commons

Digital Sharecropping

George Lucas is joining the Web 2.0 bandwagon and allowing fans to create mashups of Star Wars. Wow, what a guy? Impressed? Happy? Don’t be!!!

â??Star Warsâ?? fans can connect with the Force in ways theyâ??ve only imagined beginning May 25, when StarWars.com launches a completely redesigned website that empowers fans to â??mash-upâ?? their homemade videos with hundreds of scenes from â??Star Warsâ?? movies; watch hundreds of fan-made â??Star Warsâ?? videos; and interact with â??Star Warsâ?? enthusiasts from around the world like never before.

With an innovative, interactive site that allows users to navigate to multiple â??Star Warsâ?? worlds, a new video focus, and groundbreaking â??Web 2.0â?? features â?? including a unique online multi-media mixing platform from Eyespot â?? the new StarWars.com will unveil its redesigned website on May 25 to commemorate the 30th anniversary of the â??Star Warsâ?? Saga.

Among the most compelling features of the newly redesigned StarWars.com is the incorporation of an online video-editing tool provided by Eyespot. It allows users to add their own video shots to more than 250 scenes and music taken from all six â??Star Warsâ?? films and create their own â??Star Warsâ?? movies to share with others.

Unfortunately the material the creative fans will create will not belong to them but will remain in the hands of George Lucas. The fan-created videos will run along with commercials profits split between Lucasfilm and Eyespot.

The idea of users being drafted, fooled, enticed into doing the work for someone else has been called digital sharecropping by Lessig. This refers to the situation where the work is carried out by poor day laborers while the landowners sit and reap the rewards of another’s creativity.

Read more about this over at the Volokh Conspiracy

Posted on by mklang

Academy Award Film under CC

A Story of Healing a film from 1997 has just been re-released under a Creative Commons license. This makes it the first academy award winning film to be released under the Creative Commons license.

About the film from IMDB:

In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks’ of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they’ve made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David’s “What the World Needs Now Is Love.”

To view A Story of Healing visit the Interplast website. The film is also downloadable from blip.tv, and wherever you share it!

(via Creative Commons blog)

Posted on by mklang

iCommons Summit

The third annual iCommons summit will be held in Dubrovnik, Croatia (15-17 June) and this year I have the good fortune to be able to attend.

The event includes people like Creative Commons CEO, Larry Lessig, CC Chairman and Digital Entrepreneur, Joi Ito, Wikipedia Founder, Jimmy Wales and CTO of Linden Labs, Cory Ondrejka. We have also add some new voices to the debate this year including Indiaâ??s Lawrence Liang who has become renowned for his considered commentary on the positive impact of piracy in developing countries, Jonathan Zittrain discussing themes from his new book â??The Future of the Internet and How to Stop Itâ??, Benjamin Mako Hill from MIT who will talk about competing visions of â??free cultureâ?? from the free software perspective, and Becky Hogge from the Open Rights Group, who will talk about successful campaigns to rid the world of restrictive IP laws.

I am really looking forward to it and to meeting all the other commoners. Naturally the event will be blogged 🙂

Posted on by mklang

Stealing Wifi

A man in the UK has been fined £500 and sentenced to 12 monthsâ?? conditional discharge for illegally using someone elseâ??s open wifi (an offence under the Computer Misuse Act see more on note below*). These (one and two) BBC stories gives more information on this but it also includes lots of interesting pre-suppositions about the dangers of open wireless Internet access points.

The main arguments in the BBC stories are that the use of someone elseâ??s wifi is mainly to enter into illegal porn sites, launch hack attacks, to steal information or worse.

Is this really what people try to do on other peoples networks? My experience is that most unauthorized wifi use is travelers checking email, or neighbors using each otherâ??s nets out of sheer incompetence. Naturally there are always going to be nasty people attempting to abuse openness but how bad can it be?

Phil Cracknell has called for an awareness campaign to inform of the dangers of openness â?? â??The perception in the past has been that borrowing a bit of bandwidth is cheeky but not really criminal behaviourâ??. But then again Phil Cracknell is chief technology officer of security firm NetSurity and may be a bit interested in increasing our perception of insecurity.

Most of the people I come into contact with (ok, so I hang with the wrong crowd) donâ??t believe that borrowing bandwidth is cheeky â?? itâ??s a simple act that does not harm anyone.

Using anything for an illegal activity is however illegal and should be punished.

—

* Added 23 April

Stealing wifi is actually an offence under the Communications Act of 2003. To be an offence under the Computer Misuse Act there has to be more than simple wifi use. Basically the Computer Misuse Act requires an unauthorised entry into the computer system. This is similar to Swedish law where “only” using someone’s wifi is not an offence while entering into someone’s system without authorisation is an offence (DatorintrÃ¥ng). This difference is quite subtle and should be investigated further since it could be argued that it is not possible to use wifi without unlawful entry.

Posted on by mklang

Capitalism 3.0

Are you drowning in books to be read? Sometimes I think that I am. Then while I am in the middle of the deep end of the pool, instead of a life buoy, another book comes skimming across the water. This time it was Peter Barnes’ book Capitalism 3.0 which is available both as in a Pdf file (licensed under Creative Commons naturally) and in the more comfortable paper variety.

After scanning through the pdf I ordered the book. Barnes’ argument is based on the idea that capitalism is flawed and needs to take the Commons into consideration. He takes a broad view of the commons which includes headings such as nature, community and culture. Based upon this view he attempts to draw together the diversity of our commons and connect it to the capitalist approach to business.

 

 The book is critical of the accesses of old capitalism (which Barnes calls Capitalism 2.0). But he is also a bit too positive to what capitalism has done well – but a good book must be one that you disagree with in parts. Barnes attempts to show that Capitalism 3.0 has a chance of alleviating some of the access of capitalism 2.0 and he ends his book on a positive note:

Capitalism 2.0 had its moments. It defeated communism, leveled national boundaries to trade, and brought material abundance never seen before. But its triumph was accompanied by huge unpaid bills, debts that are now coming due. Perhaps we ought to think of ourselves as a company in bankruptcy. We canâ??t pay all of our bills, but we can pay some, especially if we stretch the payments out. In some cases, we can compensate debt holders with equity. In any event, we need to reorganize our economy so, in the future, we donâ??t run up the same debts again. Thatâ??s what
Capitalism 3.0 would do.

But Capitalism 3.0 also has a higher purpose: to help both capitalism and the human species achieve their full potential. To do that, our economic machine must stop destroying the commons and start protecting it. At the same time, it must lift the bottom 95 percent of humans at a faster rate than it raises the top 5 percent. This requires more than compassionate rhetoric, or a few bandages around the edges. It requires an upgrade of our operating system.

You can either buy a copy of the book or, if you prefer it, download it from the Capitalism 3.0 website.

Posted on by mklang

Middlemen Wanted

Cheaper computers, better software, more intuitive software, the net, cheaper and faster connectivity have all worked together to make interesting audio and video content available at no cost. In addition to this the Creative Commons licensing system has provided a support for those who want to both share and maintain some control over their content.

The problem is that there is too much content online. It’s disorganized and hard to find. All this opens up an exciting niche for the middleman. Someone who will trawl the internet looking for content worthy of listeners and viewers. Naturally these middlemen have already appeared and are able to recommend good content for those of us who want but lack the time and inclination to attempt to find and wade through all the less interesting stuff.

BlocSonic is one such middleman and they (or he/she) have now released their “Volume 4: Soundtrack for the coming revolution“. They write:

Once again, we’ve got a terrific collection of 10 tracks culled from the wide world of net audio. In this one we feature one from ccMixter, a couple from Jamendo and others from various netlabels. Hip-Hop, Trip-Hop, Unplugged Electronica, Post-Rock, Indie Rock, Drum & Bass are all represented. So download it, give it a listen, contact us and leave feedback. If you’d like, we’d love it if you leave a review at netBloc Vol. 4’s archive.org page.

It’s surprising that these services have not been more widespread. Or maybe it’s just because I have not found them earlier. Here is volume 4:

01 – Sun Zoo – New Pirates (featuring DJ HDL)

02 – Maniax Memori – It’s Not Jazzz

03 – Dirge – Phone

04 – deutscheunschuld – Just One Night (DU Remix Edit) (Featuring Vocals by Jeremy Carr)

05 – You Are My Everything – Can You Feel What It Takes?

06 – Bersarin Quartett – St. Petersburg

07 – Lucas CK – Tu cries

08 – Crepusculum – A Sheltered Life (Herzog Reprise)

09 – BSK – October

10 – L’Onomatopeur – Pour Petite Tete

(via the Creative Commons blog)

Posted on by mklang

Creative Commons v3

A bit late to blog about the obvious but at the same time it feels wrong not to blog about such a central event in the Creative Commons project. Anyway the news is (if you haven’t heard about it already) that CC now has released its latest versions of the license. Welcome to version 3.0.

The latest version of the Creative Commons licenses â?? Version 3.0 â?? are now available. To briefly recap what is different in this version of the licenses:

Separating the â??genericâ?? from the US license

As part of Version 3.0, we have spun off the â??genericâ?? license to be the CC US license and created a new generic license, now known as the â??unportedâ?? license. For more information about this change, see this more detailed explanation.

Harmonizing the treatment of moral rights & collecting society royalties

In Version 3.0, we are ensuring that all CC jurisdiction licenses and the CC unported license have consistent, express treatment of the issues of moral rights and collecting society royalties (subject to national differences). For more information about these changes, see this explanation of the moral rights harmonization and this explanation of the collecting society harmonization.

No Endorsement Language

That a person may not misuse the attribution requirement of a CC license to improperly assert or imply an association or relationship with the licensor or author, has been implicit in our licenses from the start. We have now decided to make this explicit in both the Legal Code and the Commons Deed to ensure that â?? as our licenses continue to grow and attract a large number of more prominent artists and companies â?? there will be no confusion for either the licensor or licensee about this issue. For a more detailed explanation, see here.

BY-SA â?? Compatibility Structure Now Included

The CC BY-SA 3.0 licenses will now include the ability for derivatives to be relicensed under a â??Creative Commons Compatible License,â?? which will be listed here. This structure realizes CCâ??s long-held objective of ensuring that there are no legal barriers to people being able to remix creativity in the way that flexible licenses are intended to enable. More information about this is provided here.

Clarifications Negotiated With Debian & MIT

Finally, Version 3.0 of the licenses include minor clarifications to the language of the licenses to take account of the concerns of Debian (more details here) and MIT (more details here).

As part of discussions with Debian, it was proposed to allow the release of CC-licensed works under DRM by licensees on certain conditions â?? what was known as the â??parallel distribution languageâ?? but this has not been included as part of Version 3.0 of the CC licenses.

Below is a list of CC blog posts about Version 3.0:

Getting to Version 3.0
Version 3.0 â?? Public Discussion Launched
Version 3.0 â?? Revised License Drafts
Version 3.0 â?? Itâ??s Happening & With BY-SA Compatibility Language Too

Posted on by mklang

More free books

Books that are free (as in beer) are simply irresistible and these two seem particularly relevant to my interests thats a big additional bonus! They are available online for free download or the old fashioned dead-tree version. Actually I shouldn’t be like that – I prefer the dead tree versions…

A collection of essays (edited by Joseph Feller and others) called: Perspectives on Free and Open Source Software some of it is familiar but it is nice to have it all collected in one place. It can be downloaded all at once here or chapter by chapter here.

The second one is John Logieâ??s book Peers, Pirates and Persuasion which is about the rhetoric of the peer-to-peer debates. A good analysis of the rhetorics of file sharing has been missing so I am really looking forward to reading this book. Download if here.

(Via Lex Ferenda)

Posted on by mklang

Incompatible Licenses

This morning a short question was posed on one of the Creative Commons mailing lists (cc-community).

I have a simple question. Why are all the Creative Commons licenses incompatible with the GPL?

This was an excellent little question and since then the mailing list has been busy sending in responses and thoughts. Since this is an open mailing list it is ok to quote one of the answers which I found very well written and helpful in explaining this important issue. The reply comes from Greg London and is as follows:

(broad brushstrokes follow.
Nit-pickers need not apply)

If you’re talking about converting
content between the CC-SA and GNU-GPL
licenses, then the problem is basically
a side effect of copyleft.

Copyleft licenses keep the content Free
by demanding that the content and any
derivatives are always available under
the same license as the original.

This prevents someone from putting more
restrictions on the work and taking a
version of Free content private.

Almost counter intuitively, copyleft
protects the content by disallowing
someone from removing restrictions on
the work. This could be abused by allowing
someone to first convert the content from
a copyleft license to a public domain license,
and then allowing the person to create
proprietary forks.

So, copyleft keeps the work Free by demanding
that the content and its derivatives must always
be held under the same license as the original.

Which means that if you have two copyleft
licenses, but they have different requirements,
they are incompatible. The GNU-GPL and CC-SA
licenses are both copyleft. But the GNU-GPL has
a source code requirement that the CC-SA does not.

If you took CC-SA content and converted it to
GNU-GPL, you would be adding a source code
requirement to the content that did not exist
before. And if you took GNU-GPL content and
converted it to CC-SA, you’d be removing the
source code requirement.

And since both say you can’t change the requirements,
converting between either license is disallowed.

The idea CC is apparently working on for making
licenses inter-operable is to put language into
the license that allows the content to be licensed
under the original license, or any license that is
deemed to be similar enough, for some fuzzy definition
of “enough”.

They already have something like this that makes sure
that, for example, the different language versions
of CC-SA are compatible with each other. The way I
understand it, they’re are going to try to use the
same approach to expand compatibility outside of the
CC-SA licenses.

Since no CC license has a “source code” requirement,
I don’t think any CC license will ever be directly
interchangable with GNU-GPL. But they are trying to
solve the problem of license proliferation by building
in a mechanism that will allow all the content to be
transferred to licenses that are deemed “close enough”.

I hope this helps.

You can join the list and/or read the archives.

Posted on by mklang

Creativity, Ownership and Collaboration

MIT is holding it’s fifth conference on Media in Transition with this years theme being Creativity, Ownership and Collaboration. This may be a wide theme but the conference itself sounds interesting.

Our understanding of the technical and social processes by which culture is made and reproduced is being challenged and enlarged by digital technologies. An emerging generation of media producers is sampling and remixing existing materials as core ingredients in their own work. Networked culture is enabling both small and large collaborations among artists who may never encounter each other face to face. Readers are actively reshaping media content as they personalize it for their own use or customize it for the needs of grassroots and online communities. Bloggers are appropriating and recontextualizing news stories; fans are rewriting stories from popular culture; and rappers and techno artists are sampling and remixing sounds.

The deadline is fast approaching (5 January) but all they need is a short abstract (200 words) – read more here.

Posted on by mklang