Public/Private Spaces: Notes on a lecture

The class today was entitled Public/Private Spaces: Pulling things together, and had the idea of summing up the physical city part of the Civic Media course.

But before we could even go forward I needed to add an update to the earlier lectures on racial segregation. The article The Average White American’s Social Network is 1% Black is fascinating and not a little sad because of its implications.

In the meantime, whites may be genuinely naive about what it’s like to be black in America because many of them don’t know any black people.  According to the survey, the average white American’s social network is only 1% black. Three-quarters of white Americans haven’t had a meaningful conversation with a single non-white person in the last six months.

The actual beginning of class was a response to the students assignment to present three arguments for and three arguments against the Internet as a Human Right. In order to locate the discussion in the context of human rights I spoke of Athenian democracy and the death of Socrates, and the progression from natural rights to convention based rights. The purpose was both to show some progression in rights development – but also to show that rights are not linear and indeed contain exceptions from those the words imply. The American Declaration of Independence (1776) talks of all men

We hold these truths to be self-evident; that all men are created equal, that they are endowed by their creator with certain unalienable rights, that among these are life, liberty and the pursuit of happiness.

but we know that this was not true. Athenian democracy included “all” people with the exception of slaves, foreigners and women. So we must see rights for what they are without mythologizing their power.

In addition they cannot seen in isolation. For example the Declaration of the Rights of Man and of the Citizen (1789) came as a result of the French Revolution include many ideas that appear in similar rights documents

  • Men are born and remain free and equal in rights.
  • Liberty consists in the freedom to do everything which injures no one else.
  • Law is the expression of the general will
  • No punishment without law
  • Presumtion of innocence
  • Free opinions, speech & communication

The similarities are unsurprising as they emerge from international discussions on the value of individuals and a new level of thought appearing about where political power should lie.

The discussion then moved to the concept of free speech and the modern day attempts to limit speech by using the concept of civility, and interesting example of this is explained in the article Free speech, ‘civility,’ and how universities are getting them mixed up

When someone in power praises the principle of free speech, it’s wise to be on the lookout for weasel words. The phrase “I favor constructive criticism,” is weaseling. So is, “You can express your views as long as they’re respectful.” In those examples, “constructive” and “respectful” are modifiers concealing that the speaker really doesn’t favor free speech at all.

Free speech is there to protect speech we do not like to hear. We do not need protection from the nice things in life. Offending people may be a bi-product of free speech, but a bi-product that we must accept if we are to support free speech. Stephen Fry states it wonderfully:

fryAt this point we returned to the discussion of private/public spaces in the city and how these may be used. We have up until this point covered many of the major points and now it was time to move on to the more vague uses. Using Democracy and Public Space: The Physical Sites of Democratic Performance by John Parkinson we can define public as

1.Freely accessible places where ‘everything that happens can be observed by anyone’, where strangers are encountered whether one wants to or not, because everyone has free right of entry

2.Places where the spotlight of ‘publicity’ shines, and so might not just be public squares and market places, but political debating chambers where the right of physical access is limited but informational access is not.

3.‘common goods’ like clean air and water, public transport, and so on; as well as more particular concerns like crime or the raising of children that vary in their content over time and space, depending on the current state of a particular society’s value judgments.

4.Things which are owned by the state or the people in and paid for out of collective resources like taxes: government buildings, national parks in most countries, military bases and equipment, and so on.

and we can define private as:

1.Places that are not freely accessible, and have controllers who limit access to or use of that space.

2.Things that primarily concern individuals and not collectives

3.Things and places that are individually owned, including things that are cognitively ‘our own’, like our thoughts, goals, emotions, spirituality, preferences, and so on

In the discussion of Spaces we needed to get into the concept of The Tragedy of the Commons (Hardin 1968) which states that individuals all act out of self-interest and any space that isn’t regulated through private property is lost forever. This ideology has grown to mythological proportions and it was very nice to be able to use Nobel prize winning economist Elinor Ostrom to critique it:

The lack of human element in the economists assumptions are glaring but still the myth persists that common goods are not possible to sustain and that government regulation will fail. All that remains is private property. In order to have a more interesting discussion on common goods I introduced David Bollier

A commons arises whenever a given community decides that it wishes to manage a resource in a collective manner, with a special regard for equitable access, use and sustainability. It is a social form that has long lived in the shadows of our market culture, but which is now on the rise

We will be getting back to his work later in the course.

In closing I wanted to continue the problematizing the public/private discussion – in particular the concepts of private spaces in public and public spaces in private. In order to illustrate this we looked at these photos:

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Just a Kiss by Shutterpal CC BY NC SA

The outdoor kiss is an intensely private moment and it has at different times and places been regulated in different manners. The use of headphones and dark glasses is also a way in which private space can be enhanced in public. These spaces are all around us and form a kind of privacy in public.

The study of these spaces is known as Proxemics: the study of nonverbal communication which Wikipedia defines as:

Prominent other subcategories include haptics (touch), kinesics (body movement), vocalics (paralanguage), and chronemics (structure of time). Proxemics can be defined as “the interrelated observations and theories of man’s use of space as a specialized elaboration of culture”. Edward T. Hall, the cultural anthropologist who coined the term in 1963, emphasized the impact of proxemic behavior (the use of space) on interpersonal communication. Hall believed that the value in studying proxemics comes from its applicability in evaluating not only the way people interact with others in daily life, but also “the organization of space in [their] houses and buildings, and ultimately the layout of [their] towns.

The discussions we have been having thus far have been about cities and the access and use of cities. How control has come about and who has the ability and power to input and change things in the city. Basically the “correct” and “incorrect” use of the technology. Since we are moving on to the public/private abilities inside our technology I wanted to show that we are more and more creating private bubbles in public via technology (our headphones and screens for example) and also bringing the public domain into our own spaces via, for example, Facebook and social networking.

We ended the class with a discussion on whether Facebook is a public or private space? If it is a private space what does it mean in relation to law enforcement and governmental bodies? If it is a public space when is it too far to stalk people? And finally what is the responsibility of the platform provider in relation to the digital space as public or private space?

here are the slides I used:

Design and Access to the City: Notes on a lecture

What is a city? Who gets to decide how it should be used and by which groups? In order to address this I began with two examples intended to demonstrate the conflict. I purposely chose not to use large scale examples.

The first example was in 2009 when the Harvard professor Henry Louis Gates Jr was arrested for breaking into his own home. Despite being able to identify himself and that it was his own address the police “…arrested, handcuffed and banged in a cell for four hours arguably the most highly respected scholar of black history in America.”

The second example was Oscar-winner Forest Whitaker being accused of shoplifting and patted down by an overzealous employee at the Milano Market on the Upper East Side in Manhattan. This latter example is interesting because the market apologized and said of the employee: “He’s a decent man, I’m sure he didn’t mean any by wrong doing, he was just doing his job” “a sincere mistake”. An interesting thing about this is that if you search the term “Forest Whitaker deli” most of the hits are for the apology and not for the action itself.

These two minor events would never had come to the attention of anyone unless they had happened to celebrities with the power to become part of the news. They demonstrate that even among sincere well meaning people there are groups thought to have less access to the city.

Ta-Nehisi Coates wrote an excellent op-ed called The Good, Racist People , which he ends writing about the deli:

The other day I walked past this particular deli. I believe its owners to be good people. I felt ashamed at withholding business for something far beyond the merchant’s reach. I mentioned this to my wife. My wife is not like me. When she was 6, a little white boy called her cousin a nigger, and it has been war ever since. “What if they did that to your son?” she asked.

And right then I knew that I was tired of good people, that I had had all the good people I could take.

Following this introduction the lecture moved on to demonstrate the power of maps. I began with a description of the events leading up to Dr John Snow identifying the Broad Street Pump as the cause for the Soho Cholera outbreak of 1854.

Dr Snow did not believe in the miasma (bad air) theory as the cause of cholera and in order to prove that the cause was connected to the public water pump on broad street he began mapping out the cholera victims on a map. They formed a cluster around the pump.

pumpWith the help of this illustration he was able to show that the disease was local and get the pump handle removed. The cholera cases decreased rapidly from that point.

The immediate cause of the outbreak was the introduction of human waste into the water system – most probably from a mother washing an infected child’s diapers. But the fundamental reason for the huge death count was the lack of sewer and sanitation systems in this poorer area of the city. By insisting on the miasma theory the city could claim to be free from responsibility.

In the following part of the lecture I wanted to discuss how cities can maintain segregation and inequality of services despite the ways in which the rules are presented as fair and non-biased. In order to do this I used a list of maps demonstrating cities segregation by race and ethnicity created by Eric Fischer.

One dot for each 500 residents. Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other. Images are licensed CC BY SA. There are several maps of interest and they are well worth studying. Here I will only present Philadelphia and Chicago:

Chicago: One dot for each 500 residents. Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other.

Chicago: One dot for each 500 residents. Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other.

Philadelphia: One dot for each 500 residents. Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other.

Philadelphia: One dot for each 500 residents. Red is White, Blue is Black, Green is Asian, Orange is Hispanic, Yellow is Other.

As we are in Philadelphia I also included a map of household income (Demographics of Philadelphia)

 Median household income in Center City and surrounding sections, 2000 Census.

Median household income in Center City and surrounding sections, 2000 Census.

At this point I moved the discussion to the distinction between public and private spaces. I used definitions of these from Wikipedia

A public space is a social space that is generally open and accessible to people. Roads (including the pavement), public squares, parks and beaches are typically considered public space.

To a limited extent, government buildings which are open to the public, such as public libraries are public spaces, although they tend to have restricted areas and greater limits upon use.

Although not considered public space, privately owned buildings or property visible from sidewalks and public thoroughfares may affect the public visual landscape, for example, by outdoor advertising.

As the distinctions between private/public will be discussed in depth in a future lecture I left this as a relatively vague discussion and went into the problems of two of our rights as practiced in the “public space”

Free Speech: Not wanting to delve into the theory of this fascinating space I jumped straight into the heart of the discussion with a quote from Salman Rushdie: “What is freedom of expression? Without the freedom to offend, it ceases to exist” The point being that we don’t need protection to conform but we do need it to evolve. 

For this lecture I brought up outdoor advertising. This is an activity which is globally dominated by one corporation: The Clear Channel Outdoor Holdings is probably the biggest controller of outdoor communication in the world. They have the ability to decide which messages are transmitted and which are not. They have accepted advertising for fashion brands which transmit harmful body images and even brands which have been accused of glorifying gang rape. For a look at this disturbing trend in advertising see 15 Recent Ads That Glorify Sexual Violence Against Women.

The messages being pushed out on billboards can arguably seen as a one-sided participation of the public debate. Changing messages (adbusting) or even correcting willfully false information on billboards is seen as vandalism. As a demonstration that something can be done I showed a clip of a report about the clean city law, where the city of Sao Paulo has forbidden outdoor advertising.

However, when Baltimore in 2013 attempted to introduce a billboard tax Clear Channel Outdoor argued that billboards should be protected as free speech by the First Amendment and this tax would therefore be a limitation of the corporations human rights.

In order to demonstrate the right of assembly I used the demonstrations at Wall Street where the desire to protest was supported (in theory) by Mayor Bloomberg

“people have a right to protest, and if they want to protest, we’ll be happy to make sure they have locations to do it.”

Despite this sentiment the parks of New York close (even the ones without gates) at dusk or 1 am. This prevents demonstrators staying overnight. In order to circumvent this and continue the protests the demonstrators went to the privately owned Zuccotti Park where they could stay overnight. Eventually the protestors where dispersed when it was argued that the conditions were unsanitary.

Health hazard! by Seema Krishnakumar CC by nc sa

Health hazard! by Seema Krishnakumar CC by nc sa

The slides I used are here:

 

Waiving Moral Rights

The excellent Technollama has published a WIPO report sexily entitled Comparative Analysis of National Approaches on Voluntary Copyright Relinquishment. The report usefully answers questions of whether countries allow the voluntary reliquishment of copyright and, if moral rights exist, can these be waived.

This is exciting stuff when it comes to open content licensing such as the licenses Creative Commons Zero and Open Data Commons Public Domain.

As Sweden is one of those countries where moral rights cannot be waived it is always an interesting exercise to discuss the ways in which the public domain works and the ways in which individuals and organizations attempt to use the licenses.

Swimmers by Mathias Klang CC BY NC

The report:

“The final section of the report deals with practical issues of copyright relinquishment. Given the unclear legal situation surrounding renouncement, authors interested in making some form of dedication into the public domain may prefer to bypass this uncertainty and choose a licensing option that has similar effects to those that would have taken place if the work’s copyright protection had expired. This can be achieved through the use of open licensing schemes. Two licensing suites are explored in more detail, namely Creative Commons Zero (CC0) and the Open Data Commons Public Domain Dedication and License. Both of these fulfill a dual function. First, they both outright dedicate the work to the public domain. Second, they contain fallback clauses in case it is not possible to relinquish copyright. These clauses grant a license for the work that has the same effect as if the work had been placed in the public domain.

The report ends by listing several examples of copyright relinquishment which usually come from public institutions placing data and some works in the public domain, mostly through the public domain dedication contained in CC0.

The report concludes that while the legal issues surrounding public domain dedications remain clouded, licensing solutions such as Creative Commons (CC) produce a situation in which such questions are less important. The result is that works can be shared freely with others, which for all practical purposes is similar to what would occur if the author had successfully dedicated the work to the public domain.”

Nobody Cites Your Work: Notes from a lecture

Yesterday I was invited to give a talk at the Drexel University Library and in a fit of hubris I decided to attack a problem that many of us in academia face: how to interact with society, engage your students, get your papers read, not become an “empty” entertainer, while avoiding burnout and staying happy… The actual title to the talk was slightly less ambitious but maybe a bit of a downer: “Nobody cites your work: copyright licensing and public engagement”

These are questions which have long been close to my heart but it was great to be given the opportunity to be able to share my thoughts about what we should or could be doing about this. The presentation began with me explaining that there will be no easy answer to all the questions I pose but that we as a community of academics must continue to raise awareness in these issues in order not to be overcome with them. So the talk would really present some issues, solutions, and a critique.

The issues I wanted to address were interaction, students, being ignored, and edutainment.

Interaction: The was a response to the recent critique by Nicholas Kristof Academics, We need you! in which he wrote

“If the sine qua non for academic success is peer-reviewed publications, then academics who ‘waste their time’ writing for the masses will be penalized.”

and the article by Joshua Rothman Why is academic writing so academic? in which he wrote

“Academic prose is, ideally, impersonal, written by one disinterested mind for other equally disinterested minds”

There have been much written about these two articles and suffice to say that there is a perception problem when the hoards of engaged and enthusiastic academics that I know and work with are being portrayed as dated, distant, and disinterested. I’ve written more on this earlier here and the links are rewarding.  The difference between perception and reality is what makes this a real problem.

Students: Many of our students are as young as 18 years old. This means that they were 8 years old when Facebook emerged. They have been online, using technology, and being shaped by digital technology for all of their lives. In order to communicate meaningfully to them we must be prepared to both demand that they struggle but simultaneously understand that they are shaped by the environment. A quote by Missy Cummings puts this into perspective (BBC The Why Factor: Boredom):

“We’d be lucky today if they had a 20-30 minute attention span, now its more like 5-10, because if their minds wander they immediately go to another information seeking routine like their cell phones… Like it or not this is the new norm.“

Yes of course we can be upset about this development. But more importantly we must accept this development to be part of the reality of teaching today.

Being ignored:This is the incredibly disheartening realization that lies at the heart of academic publishing. Lokman I Meho The Rise and Rise of Citation Analysis

“It is a sobering fact that some 90% of papers that have been published in academic journals are never cited. Indeed, as many as 50% of papers are never read by anyone other than their authors, referees and journal editors.”

Between the amount of time academics spend on unsuccessful grant applications and creating articles which are unread it is difficult not to throw ones arms up in the air and scream in frustration.

Edutainment: This is the unreasonable expectation that learning should be fun. Of course learning can be fun. But actually learning the basics of something is a challenge and the pride one feels after mastering something comes as a result of the effort it takes. If it’s all fun then maybe it’s not really effort? The problem that education should be fun is partly caused by the snappy lectures presented in short pithy formats like the TED’s. The TED isn’t about basic education. It’s about small ideas with personal experiences and easy to swallow segments. Imagine trying to learn a foreign language, programming or the finer details of procurement law in TED talks! Unfortunately the talks have sometimes been presented as the future of education. For more on TED’s negative effects and sources to its critics see The Cult of TED harms lectures.

Following a presentation of the issues I wanted to address some of the solutions being put forward social media, open access, and licensing. These were presented with the understanding that taken as general one-size-fits-all solutions they are not particularly usable. The reason for presenting this set of “solutions” was also to enable the discussion on the shallow critics which have been particularly vocal in a couple of articles in The Scholarly Kitchen. First there was CC-BY, Copyright, and Stolen Advocacy and then there was Does Creative Commons Make Sense? these articles were critiqued in the comments but they still stand as a voices of criticism. In particular the latter article attempts to argue that CC is unimportant because copyright law exists. Sad statement, a rebuttal could fill several books… oh, wait it they already exist.

As a slight aside, as I couldn’t resist pointing it out, the existence of law does not in itself protect the individual. I told the audience of the situation where Lawerence Lessig (copyright professor and activist and founder of CC) was sued for posting a lecture online. He argued fair use and eventually won his case. But would many professors have the knowledge, tenacity and support to fight in cases such as these?

Following this I presented a quick intro to Creative Commons licensing including a small description into the progression from version 1 to the current version 4 of the licenses. Then I moved on the lecture to the analysis. Does social media and lowering barriers work and if so how and how much?

The material I presented was a mix of cases with the efficiency of open access and open content licensing in making material available to larger groups of people. These systems also have the ability to make material available to groups who would not have access through the channels we as academics take for granted. When I came to the discussion on whether or not open access helps I used this article Open Access increases citation? A brief overview of two reports

Two different methods and two different results. Which one is more accurate? It is hard to determine. Open Access is not a panacea for all problems. It does not automatically increase the level of citations. But, without doubt, it helps when it comes to getting more visibility, which obviously is of a great advantage for the articles and their authors. There are other factors in play which shape the level of citations for specific paper; for example the Impact Factor of journal,  promotion efforts of publisher and author himself, the chosen subject and field of research, as well as an extended reference list at the end of a research paper. All these factors may have impact on citations level. But all in all, almost all studies into this subject confirm –  direct or indirect –  positive impact of Open Access on level of citations.

The result of everything? Lowering barriers helps academics, social media can increase range. All must be used with knowledge and caution in order not to become worthless and we need to be knowledgeable about our realities in order to carry out a well informed discussion. Now, find your comfort level & share your work!

Here are the slides I used:

 

When the coffee machine refuses you

Digital RIghts Management. It’s a term designed to put you to sleep and make you ignore what is happening around you. Wikipedia says: Digital Rights Management (DRM) is a class of technologies that are used by hardware manufacturers, publishers, copyright holders, and individuals with the intent to control the use of digital content and devices after sale. It’s most common on digital products but things are getting more interesting and we should be paying more attention.

The DRM chair was a fun way of demonstrating the destructive elements involved in applying DRM – especially outside the world of software. The chair would self destruct after being used 8 times. This was a perfect illustration of the way in which technology can be used to hobble the things we surround ourselves with. It was a thoughtful, illustrative mix of art, design and political commentary. It wasn’t supposed to be an instruction manual…

DRM CHAIR from Thibault Brevet on Vimeo.
In Why Copyrighted Coffee May Cripple the Internet of Things Marcus Wohlsen explains how Green Mountain Coffee is adding DRM to its Keurig machines

…CEO Brian Kelley says its new coffee makers will include technology that prevents people from using pods from other companies. The approach has been compared to DRM restrictions that limit the sharing of digital music and video online. But more than just curbing your coffee choices, Green Mountain’s protections portend the kind of closed system that could gut the early promise of the Internet of Things — a promise that hinges on a broad network of digital, connected devices remaking the everyday world.

Cory Doctorow comments

I think Keurig might just be that stupid, greedy company. The reason they’re adding “DRM” to their coffee pods is that they don’t think that they make the obviously best product at the best price, but want to be able to force their customers to buy from them anyway. So when, inevitably, their system is cracked by a competitor who puts better coffee at a lower price into the pods, Keurig strikes me as the kind of company that might just sue.

This is just coffee. Not even particularly interesting coffee but what’s interesting is where we are heading. It is now easy and affordable enough for a seller of coffee to think about DRM. To limit consumers ability to change products, to buy a more affordable or better tasting brand. If it’s cheap enough to do this stupidity with coffee? Why would we imagine a world where this does not happen with everything else? Image a future where the spices you have will not blend with your lunch because they are sold by different corporations.

Creative Commons Generation 4 Licenses Launched

After a lot of work and hard discussions Creative Commons now launches the fourth version of their licenses. From the CC blog

We proudly introduce our 4.0 licenses, now available for adoption worldwide. The 4.0 licenses — more than two years in the making — are the most global, legally robust licenses produced by CC to date. We have incorporated dozens of improvements that make sharing and reusing CC-licensed materials easier and more dependable than ever before.

Leading Creative Commons Sweden

In 2005 I met the cool Karl Jonsson (the original hard rock hippie lawyer) and began on a translating and adapting the Creative Commons licenses to fit into the Swedish socio-legal system. Since then I have been the Project Lead for Creative Commons Sweden and have given countless lectures on the way the licenses work.

We were joined in 2009 by the energetic and creative Kristina Alexanderson together we formed a fantastic team, working voluntarily with the licenses and culture of sharing we believe so strongly in.

For some time, I have been spending time in Philadelphia and I am slowly transitioning my life to spend all my time there.

Americano by Wrote (Creative Commons BY NC)

The distance and the time zones makes it more difficult for me to be an active project lead so the project needs to be handed over to another. The person needs to be what in Swedish is called by the beautiful word eldsjäl – which translates as fire soul.

Fortunately this description fits well on our very own Kristina is now taking over as Project Lead for Creative Commons Sweden. There is a sweet sadness in leaving the post, but I am happy that the project is left in great hands.

 

Making attribution work

One of the problems with using as many Creative Commons licensed images as I do is creating and maintaining a system so that I am able to attribute the right picture to the right creator in the right way.

This is why I’m excited about the project Commons Machinery that promises to make my life much easier.

Commons Machinery is building infrastructure in support of the Commons. Our aim is to make the use of digital works as easy as possible by developing new technology built on open standards for licensing, attribution and provenance.

So support Commons Machinery and make attribution (and life) easier.

CC10 Musicians: Celebrating 10 years of Commons

The great people at CC Korea have now launched the “CC10Musicians” iPhone app (It’s available for download on iTunes itun.es/kr/N9ibJ.i)
The App provides free access to free Creative Commons music. I can only agree with CC Korea
Please download, enjoy, and spread it to as many people around you as possible to let them have a chance to discover the coolest musicians from CC music scene!
The App is launched to coincide with Creative Commons 10 year celebrations – it’s also a very cool way to find and get acquainted with artists who spread their material under Creative Commons licenses.
Congratulations CC Korea! Thanks for this App!