Creative Commons Launch Colombia

If you happen to be in Colombia on the 22 August then you are invited to go to the Creative Commons launch party in Bogota.

There will be two separate events, in the morning at the Polictecnico Grancolombiano University we will present several speakers that will include: Proffesor Laurence Lessig, the ccColombia team, SIB (Colombian Biodiversity Information System), Eltiempo.com (an important nationwide newspaper that will begin to offer their citizen journalists the opportunity to use Creative Commons licenses in its online portal) and The Free Software Community.

This venue will be webcast here and here at 14:30 GMT.

In the afternoon we will be having an open content session in one of Bogota’s most vibrant public space: The Biblioteca Publica Virgilio Barco with a live performance by Silvia O and several DJs, VJs and Bloggers that will be displaying their CC work. This venue will be webcast here at 23:00 GMT.

Be sure the check the visual memories of the launch by searching the tag: cccolanzamiento on flickr.

If you do go please say Hi from CC-Sweden to your host – Jaime Rojas

Culture and Copyright, Fans and Bootlegs

An issue in the piracy debate, which is not often brought up, is that of rare or unusual material. While most would agree that taking a newly produced commercial music cd and sharing it online is at least questionable behaviour. To those who understand both the letter and the spirit of the law would say that it was illegal. Albeit that there remain some who argue that the law should permit this behaviour under certain circumstances.

But what about material which is not commercially viable? What about material which larger corporations ignore simply because they deem it to be uninteresting? Sometimes the pro-piracy debaters (for example Rasmus Fleischer) argue that file sharers fill an important cultural gap by ensuring that rare materials are provided rather than disappearing altogether.

The Australian fan site ABBAMAIL is for the true fans of the Swedish group. Most real fans are (slightly) obsessive (I think this is a requirement for fandom?) and collect all the products which their idols have produced. In addition to this most fans are also interested in collecting the rarities that are not officially released â?? the bootlegs.

The Sidney Morning Herald writes that ABBAMAIL:

Until recently, the site also sold bootleg CDs and DVDs containing old recordings of ABBA performances, radio and TV appearances that were otherwise unavailable.

Titles included “Memories that remain”, “1979 Australian Radio interview”, “An Australian love affair” and “Dick Cavett meets ABBA”.

The owner of the rights to ABBAâ??s music (Universal) has threatened ABBAMAIL with legal action unless it not only stops selling the bootlegs but also hands over the details of fans who allegedly bought or supplied unauthorised or “bootlegged” live recordings via the site. Read more about this on the protest site started by the founders of ABBAMAIL www.universalgreed.com.

The question at stake here is not who is legally right. This is not argued. The question is whether there should be a right to provide material which is not being disseminated (for a whole range of reasons). The Swedish television and radio archives are a treasure of material but the organisations do not dare release the material for fear that the â??ownerâ?? may claim economic compensation â?? the result is that the cultural treasure is slowly being forgotten. This is not the point of copyright law.

CC Books Wiki

Looking for books distributed under a CC license? Then here is a wiki for you. Actually these kinds of pages are really good unless they become too popular and all of a sudden they implode because of their own success â?? information overload, too many books make the search for the book you want impossible.

But letâ??s not get carried away with early Sunday morning pessimism. If you know of a book which belongs on this wiki â?? add it. If the concept of book confuses you (which all concepts have done since the great Plato/Aristotle disagreement on the theory of forms) then you might be helped by the wiki definition.

By “book” we generally mean works over 35,000 words that are or have been commercially available in hardcopy and have an ISBN. We’ve expanded the definition in two added sections below, however, to include the most popular books published through do-it-yourself press Lulu, and “books” published on websites of established organizations or notable blogs.

(via Open Access News)

Evolution of a Social Contract (the GPLv3 process)

OK so the GPL is a copyright license. But in part it has also evolved into something larger than life. It has become one of those rare things among legal documents – an icon.

Naturally it is not alone in this position. But what is interesting is that other icons tend to be “larger”. The US constitution is an icon, the declaration of rights is an icon. Very few contracts and licenses can be called iconic since few or none ever make it outside their small community. So what happens when the process of technological development forces the “evolution” of a license?

Unlike nature we cannot expect a natural selection. The development must be moved by an outside force. It can be done either dictatorially or democratically. In one way dictatorially is easier – you don’t have to ask all the people what they think. But using this process does not work with software licenses since the dissatisfaction of users will only lead to the demise of the license. Democracy also has its advantages. It allows for participation and the ability of smart people to bring forward comments and ideas that the dictator may not have recognised. The GPL has chosen a democratic process.
The formal system can best be seen in the overview of the process, which begins with the initial release and presentation of the draft of the GPLv3 with additional documentation such as the overview of the review system and the explanatory documents. In addition to the more formal structure the information needs to be communicated out to the users and to ensure an equality of information transfers was established. The latter was accomplished primarily through the use of the Internet as a distribution method of all texts and additional audio and video material.

The essence of the drafting process here described is to make it possible for the Free Software Foundation to decide the contents of the GPL through the fullest possible discussion with the most diverse possible community of drafters and users. Ideally, we would identify every issue affecting every user of the license and resolve these issues with a full consideration of their risks and benefits. In order to accomplish such a large task, the discussion process involves individual community members and Discussion Committees that represent different types of users and distributors.

The process was formally commenced with the release of the first Discussion Draft of version 3 of the GPL (including additional explanatory material) at the first International Public Conference in January 2006, at the Massachusetts Institute of Technology. The two day event at MIT was recorded and the audio video material was also made available online. The second draft has recently been released.

To ensure that comments on the GPL are collected and dealt with Discussion Committees have been formed. The members of the committees were chosen to represent diverse users groups such as â??â?¦large and small enterprises, both public and private; vendors, commercial and noncommercial redistributors; development projects that use the GPL as a license for their programs; development projects that use other free software licenses, but are invested in the contents of the GPL; and unaffiliated individual developers and people who use softwareâ??. The role of these committees is to organise and analyse the received comments and propose solutions.

The FSF invited the initial members of the Discussion Committees but granted the committees the power to invite further members and to autonomously organise their work process. The committees work to encourage commentary on the license from the sectors they represent. Once the comments have been collected, organised and analysed the committee is responsible for presenting its results of the deliberations to the FSF.

Aside from this organisational method of soliciting and analysing comments from a wider public the FSF have created an online method of allowing anyone to comment directly on the license draft. This is done by creating a software based commenting system, which works in this way. The draft text of the GPLv3 is online and users can mark a section of text, which they wish to comment, and then type â??câ??. Doing this opens a comment box, which allows the user to add a comment.

Once a user has commented on a section of text that section becomes highlighted. If no-one has commented on the text the background colour is white. After a comment the background is light yellow. The colour of the background becomes progressively darker for each comment added. This colour system allows users to see at a glance which sections of the draft are the most commented.

By holding the cursor over highlighted text the user is informed how many comments have been made on that section. By clicking on highlighted text the comments that have been made appear and can be read. The latter feature has the added benefit of reducing the amount of duplicated comments since the commentator can see the commentary of others.
So what are you waiting for? Participate in the democracy!

GPLv3 Second draft

Never turn your back on progress. I was offline for a couple of days and the second discussion draft was published along with explanatory texts and the first discussion drafts of the GNU Lesser General Public License. This was a couple of days ago – but still well worth reporting here.

The second discussion draft of the GNU General Public License version 3 was released on 2006 July 27, along with the first discussion draft of the GNU Lesser General Public License.

Read all about it!

Che Guevara Mashup

On 5th of March 1960 Alberto “Korda” Gutierrez took two pictures of Che Guevara. In 1967 the Italian publisher Giangiacomo Feltrinelli received two copies of the famous print at no cost.

Che by Korda

Feltrinelli started making posters from the prints with the notice â??Copyright Feltrinelliâ?? down in the corner. The image was on itâ??s way to become an international icon â?? it has been transformed, transplanted, transmitted and transfigured all over the world.

Korda never received a penny. For one reason only – Cuba had not signed the Berne Convention. Fidel Castro described the protection of intellectual property as imperialistic “bullshit”. Does this mean that Korda’s work is in the public domain? Probably not – but it is in a serious grey area.
Today I saw a new chapter in the Korda print. Paul Frank have made their fame (at least in my opinion – but then again this is not a fashion blog) from their cartoon monkey

The Paul Frank monkey is a cultural icon. So is Korda’s Che image. Paul Frank have now playfully (?), respectfully (?), irreverently (?) created a mashup of these two icons into this inevitable (?) conclusion…

When Che t-shirts became popular again (after the fall of the Soviet Union) I remember hearing a few mumblings from people that “young people” were adopting the icons of the revolution without any knowledge about the content, struggle or ideologi – the past had in fact become a trademark belonging to no one. I tried then to argue for the role of the cultural icon – but some still stuck to their guns and argued that the young were adopting symbols without knowledge and the manufacturers were profiteering on the ideology of the revolution.

From Korda to Paul Frank…evolution?…regression? You decide…

Copyleft@LSE

On Thursday I will be lecturing at the London School of Economics (LSE) on a course entitled Intellectual Property Law and Policy. The focus of my 1,5 hour talk will be on

1.    Peer-to-Peer Systems and Copyright Infringement
2.    The Rise of Copyleft, the Free Software Foundation and The Creative Commons Project

Even though I did not pick the topics, these are subjects close to my heart and the broad sweep of topics should make the lecture an interesting discussion rather than just getting stuck in the individual details.

Point 1 is the development of technology while point 2 refers to the development of social systems to ensure that the technology does not deprive users of basic freedoms enjoyed prior to the advent of the technology.

Firefly – the documentary

It has been called “possibly the best Creative Commons-licensed content yet”…hmm maybe you have to be a fan to say this! But whatever I am downloading it now and looking forward to seeing it (and finding out what the fuss is all about).

What is it? It’s the documentary Done The Impossible – The Fans’ Tale of Firefly & Serenity. This is the story of the rise and fall and rebirth of the cult TV show “Firefly,”
as told from the perspective of the fans who helped save it. It was first released on DVD – and the fans loved it. So the creators went a step further – they released a Creative Comons by-nc-sa this means that it’s free to download edit and spread. As the post on P2P blog wrote: “For free, and for the right reasons”.

Read more about the projecy from the release notes:

We philosophically agree with the concepts of Creative Commons. In our opinion, the modern state of copyright is counter productive to creativity and free culture. It puts unnatural restraints on “fair use”, hinders the creative process and has fundamentally destroyed an entire industry before it was even born. Just think of the amazing products, enhancements, embellishments and re-mixes to creative works that could be built with today’s technology and talents. But because modern copyrights are so restrictive, nobody dares do anything that *might* infringe on somebody’s oh so holy copyright. Thus, we have chosen to not go down that road with our documentary. Enjoy it, share it, re-mix it all you like, just be sure to follow the license below.

Done the Impossible Torrent (hosted by Legaltorrents.com)

(via P2P blog)

La Stampa goes (partly) CC

In an act which is begins to show that some mainstream media is begining to get it! La Stampa, a leading Italien daily has just released its two cultural supplements, TuttoScienze (science) and TuttoLibri (books), under a Creative Commons license (Att-NC-ND 2.5).

Ok so the license is one of the less permissable, but at least it shows that they are thinking and acting with an awareness of what is really happinging rather than attempting to fight against the current legal-technical developments online.