Hamster work

Spent the morning doing hamster work – it’s the handling of emails and administrative tasks each so small that they do not really require much thought but taken collectively they can destroy any attempt to carry out real work (writing, researching etc). It’s called hamster work because after a day carrying it out you go home without having produced anything. It feels much like a hamster must feel after running in the treadmill. Lots of movement but no distance.

Photo: Cholate Loving Hamster by Steve_C (CC BY-NC-ND)

After two hours of attempting to empty my inbox, it now contains 92 essential emails (from the original 224). It isn’t fun discovering things have been forgotten but now at least I am (almost) on top of my email again.

By the way have you read Knuth on email? Here is a short quote:

Email is a wonderful thing for people whose role in life is to be on top of things. But not for me; my role is to be on the bottom of things. What I do takes long hours of studying and uninterruptible concentration. I try to learn certain areas of computer science exhaustively; then I try to digest that knowledge into a form that is accessible to people who don’t have time for such study.

 

What is art? Confusion in copyright

In many forum discussions the acronym ianal (I am not a lawyer) is used to denote that the writer is not a lawyer. In all fairness then I should begin this article by adding ianaa – I am not an artist. My interest in the definition of what is, can and should be art come mainly from my work in the field of copyright – even though I have an amateur interest in art.

When I first attempted to approach the question of art in 2003 I was naïve enough to think that there was a simple answer to be found and that it was just a question of locating it. Boy was I wrong. The only thing that I have found to be common to a definition of art at large and art in copyright is that it must have an expressive element.

Most often the artist must intend a work to be art for it to be considered art. But this is not always necessary. In some cases the viewers of the work may raise an aesthetic expression to the status of art despite their being no intention from the creator.

The utilitarian object: A dustpan in my house is not art. A dustpan hanging in the cleaning closet at the museum of modern art is not art. A dustpan hanging on the wall displayed among exhibits of the museum of modern art is art. The creator of the dustpan did not have the intention of creating art however the artist may use this everyday object as a piece of art and display it as art in order to create an aesthetic expression.

In 2004 a survey among 500 art experts chose Marcel Duchamp’s urinal to be the most influential modern art work of all time. The creator of the urinal does not have copyright in it – although he or she may have protection for its design but this protection can only be awarded for the elements of the design that are not their for solely functional use.

urinal2.jpg urinal.jpg

Left image of Duchamp’s urinal 1917 photo: Readymade by GriXx (CC by-nc-nd), Right image photo Urinal by Eatmorechips (CC by-nc-nd)

Copyright law is in trouble here since the object cannot be protected as it is and yet it is possible to protect the work via copyright. The photo’s here are the copyright of the photographers. The Duchamp urinal is made specific via his signature and making copies of it are limited since the rights to the work belong to the copyright holder.

Unintentional art: In an recent post about snowmen and copyright I discussed how a snowmen scene (two snowmen pushing and pulling a large wheel over a third snow figure lying in front of the wheel) could be seen as art even if it may not have been the intention of the creators to create anything beyond their own amusement. The creator may, for many reasons, not be intending to create art but the world at large may appreciate the results and classify the work as art. In this case the expression is awarded the full protection of copyright law despite the lack of author intention.

Koko is a lowland gorilla with a sign language vocabulary of 1000 words. Koko has also painted many pictures which have been sold in art auctions.


Bird Red Slice (abstract) by Koko (acrylic on canvas) 1984

The problem with copyright in unintentional art is interesting but it is made even more so by Koko. First, does copyright have a requirement of intent in the expression of art? Here the answer should be no. Second, and more specific to unintentional animal art (Koko is not alone) can animals be authors as understood by copyright law? There does not seem to be a formal requirement to be human in the law but I have been unable to find a non-human copyright holder.

 

The problem is that this is not the way in which art is defined by Encyclopedia Britannica (login required): “…the use of skill and imagination in the creation of aesthetic objects, environments, or experiences that can be shared with others…” since this definition seems to require the intent of the creator.

Art and copyright are complicated subjects and I think that the only way to end this quote is with a Monty Python classic sketch with the pope discussing art with Michelangelo which ends with a comment by the pope (played by John Cleese): Look! I’m the bloody pope, I am! May not know much about art, but I know what I like!

Do you own your library?

After having packed most of my books into boxes, physically transported them to their new home and placed them haphazardly in the bookshelves to await the slower and more pleasurable task of re-arranging my books I feel a strong sense of ownership, property and belonging. My books are part of who I am. Their physical appearance and their content are telltale clues to the identity of their owner.

I have previously written against the e-book but there is a specific issue which is important to point out. Cory Doctorow has written a short note entitled In the age of ebooks, you don’t own your library. The note points out the tendency of e-books to limit the rights previously held by the book reader. Today when buying files for the e-book reader the transaction is often termed as a license and may (this needs to be tested in the courts) limit the ways in which we can buy, sell, borrow and copy our books. In the worst case scenario licenses such as these will spell the end of borrowing books from friends and become another nail in the coffin of the second hand bookstore. Cory writes:

It’s funny that in the name of protecting “intellectual property,” big media companies are willing to do such violence to the idea of real property — arguing that since everything we own, from our t-shirts to our cars to our ebooks, embody someone’s copyright, patent and trademark, that we’re basically just tenant farmers, living on the land of our gracious masters who’ve seen fit to give us a lease on our homes.

The physical property we own will be dependent upon our behavior towards the content we require to fill it. Television requires the shows and we must pay the cable company, computers require software and we must license it, e-books will require us to subscribe to the rules of those who own the content.

Unless we stick to the old fashioned paper versions of course…

On the way out

The Washingtonpost.com has a fun list of things and social practices that are dead or at least heading the way of the Dodo. These kinds of lists are usually fun since they reflect many of the ways in which technological changes are driving forward social change which is what my thesis Disruptive Technology was all about.

Remember the Sinclair computer? photo by Barnoid (CC BY-SA)

It is pretty easy to see that tapes are drawing their final breath and with it goes a whole range of social practices like recording from the radio, creating mix tapes, recording spoken tapes and sending them via snail mail and more. With the development of mobile telephones, the way in which we communicate has changed radically but this has also led to the demise of the public phone booth. Some of the predictions may be a bit too futuristic and hard to figure out – why, for example, do they think that shoehorns on their way out?

 

How to listen

It’s good to be back! My absence from this blog has been due to a move. My broadband has not been connected and despite the fact that their are plenty of wifi networks none are open – what is the world coming to? Don’t people agree with this?

Anyway this is not what I was going to write about. While catching up on my reading I came across a list of 11 things that will enhance the lecture experience, the list included some very good tips. Number 8 is my favourite:

Listen. Yes, I know you’re supposed to listen, but engage with your own mind as the lecture moves along. Ask yourself questions, try and evaluate points through what you already know, get involved in the meat of the topic even though you’re just listening to another person speak.

This is really a good reminder even when listening outside the lecture hall. In my case this is especially true if I am on the phone since my mind tends to wander…

Check out the entire list at The University Blog.

Photo: Paulgi (CC BY-NC-ND)

Encyclopedia of Life

The Encyclopedia of Life, an ambitious project to document all of Earth’s known species, has released its first 30,000 pages of content. Over the next 10 years, the project aims to aggregate, in one place, information on an estimated 1.8 million species. From the Encyclopedia of Life (EOL) press release:

Intended as a tool for scientists and policymakers and a fascinating resource for anyone interested in the living world, the EOL is being developed by a unique collaboration between scientists and the general public. By making it easy to compare and contrast information about life on Earth, the resulting compendium has the  potential to provide new insights into many of life’s secrets.

In most cases, Encyclopedia of Life contributing members have made content available using Creative Commons licenses either Att-SA or Att-NC or Att-NC-SA.

Nine Inch Nails

Nine Inch Nails released Ghosts I-IV, a collection of 36 new instrumental tracks that are available to the world under a Creative Commons BY-NC-SA license.

The end result is a wildly varied body of music that we’re able to present to the world in ways the confines of a major record label would never have allowed – from a 100% DRM-free, high-quality download, to the most luxurious physical package we’ve ever created.

From Ljubljana to London

The coming week is hectic and filled with a bit more exciting travel locations than the recent train trips I have taken. On Monday I fly to Ljubljana in Slovenia for a conference with a focus on content licenses and copyright. Then on Thursday I am of to London to give a lecture at the London School of Economics and to have discussion with a group of Andrew Murray’s PhD students.

So this week promises to be an exciting mix of locations and content. I have never been in Ljubljana and so I am looking forward to the half day off planned for sight-seeing. London is an old favorite and I have already booked dates with friends – I just hope that I will manage to squeeze in some of my second-hand bookstores. All I need to do is to start packing…

The Future of Reputation

Daniel J. Solove has written what seems to be an interesting book The Future of Reputation: Gossip, rumor, and privacy on the Internet. The topic of Internet reputation is fascinating and was one of the earliest discussions. The basic premise is that our reputation is our greatest asset but as an asset it is not our own – it is in the hands of everyone else. So what happens when someone messes up that reputation?

A nice touch is that the book is available online for download and licensed under Creative Commons (BY-NC). Check out the table of contents:

Chapter 1. Introduction: When Poop Goes Primetime

Part I: Rumor and Reputation in a digital world

Chapter 2. How the Free Flow of Information Liberates and Constrains Us

Chapter 3. Gossip and the Virtues of Knowing Less

Chapter 4. Shaming and the Digital Scarlet Letter

Part II: Privacy, Free Speech, and the Law

Chapter 5. The Role of Law

Chapter 6. Free Speech, Anonymity, and Accountability

Chapter 7. Privacy in an Overexposed World

Chapter 8. Conclusion: The Future of Reputation