Film

Politics of Regulation – Violent games

The EU met yesterday to discuss the regulation of violent computer games to minors. This follows situations such as the German guman who last year shot several people before taking his life at a secondary school.

A European Union Commissioner, taking advantage of the shootings last year, has called for stricter regulations in the video game industry. A motion introduced last month calls for legislators to â??put in place all necessary measures to ban the sale of particularly violent and cruel video games.â?? (From Lawbean)

The impact of violent games, films and magazines on people (in particular impressionable minors) is questionable. Researchers have found results both to support and to deny any serious impact. The main problem is that no real study can be undertaken to ensure reliable data.

A research method would be to take two groups of children and allow one full access to violence while the other group was fed with “better” material. The drawback with this method is that it would (if true) require the creation of a group of disturbed people.

The next drawback is that the interpretation of the results would also be under question. Are the children being affected by the violence in the games or simply by the long use of computers and/or television?  Would long term exposure for long periods to peaceful activities (flower arrangement?) not lead to an equally a-social development?

This is not to say that I find the regulation of violent computer games to be a wrong goal. I just dislike bad science and the misuse of “scientific data” for political goals.

Posted on by mklang

Digital Sharecropping

George Lucas is joining the Web 2.0 bandwagon and allowing fans to create mashups of Star Wars. Wow, what a guy? Impressed? Happy? Don’t be!!!

â??Star Warsâ?? fans can connect with the Force in ways theyâ??ve only imagined beginning May 25, when StarWars.com launches a completely redesigned website that empowers fans to â??mash-upâ?? their homemade videos with hundreds of scenes from â??Star Warsâ?? movies; watch hundreds of fan-made â??Star Warsâ?? videos; and interact with â??Star Warsâ?? enthusiasts from around the world like never before.

With an innovative, interactive site that allows users to navigate to multiple â??Star Warsâ?? worlds, a new video focus, and groundbreaking â??Web 2.0â?? features â?? including a unique online multi-media mixing platform from Eyespot â?? the new StarWars.com will unveil its redesigned website on May 25 to commemorate the 30th anniversary of the â??Star Warsâ?? Saga.

Among the most compelling features of the newly redesigned StarWars.com is the incorporation of an online video-editing tool provided by Eyespot. It allows users to add their own video shots to more than 250 scenes and music taken from all six â??Star Warsâ?? films and create their own â??Star Warsâ?? movies to share with others.

Unfortunately the material the creative fans will create will not belong to them but will remain in the hands of George Lucas. The fan-created videos will run along with commercials profits split between Lucasfilm and Eyespot.

The idea of users being drafted, fooled, enticed into doing the work for someone else has been called digital sharecropping by Lessig. This refers to the situation where the work is carried out by poor day laborers while the landowners sit and reap the rewards of another’s creativity.

Read more about this over at the Volokh Conspiracy

Posted on by mklang

Open Source Cinema

Open Source Cinema is a collaborative documentary project to create a feature film about copyright in the digital age.

Several years ago, I began researching the intersection of culture and creativity – exploring how in the digital age, everything we know about copyright has been turned upside down. From mash-ups to filesharing, creation to distribution, everything is in flux.

 

This all came in to sharp relief when I attended the MGM vs Grokster oral argument in 2005. Outside, the music industry and file-sharing supporters alike protested in large numbers. One music industry veteran declared â??music is like a donut. Pay for the donut, you get to eat itâ??. Meanwhile, a 16 kid told me â??I donâ??t think you can own music – its just feelings. How can you own that?â?? So whoâ??s right? Is culture a product? Will the next generation ever settle for anything less than free? Thats what I want to explore in this documentary, which is tentatively titled Basement Tapes.

 

 

For more information about The Film – check out the WikiFilm.

 

For more information about the philosophy of the project, check out the Maninfesto

Posted on by mklang

Robot Ethics

Some people seem not to be able to find anything to write about. Me on the other hand I am stuck with the problem of finding too many things fascinating. The topic of Robot Ethics is one which I would love to have time to engage in. I was reminded of this by the Humlab Blog

Peter Asaro will present a lecture on â??Robot Ethicsâ?? in the HUMlab.

This lecture will be an overview of his research at the HUMlab on Robot Ethics, particularly on the ethics of military robots. Peter is one of the new Postdoctoral Fellows at the HUMlab and the Department of Philosophy.

His film Love Machine will be shown in HUMlab at 15:30 on this Friday, June 1.
This is part of the â??Love, War & Robots Film Seriesâ??

Love Machine flyer

Love Machine (2001), directed by Peter Asaro, 110 min,

My fascination with robot ethics is the border between man and machine. When does a machine become complex enough to be granted rights on its own? Some may argue that no matter how sophisticated the software the machine will always be a machine. Fair point. But what happens when we begin to mix tissue in the machine. What happens when we begin to put more foreign objects into the human body. At what stage will the limits between man and machine become blurred enough for us to seriously discuss the limits of the man/machine dichotomy.

I have used some of these questions in my computer ethics courses but I never seem to have the time to explore this more deeply.

Posted on by mklang

Army 2.0

You might be excused for getting the impression that the US military is struggling to understand how they should be using Internet technology. On the one hand they recently began an effort to control what their soldiers are posting online (War blogs silenced) and now they have blocked access to sites such as YouTube and Myspace.

The reason for this? Bandwidth.

The US says the use is taking up too much bandwidth and slows down the military’s computer system.

But a US Strategic Command spokesman said a “secondary benefit” was to help operational security.

At the same time the military have realised the potential impact of sites such as YouTube and have started putting material online.

The Pentagon only recently started posting its own videos on YouTube, showing soldiers in action in Iraq in a move designed to reach out to a younger audience and to show the successes of the US military. (More on this over here).

But the best quote in this BBC article is the honest: “The cyberspace battle space was not one that we were particularly operating well in” Lt Col Christopher Garver, US Army.

Yes… we have noticed…

Lex Ferenda has more including the order (AP report | full text of order) and a increased list of blocked sites:

â??To maximize the availability of DoD network resources for official government usage, the Commander, JTF-GNO, with the approval of the Department of Defense, will block worldwide access to the following internet sites beginning on or about 14 May 2007.â??

www.youtube.com
www.1.fm
www.pandora.com
www.photobucket.com
www.myspace.com
www.live365.com
www.hi5.com
www.metacafe.com
www.mtv.com
www.ifilm.com
www.blackplanet.com
www.stupidvideos.com
www.filecabi.com

Posted on by mklang

War blogs silenced

Wired News reports that In a directive (dated 19th April) US troops have been ordered not to blog without first clearing each post with a superior officer. There is also a discussion going on at the Wired Blog Danger Room.

Military officials have been wrestling for years with how to handle troops who publish blogs. Officers have weighed the need for wartime discretion against the opportunities for the public to personally connect with some of the most effective advocates for the operations in Afghanistan and Iraq — the troops themselves. The secret-keepers have generally won the argument, and the once-permissive atmosphere has slowly grown more tightly regulated. Soldier-bloggers have dropped offline as a result.

The new rules (.pdf) obtained by Wired News require a commander be consulted before every blog update.

It’s hardly a surprising move. It’s doubtful whether blogs were revealing security information (US troops should be better trained in this case) but on several occasions information on blogs and films of YouTube (for example Iraqi kids run for water) have caused embarrassing situations which hardly have improved anyone’s opinions of the war.

Posted on by mklang

Academy Award Film under CC

A Story of Healing a film from 1997 has just been re-released under a Creative Commons license. This makes it the first academy award winning film to be released under the Creative Commons license.

About the film from IMDB:

In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks’ of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they’ve made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David’s “What the World Needs Now Is Love.”

To view A Story of Healing visit the Interplast website. The film is also downloadable from blip.tv, and wherever you share it!

(via Creative Commons blog)

Posted on by mklang

Been Offline

Since I spent the weekend moving I have been unable to go online. Actually my online behavior of late can at best be called erratic. All due to the weekends activities. The tough part about this is not so much getting organised afterwards (which is terrible) but to attempt to catch up on all the reading. My inbox, rss reader and real life reading have piled up in an incredible way. This all makes me feel like Chaplin in the film “Modern Times“.

The lack of time to read is a common complaint. This is also connected to the increase in channels of information pouring in. Some of the choices are easy, while others are tough to lose for nostalgic reasons. Less or no television, skip the daily newspaper, more focused book reading, attempting to focus on one task at a time (rather than multitasking) and generally staying on top of all information flows by not allowing them to pile up.

Was it always like this? Obviously the couple of hundred feeds in my rss is new. How should one cope with the information one wants to maintain without becoming a simplified one-track person? In Republic.com Cass Sunstein writes about the daily me. This is the idea that users will tailor their information needs and ignore all “unnecessary” information. The result can be the creation of groups of outsiders who are unable to relate to their local groups.

Posted on by mklang

Scientific Pizza

A team of scientists at the University of Maryland have “discovered” a way of making healthier pizza. The scientists have:

developed a way of baking and fermenting dough which can increase levels of antioxidants, which protect against cell and tissue damage.

It may not be the cure for cancer nor the common cold but it is apparently a scientific approach to the pizza. It brings to mind the funniest science quote ever made on film:

Back off man, I am a scientist! (Bill Murray in Ghostbusters)

Why would anyone want to create a healthier pizza? Do you think they have applied for, and received, government funding for this breakthrough in science?

(via BBC Health)

Posted on by mklang

You can't say McJob

After films and books like Supersize Me and Nickel and Dimed. Not to mention things like McLibel (documentary, book and lawsuit). It may be understandable that McDonald’s have had enough of bad publicity. So bad has the publicity become that the word McJob has now become synonymous with a badly paid shitty jobs. It’s even in the OED (Oxford English Dictionary)

The word McJob, as the OED definition makes clear, is “depreciative.” It goes on to define the term as: “An unstimulating, low-paid job with few prospects, esp. one created by the expansion of the service sector.” It found its way into the dictionary in March 2001, 15 years after it was apparently coined by the Washington Post. (Speigel Online)

But now McDonald’s has had enough and is demanding that the word McJob be stricken from the OED.

“Dictionaries are supposed to be paragons of accuracy. And it this case, they got it completely wrong,” Walt Riker, a Mickey D’s McSpokesman complained to the Associated Press. “It’s a complete disservice and incredibly demeaning to a terrific work force and a company that’s been a jobs and opportunity machine for 50 years.” (Speigel Online)

Apparently McD is arguing that the definition is outdated and old-fashioned. That may be true but the last time I looked into a McDonald’s the people working there sure seemed to have really classic McJobs.

Posted on by mklang