The appearance of justice

Just today I was asked by the media about the effects of social media on the courts. The reason why I was asked for my opinion was the notorious Casey Anthony case. The basics were that Casey Anthony’s two year old child Caylee goes missing but the mother does not report this for 31 days. The rest is stranger than any drama writers creation: the mother is shown to be a incredible liar, dancing and happy, even getting a tattoo with the words “Dolce Vita”. The grandfather is accused of incest, the police boyfriend lies to the police and social media is mined for any and all evidence that can be found.

For the last three years Casey Anthony has been waiting for her trail while the world has been discussing every fact and fiction related to the case. The story begins with the media and then is picked up on various social media channels.  The professionals work on building a case and a defence. Social media even figures in the jury selection where Facebook accounts are mined to see if a presumptive jury member is good or bad.

The idea in this situation that you can find an impartial group of people in the middle of a media storm is an anachronism. There were serious questions of whether the jury would be affected by the popular opinions expounded in social and other media. The discussion reached fever pitch during the trial and when the jury left for their deliberations. And when the notification came that the jury were back #caseyanthony was trending on twitter. The verdict was unexpected by the media. Not guilty of all charges but lying to the police. The rage on twitter was incredible. The verdict was that the prosecutor was unable to prove Casey Anthony’s involvement in murder or child abuse.

Even earlier there were comparisons between the O.J. Simpson case but here was a major difference – those who were angry during the Simpson case could only scream at the TV with twitter the screams could be shared, discussed and amplified.

No matter which verdict the jury had presented the question of influence from social media hangs in the air. Even if the jury were not supposed to know anything – is it possible to be unaffected by the media storm?

The next problem is the question of what role social media should play in a court process. In Sweden we still prohibit cameras in the courts – this means that the public can twitter, blog, comment and link to external photographs – but not point a lens. The purpose of this is to protect the integrity of the court process but is this protection pointless considering the prevalence of social media? Should we therefore allow cameras or prohibit social media devices in the courtroom?

A final problem is the appearance of justice. Lord Hewart is the origin of the adage “Not only must Justice be done; it must also be seen to be done.” This poses a problem: the courts are concerned with justice but what happens when the society outside the courthouse demands a verdict that the courts are unable to deliver? What is apparent from reading twitter is that the demands for justice (or blood?) from the virtual mob have hardly been met.

Articles of Interest: Emily M. Janoski-Haehlen The Courts are all a‘Twitter’: The Implications of Social Media Use in the Courts New Media and the Courts: The current status and a look at the future A report of the New Media Committee of the Conference of Court Public Information Officers Michael Bromby The Temptation to Tweet – Jurors’ Activities Outside the Trial

Interesting articles:

Emily M. Janoski-Haehlen The Courts are all a‘Twitter’: The Implications of Social Media Use in the Courts

New Media and the Courts: The current status and a look at the future
A report of the New Media Committee of the Conference of Court Public Information Officers

Michael Bromby The Temptation to Tweet – Jurors’ Activities Outside the Trial

 

Dead things don't have sex

Gunther von Hagens has lost an appeal to display his more sexually explicit plastinated corpses – the court in Augsburg, Germany, say the exhibit in his Body Worlds (freak) show would breach public decency. It’s not the fact that he displays dead people stripped of their skin in strange poses. The indecent part is that he has arranged the poses in sexual positions. (Austrian Times, Bild.com) The new Body Worlds exhibition (with corpses having sex) has already been displayed in other German cities.

bodyworlds-1

Fascinating that the earlier exhibitions were not seen as indecent but placing dead things on top of each other in a particular order is indecent. If the courts accept the fact that bodies can be plastinated, stripped and displayed then I don’t really see what’s wrong with putting them in sexual positions.

Mininova must remove infringing torrents

TorrentFreak reports that the torrent search engine Mininova:

…has lost its civil dispute with Dutch anti-piracy outfit BREIN. The judge ruled that Mininova is not directly responsible for any copyright infringement, but ordered it to remove all torrents linking to copyrighted material within three months, or face a penalty of up to 5 million euros.

The courts attitude towards the site was very different to the Swedish Pirate Bay case since it was not BREIN’s intention was not to shut down the site. But they demanded a filtering of infringing keywords to ensure that copyright holders were protected.

The court agreed with BREIN’s assessment that Mininova is not doing enough to protect the rights of copyright holders, and ordered the site to remove all torrent files that link to infringing content within three months, or pay a penalty up to 5 million euros ($7 million).

The interesting thing is that the courts are demanding that Mininova do more than apply a takedown policy that allows copyright holders to remove infringing torrents but stop short from demanding the site is liable for everything straight away (which was the Swedish approach). The fact that “doing more” is extremely complex (and therefore costly) did not impress the courts.

Fairey gets two years

On Friday Shepard Fairey was sentenced to two years’ probation by the Boston Municipal Court. The sentence is based upon the images he posted on public and private property over the years. (via Designboom)

the well-known illustrator and graphic designer has pleaded guilty to three charges of vandalism, including defacing property and wanton destruction of property under 250 USD. he had 11 other chargers which have been dropped. he has been fined 2,000 USD for graffiti removal. Designboom

Fairey’s most widely spread and famous work (probably) is the André the giant obey mashup (or whatever it should be called).

Multi-affiches Boulevard St Germain 06e? .jpg by yoyolabellut (CC BY-NC-ND)

But he reached new peaks of fame for his wonderful “hope” poster designed during the Barack Obama campaign.

Obama Posters by el clinto (CC BY-NC-ND)

Is this the plight of all known street artists who become famous enough to be identified?

Harry Potter Lexicon – the sequel

Remember the court battle between Rowlings and the publishers of the Harry Potter Lexicon? Well much like the books and films this court case will not go away either. This was on the blog Recording Industry vs. the People:

“Copyright and Fair Use” at Stanford Law School reports that the defendant publisher, RDR Books, has filed an appeal from the Judge’s decision in Warner Bros. Pictures v. RDR Books, the case involving the Harry Patter Lexicon.

The Judge, after a bench trial, issued an injunction and statutory damages of $6750 holding that the Lexicon was not protected by fair use due to (a) sloppiness in attribution in sections, (b) the length of some of the quotes, and (c) imitation of J.K. Rowling’s writing style in portions.

I recently wrote an article criticizing the opinion, but doubting that an appeal would be taken in view of the small damages award.

Just goes to show that even court cases have sequels…

Free licenses upheld

Lessig reports:

So for non-lawgeeks, this won’t seem important. But trust me, this is huge.

I am very proud to report today that the Court of Appeals for the Federal Circuit (THE “IP” court in the US) has upheld a free (ok, they call them “open source”) copyright license, explicitly pointing to the work of Creative Commons and others. (The specific license at issue was the Artistic License.) This is a very important victory, and I am very very happy that the Stanford Center for Internet and Society played a key role in securing it. Congratulations especially to Chris Ridder and Anthony Falzone at the Center.

In non-technical terms, the Court has held that free licenses such as the CC licenses set conditions (rather than covenants) on the use of copyrighted work. When you violate the condition, the license disappears, meaning you’re simply a copyright infringer. This is the theory of the GPL and all CC licenses. Put precisely, whether or not they are also contracts, they are copyright licenses which expire if you fail to abide by the terms of the license.

Important clarity and certainty by a critically important US Court.

Copyright and non-essential parts of screendump

Karl at Cyberlaw reports of a recent interesting copyright case decided at the Swedish Court of Appeal (Svea Hovrätt).

The case (2008-07-01, FT 685-08) concerned the question whether a screendump of one web page (containing pictures) being displayed on another web page constitued a violation of copyright of the pictures.

The court found that, first of all, the pictures displayed on the webpage which was pictured and displayed on another web page were not protected under 1§ of the Swedish Copyright Act (English version Pdf) but under Photolaw 49 a§ Swedish Copyright Act.

This difference is a remnant of the time when photographs were not covered by Copyright law at all. Today photographs are covered by Copyright law but the length of protection differs from other typical works protected under copyright law.

Since the images were small and hardly distinguishable to the naked eye they made up an unessential part of the the exception in 20a§ is applicable. According to this exception there is no need for permission to use works which appear in the background or are an non-essential part of the picture.