seen as a step in the right direction. The authors have reached the understanding that …criminalising consumers so as to combat digital piracy is not the right solution.
However the committee members did not agree with this and several of them have submitted proposals for changes [PDF]. The most serious is the proposal from Christopher Hilton-Hearris. His proposal will force Internet providers into action and to close the accounts of those caught violating others copyright:
This cooperation of Internet service providers should include the use of filtering technologies to prevent their networks being used to infringe intellectual property, the removal from the networks or the blocking of content that infringes intellectual property, and the enforcement of their contractual terms and conditions, which permit them to suspend or terminate their contracts with those subscribers who repeatedly or on a wide scale infringe intellectual property
He even proposes that the EU-Commission launch pro intellectual property campaigns to the general public and as a subject in schools. He is not alone in his suggestion to cut off Internet supply to those involved in copyright violations. The Committee on Industry, Research and Energy has recommended the Committee for Culture and Education to:
Calls on the internet service providers to cooperate in the fight against internet piracy and enforce their contractual terms and conditions or terminate contracts with subscribers who infringe intellectual property rights. Internet service providers should apply filtering measures to prevent copyright and stop existing infringements
Photo hear hear by massdistraction
This is an extremely simplistic and naive approach to the problem of copyright violation in digital environments.
Now that politicians are actively attempting to shut down connections the dream of creating an inclusive society based upon a technological infrastructure (for example Information Society for All) seems to be on its way out.
Why is banning people from the Internet a bad idea?
The Internet has been promoted and become our most basic communications infrastructure (obviously my focus here is Europe since this is where the proposal is being discussed).
1. The punishment does not fit the crime: We have changed the way Banks, Post Offices, ticket sales, hotel booking, insurance (etc, etc) work and banning someone from the Internet will be tantamount to branding a symbol of guilt onto the person. Not to mention the increased costs involved in time and money. Indeed why should copyright violation prevent me from online banking?
2. Group punishment: If an Internet connection is involved in copyright violation this does not mean that all those dependent upon that connection should be punished. The actual violator may be underage or the network may be open to others.
3. Privatizing the law: The ability to punish copyright violators should not be delegated to private bodies. Internet providers are not equipped to mete out legal punishments.
The proposals seen above are simplistic, naive and dangerous they show a fundamental lack of understanding not only of technology or its role in society but also a lack of understanding of the role of communication in a democratic society. The actions of the politicians proposing such measures show that they are not acting in the interests of the individuals they are there to serve.
Congratulations to the Philippines Creative Commons to their upcoming launch on the 14th January. From the Creative Commons press release:
Following the unveiling of the Philippine localized Creative Commons licenses in December, citizens of the archipelago will gather today in Manila to celebrate in full the public launch of its completed licenses and the country’s strides towards fostering the global commons movement.
Attorney Jaime N. Soriano, Creative Commons Philippines Project Lead and Executive Director of the e-Law Center, announces that the launch activities are scheduled to take place on January 14, 2008 from 1:00pm to 9:00pm at the Arellano University School of Law.
The event will consist of three parts: 1) an orientation to projects by stakeholders in the Philippine Commons, with the aim of developing a local collaboration promoting alternative licensing, free and open source software, open education, and free culture; 2) the public presentation of the CC Philippine Licensing Suite Version 3.0, which has been available online since its soft launch December 15, 2007; and 3) the CC Philippines Concert featuring more than six local rock bands.
One of the themes that I have been trying to get across to audience in some of my recent lectures has been the philosophical and political implications of technology. The point I am trying to illustrate is that technology is embedded not only with the designer’s ideas about the user’s needs, the way in which the technology will be used and the marketability of the product – but each product also contains a depth of philosophical and political beliefs.
Therefore while in Borås I spoke about a chair that happened to be in the lecture hall. It was a typical Scandinavian conference room chair. The fact that we can recognize a chair as typical Scandinavian is, in itself, telling.
The chair’s “Scandinavianess” was revealed in the result of multiple design choices.
The choices of shape, the weight, the cloth, the pattern on the cloth and the wooden frame make the chair and also reveal its economic, social, moral, political and philosophical background. The most obvious give away was the choice of pinewood. This honey color has come to symbolize Scandinavian design from high culture Aalto to mass production Ikea.
The shape reveals that it is intended for audiences, the shape and the cloth show that it is not for schools. The pattern of the cloth ages the chair and shows it belongs to a bygone era of design (it’s the early 90’s).
While it is relatively easy to illustrate these points it is more complex to show the connection to the way in which the technology controls and regulates our behavior. This control is particularly relevant in technologies that manipulate and alter the way in which we communicate.
A recent development on Facebook illustrates the way in which technology controls and enables what users can do. The Facebook profile has long had an obligatory “is” in the way in which the user can describe what is going on. The result can be something like “Mathias is at work”, “Mathias is sleeping” and “Mathias is feeling good”.
The little “is” limits the way in which the user can communicate. Maybe the user is no longer, maybe the user wants to be “was” or why even a verb of being? By removing the compulsory state of being the user now is free to express much more than a state of being. “Mathias wants…”, “Mathias runs…” or “Mathias eats”.
This change enables the user and dares him/her to make an existential shift from the Heideggerian state (as Christopher puts it). The question, of course, is whether or not the user will dare to going beyond the “is” now that the freedom to do so has been enabled.
The FSCONS conference was really good. I managed to speak to many interesting people and my presentation turned into a very good interactive discussion with the audience. The only thing that is wrong is that I am unable to attend the second day which is today. The reason for this is that my grandmother is 90. This is a birthday that cannot be missed so I am on the train to Stockholm.
As part of the FSCONS the Free Software Foundation Europe created and handed out the first Free Software Scandinavian Award. Since I was on the award committee I know first hand how interesting reviewing and discussing Free Software projects and initiatives can be. Here is the press release about the award which went to the excellent Norwegian project Skolelinux:
Free Software Foundation Europe is proud to announce that the Norwegian project Skolelinux is the winner of the first Free Software Scandinavian Award handed out at during the Free Software Conference Scandinavia 2007 in Göteborg friday 2007-12-07.
Skolelinux has under a long period of time worked hard to promote the use of Free Software as well as the use of free and open standards and file formats. By using low cost or spare hardware, schools and other public institutions can find a free and cheap IT solution made to meet their needs.
Skolelinux captures a big part of the free software spirit; sharing and reusing. By focusing on schools, Skolelinux makes sure students, tomorrow’s computer users, and decision makers, can grow up in a spirit of sharing, reusing and learning from family, friends and neighbours.
The goals of Skolelinux are to:
* Provide a complete software solution using free software tailored for the needs and use-cases in educational scenarios.
* Pre-configured for easy installation (standalone, as well as network-wide roll out).
* Easy to use, maintain, and administer.
* Supporting your native language.
* Classify and package all free software related to education.
* Write documentation to describe how to use the various software (in an educational context).
* International availability, currently being translated into more than 50 languages.
Skolelinux has combined important, and dedicated work contributions with technical knowledge and political skills.
The adoption of Skolelinux in so many countries around the globe shows that the use of Free Software and open standards has really been spreading in a very positiv way.
The next milestone is that we are now seeing the merge of different school systems based on Free Software. The largest example is the merge between Skolelinux and the very successful Spanish GNU/LinEx project which has at the moment more than 250.000 users and 80.000 work stations in use in schools in Extremadura. The one laptop for every two pupils project.
Both Skolelinux and the GNU/LinEx buildts on Debian GNU/Linux and can enjoy the many synergy effects.
By focusing on schools the Skolelinux project shows by example how Free Software can be used. The jury finds this strategy important for the continued use of free and open standards.
Short about Skolelinux:
GNU/Linux in Schools
Skolelinux is free, stable, future secured, sustainable, and is upgraded frequently
– no license problems
– easy and time saving administration
– security updates are made quickly available
– simple system updating
– good administration of the software packets
– older PC ‘s can be used as thin clients
– no dependence on commercial interests/vendor lock inAbout the leadership:
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The Skolelinux project has “doer democracy” which means that the active persons decide! The merit lies in your contributions not in your title.The free, open source code in the project is very valuable because the source code is available making it is easy to change and
customize. This is illustrated by the many languages that are being supported. In a digitalized world it is important for the survival of the cultures that even small national languages are being actively supported.The collaboration platform:
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The Skolelinux version 3.0r1 is now available. There has been a valuable collaboration between the following countries: Germany, Spain , France, Greece and Norway. Lately also with a Canadian School project.For some years now there have been regular meetings between different free software school systems and projects. The reason being to share cool applications and avoid double work. A win-win situation for all.
Congratulations again to Skolelinux. We wish you continued growths and success.
The Scandinavian Free Software Award
————————————The Scandinavian Free Software Award has been designed for Nordic citizens, projects or organizations that make an outstanding contribution to the Free Software movement. Free Software projects, efforts, achievements of all kinds – including work done by Nordic citizens which has had a large effect in other parts of the world are eligible to be nominated. It is the aim of FSCONS 2007 that this award becomes an annual event.
Jury 2007:
The jury is compiled by Nordic citizens only. This year the members are:
– Anne Østergaard (Gnome Foundation, Denmark)
– Henrik Sandklef (FSFE, Sweden)
– Jonas Öberg (FSFE, Sweden)
– Marcus Rejås (FSFE, Sweden)
– Mathias Klang (FSFE, Sweden)
– Petter Reinholdtsen (NUUG, Norway)
Here is the complete list of nominated projects.
Lessig presented a very interesting talk entitled Three stories and an argument at TED recently. It’s well worth watching for both it’s content and delivery. The basic argument is familiar. Since digital technology and tools are becoming cheaper and easier to use the cost of producing and remixing copyrighted material is becoming very cheap. Add to this the cheap availability of an efficient communications platform (the Internet with its applications) large groups of people are moving from cultural consumers to becoming consumer/producers.
Professional creators in the past (musicians, authors, filmmakers etc) have always taken culture and remixed it. Taken different ideas and re-packaged them in order to create something new. Most of our ideas have not emerged in great leaps but in many small (inevitable?) steps. Today the technology is making this process more democratic in that the amateur is invading the realm of the professional – and, as Lessig puts it, this does not mean that the material produced is amateurish. It refers to amateur in the true sense of the word it is done out of love rather than money.
The major barrier to all this is copyright law. The problem with this is that the ability to take parts of our culture and remix them is an accepted form of communication among large groups of people and the institutional response has been criminalization. Copyright law has produced the presumption that remixing is illegal in particular in the digital realm. Since every use of culture in the digital realm entails a copy therefore every use should require permission.
This is an inefficient system that goes against the way in which people act. We are developing a system where people are aware that they are acting in violation to the law but they do not feel that this is wrong. Lessig warns about the growth of copyright extremism on both sides: One side builds new technologies to protect copies while the opponent cry out for the abolition of copyright.
Much of my time is spent advising university lecturers on the ways in which they can and cannot use new technologies in the classroom. The university of today is required to connect and compete with a generation of people who are connected and digitally sophisticated. In our attempts to connect and educate we provide students with laptops, wireless connectivity and digital material.
In all this copyright is creating a barrier to effective use of ICT in education. Lecturers and students attempting to benefit from online material are being driven to acting against the law. Copyright law limits the use of web2.0 technologies such as Blogs, YouTube and Flickr in the lecture halls, but the need to connect and educate is driving dedicated lecturers to circumvent, avoid, bend and break the law. This is not a good situation.
The problem is that the law has become inadequate for our needs. In order to ensure copyright control the legislator has forgotten to allow people to remix and to allow educators to use copyrighted material to a greater extent. This is not an argument for making mass copies of the latest Hollywood film – “pure” copyright “piracy” is, and should be, illegal.
But there is a need to allow access to culture beyond the passive consumer role. It also makes good business and democratic sense since it takes the edge away from the extremist positions, which threaten to push the discussions into chaos – as extremism, does. It is an argument to allow non commercial uses of copyrighted material without the fear of reprisals which exists today.
Andres over at Technollama is reading “The Cult of the Amateur”, by Andrew Keen, the Internet critic. I have been avoiding commenting on this book and on the author. Lots of other have been there already. Actually I will probably eventually get around to reading the book. Anyway, Andres notes that Keen has a bone to pick with the web and provides this Keen quotation which I could help but comment upon:
“When I look at today’s Internet, I mostly see cultural and ethical chaos. I see the eruption of rampant intellectual property theft, extreme pornography, sexual promiscuity, plagiarism, gambling, contempt for order, intellectual inanity, crime, a culture of anonymity, hatred toward authority, incessant spam, and a trash heap of user-generated-content. I see a chaotic humans arrangement with few, if any, formal social pacts.”
Well of course. I agree totally with Keen. Thats the beauty of the Internet – you get what you look for. Keen went looking for garbage and appears shocked when he found it. Big deal. I can do the same in any city in the world from Bombay to Boston from Seoul to Stockholm. What he then does is attempts to explain the world from the empirical garbage he picks up. This is not a reflection of the Internet but only an expression of Keen’s Internet related interests.
The media in Sweden is (understandably) full about reports of the school shootings in Finland.* This is to be expected. But what surprises me is the focus on the fact that the perpetrator had made a video and posted it on YouTube.
The focus of Swedish media on the YouTube connection shows a fundamental lack of understanding about the use of technology today. The surprise should not be that a young disturbed man planning a school massacre places a video on YouTube but we should be surprised if the young man had not done so. The YouTube suicide note must be as predictable as death & taxes.
Despite this, the media calls in “experts” and asks them to explain what kind of anti-social cesspit YouTube is. They ask about the responsibility of YouTube, they ask why the events predicted in the film could not be stopped. They want to know how to prevent children from accessing YouTube to watch movies such as these and whether or not the films online are creating copycats.
Basically people do not seem to understand the YouTube culture. Firstly it is not a sub-culture. YouTube is a massive collection of sub-cultures. Secondly, YouTube is the logical result of camera and communications technology. It collects everything from death to porn (and death with porn), from toddlers to seniors, from party to study. Basically every type of activity that can be recorded on film is to be found there.
And the audience has seen it all. Here are some examples of search results:
And the audience has seen it all before.
So even if the audience had seen a young troubled Finn posing with a gun, shooting in the forest and making threats against the society around him – what was the audience supposed to do? Nobody runs out of a movie theater to get a cop because a murder is about to be committed. We just sit back, munch our popcorn and wait for the ending to come. The difference with YouTube is that the people watching can comment on the film and others can comment on the comments of others.
YouTube cannot be blamed for the site just as the audience cannot be blamed for not acting against the rantings of yet another gun-toting youth. The outrage should not be against the communications technology of the day but against the ability of disturbed people to be able to legally carry lethal weapons. For lets face it, if he had been armed with a knife, a hammer or a big stick – none of us would ever have heard of the Jokela high school in Tusby, Finland.
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*The school shooting in Finland was another tragedy of the type we have almost come to expect on a regular basis. Probably the most shocking thing for Scandinavians is that this is the kind of thing that happens “only in America”. There is obviously no basis for this belief it’s just something everyone “knows” and therefore the shock is greater when our established knowledge is irrefutably challenged. No matter where things like this happen they are tragedies and the world should mourn the loss of life and innocence.