Free Culture Forum Barcelona

I always think its a good idea to be in Barcelona. But unfortunately I will not be there this weekend. But for those of you who are in the area this coming weekend, you should seriously consider attending the Free Culture Forum:

FC Forum

Across the planet, people are recognizing the need for an international space to build and coordinate a global framework and common agenda for issues surrounding free culture and access to knowledge. The Free Culture Forum of Barcelona aims to create such a space. Bringing together under the same roof the key organizations and active voices in the free culture and knowledge space, the Forum will be a meeting point to sit and put together the answers to the pressing questions behind the present paradigm shift.

Representatives from Creative Commons Spain, Students for Free Culture and Wikimedia will be in attendance (among many others), so it’ll be a great opportunity to meet plenty of people in our community. Registration is free and open to the public, but there are more details on how to get involved here.

(via Creative Commons)

Al Jazeera blogs

In January Al Jazeera created a Creative Commons licensed news repository using, the permissive CC-BY license means that the footage can be used by anyone including, rival broadcasters, documentary makers, and bloggers, so long as Al Jazeera is credited. Now Al Jazeera goes a step further in sharing…

Al Jazeera Blogs #2

Al Jazeera has just launched the latest of its online project called Al Jazeera Blogs.

The website features blog posts written by prominent journalists and correspondents from the global Al Jazeera television network. It also hosts several sub-blogs sections divided by geographical areas, such as the Africa, Asia, Americas, Europe, and the Middle East. In addition, Al Jazeera has a blog focused on international business and the ongoing financial crisis.

The project also features interesting tech extras such as integration with OpenCalais’ semantic tagging system.

Credit once again goes to Al Jazeera English’s Head of Online, Mohamed Nanabhay. Mohamed also happens to be the author of the first commoner letter for this year’s annual campaign, and was one of the key players who made Al Jazeera’s amazing CC repository a reality.

Reply from the Olympics

The Olympic Committee has attempted to explain its actions in relation to the Creative Commons and the Richard Giles affair. This via Techdirt:

Last week, we wrote about the International Olympic Committee’s complaints concerning a guy, Richard Giles, who had posted some images he took at the Beijing Olympics on Flickr under a Creative Commons license. At the time, it wasn’t entirely clear if the complaint was the license or that the photos were up, at all, but as we noted, either way, it didn’t make sense. The IOC has responded and said the main complaint is with the Creative Commons license, but, again, it’s difficult to see how the IOC has any argument at all. The photos were taken by Giles, and thus he has every right to license them as he sees fit — including under CC licenses. Furthermore, as Thomas Hawk points out in the link above, once you license something CC, you can’t go back on it. It’s still not clear why the IOC sees this as a bad thing. Giles is helping to promote their event. For free. Next time, maybe he should just send them a bill.

Nasty Old People

Hanna Sköld feature film Nasty old people premiered this weekend and is the first Swedish film to be licensed under a Creative Commons license. The making of the film is a classic tail of a filmmakers passion which probably deserves a film on its own but at least there is a blogNasty old people (in Swedish)

Mette is a member of a neo-Nazi gang, her day job is to take care of four crazy old people that all are just waiting to die. Her life becomes a journey into a burlesque fairytale, where the rules of the game are created by Mette herself. Mette is indifferent about her way of life, until she one night assaults a man, kicking him senseless. Waking up the day after, she realizes that something is wrong, and in company with the her crazy oldies she longs for respect and love. She can tell that the old folks are marginalized by the modern society, but together they create a world and a voice of their own.

The movie will be released with a Creative Commons BY-NC-SA License. On the 10th of October it will be available for download on The Pirate Bay. You can also support the movie by making a PayPal contribution at Nasty old people.

The Art of Community

One of the best things about the internet is the amount of cool material is available online. Now The Art of Community by Jono Bacon is available under a Creative Commons license. Here is some information from his website http://www.artofcommunityonline.org/

When I started work on The Art of Community I was really keen that it should be a body of work that all communities have access to. My passion behind the book was to provide a solid guide to building, energizing and enabling pro-active, productive and enjoyable communities. I wanted to write a book that covered the major areas of community leadership, distilling a set of best practices and experiences, and illustrated by countless stories, anecdotes and tales.

But to give this book real value, I was keen to ensure the book could be freely accessed and shared. I wanted to not only break down the financial barrier to the information, but also enable communities to share it to have the content be as useful as possible in the scenarios, opportunities and problems that face them. To make this happen O’Reilly needed to be on board to allow the book to be freely copied and shared, in an era in which these very freedoms threaten the publishing world.

Even if you don’t buy it, I would be hugely grateful that if you like it, please go and review it on Amazon. This is a hugely contribution. Thanks!

You can download the The Art of Community here.

Google Books goes Creative Commons

Some interesting news from the Creative Commons blog

Google launched a program to enable rightsholders to make their Creative Commons-licensed books available for the public to download, use, remix, and share via Google Books.

The new initiative makes it easy for participants in Google Books’ Partner Program to mark their books with one of the six Creative Commons licenses (or the CC0 waiver). This gives authors and publishers a simple way to articulate the permissions they have granted to the public through a CC license, while giving people a clear indication of the legal rights they have to CC-licensed works found through Google Books.

The Inside Google Books post announcing the initiative talks a bit about what this all means:

We’ve marked books that rightsholders have made available under a CC license with a matching logo on the book’s left hand navigation bar. People can download these books in their entirety and pass them along: to friends, classmates, teachers, and so on. And if the rightsholder has chosen to allow people to modify their work, readers can even create a mashup–say, translating the book into Esperanto, donning a black beret, and performing the whole thing to music on YouTube.

Code Rush

The documentary Code Rush from 2000 is about the open-sourcing of the Netscape code base and the beginning of the Mozilla project. Here is a comment from IMDB

Watch this film and you will get to see the things that a college computer science course could never prepare you for: having to sleep at the office for days in order to meet a deadline, alienation from family, caffeine addiction, having one’s release blocked by intellectual property concerns, and other cold realities of Silicon Valley. If you’re thinking about getting a career in software engineering or software project management, Code Rush is a must-see.

This documentary also gives insight into a few of the major milestones in the history of the software industry, such as the opening of the Netscape source code, which is code named “Mozilla”. If it weren’t for this release, we wouldn’t have Mozilla Firefox, one of the most popular Internet browsing solutions today. The footage also covers one of the most notable company acquisitions of that time period.

Code Rush is now released under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 license. There is also a dedicated homepage for the film, with links to stream or download the film in various formats.

Wikipedia goes Creative Commons

The Wikimedia Foundation board has approved the licensing changes voted on by the community of Wikipedia and its sister sites. The accompanying press release includes this quote from Creative Commons founder Lawrence Lessig:

“Richard Stallman’s commitment to the cause of free culture has been an inspiration to us all. Assuring the interoperability of free culture is a critical step towards making this freedom work. The Wikipedia community is to be congratulated for its decision, and the Free Software Foundation thanked for its help. I am enormously happy about this decision.”

Read all about it here.

The Late Age of Print: Everyday Book Culture from Consumerism to Control

An interesting sounding book The Late Age of Print: Everyday Book Culture from Consumerism to Control by Ted Striphas is out now both in print and in a online Creative Commons version or as the author puts it:

…not only as a copyrighted, bound physical volume, but also as a Creative Commons-licensed electronic book.  You can download the e-edition by following the “download” link of the navigation bar, above, or by clicking here.  The file is a “zipped” .pdf of the complete contents of Late Age, minus one image, for which I was (ironically) unable to secure electronic publishing rights.

I don’t want to split hairs but the digital version is also covered by copyright – but I get what he means. This sounds like a really interesting book and I am looking forward to reading it. For those of you who want more than the title here is the blurb:

Ted Striphas argues that, although the production and propagation of books have undoubtedly entered a new phase, printed works are still very much a part of our everyday lives. With examples from trade journals, news media, films, advertisements, and a host of other commercial and scholarly materials, Striphas tells a story of modern publishing that proves, even in a rapidly digitizing world, books are anything but dead.

From the rise of retail superstores to Oprah’s phenomenal reach, Striphas tracks the methods through which the book industry has adapted (or has failed to adapt) to rapid changes in twentieth-century print culture. Barnes & Noble, Borders, and Amazon.com have established new routes of traffic in and around books, and pop sensations like Harry Potter and the Oprah Book Club have inspired the kind of brand loyalty that could only make advertisers swoon. At the same time, advances in digital technology have presented the book industry with extraordinary threats and unique opportunities.

Wikipedia to vote on change from GNU FDL to CC BY-SA

Sorry for the horrible abbreviations in the title!

Wikipedia is in the process of deciding to go from using the GNU Free Documentation License to using Creative Commons Attribution-ShareAlike as its primary content license. One of the reasons for this move is that the GNU Free Documentation License is less flexible to use for wikipedia. More information from the Creative Commons blog:

A community vote is now underway, hopefully one of the final steps in the process the migration of Wikipedia (actually Wikipedias, as each language is its own site, and also other Wikimedia Foundation sites) to using Creative Commons Attribution-ShareAlike as its primary content license.

This migration would be a huge boost for the free culture movement, and for Wikipedia and Creative Commons — until the migration happens there is an unnecessary licensing barrier between the most important free culture project (Wikipedia of course, currently under the Free Documentation License, intended for software documentation) and most other free culture projects and individual creators, which use the aforementioned CC BY-SA license.

To qualify to vote, one must have made 25 edits to a Wikimedia site prior to March 15. Make sure you’re logged in to the project on which you qualify, and you should see a site notice at the top of each page that looks like the image below (red outline added around notice).

licensing update site notice

Click on “vote now” and you’ll be taken to the voting site.

For background on the migration process, see Wikimedia’s licensing update article and the following series of posts on the Creative Commons blog:

Here’s a great “propaganda poster”, original created by Brianna Laugher (cited a number of times on this blog), licensed under CC BY. See her post, Vote YES for licensing sanity!

Indeed, please go vote yes to unify the free culture movement!

Vote YES! For licensing sanity!